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jpq Junior Member
Joined: 13 Jun 2009 Posts: 61
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Posted: Tue Jun 16, 2009 11:09 pm Post subject: tr-rack and Hi and lo samples |
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tr-rack:
i found sounds can have different Hi and lo samples these crossfaded ? or velocity depends which sample plays. if there is crossfade i think tihs is much more usefull. ps. tell other korg synths about this if you know. |
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jpq Junior Member
Joined: 13 Jun 2009 Posts: 61
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Posted: Wed Jun 17, 2009 8:55 am Post subject: Re: tr-rack and Hi and lo samples |
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Its seems directly jumps older than triton series but m30,m5,ja oasys there is possiblity use crossfade. i get ansver from other place. |
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X-Trade Moderator
Joined: 14 Feb 2006 Posts: 6494 Location: Leeds, UK
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Posted: Wed Jun 17, 2009 11:03 am Post subject: |
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the triton directly jumps, so I would assume that the trinity does too (considering it is older). don't know if the new EDS synths (M50, M3) or the HD-1 (OASYS) does it, but I do know that they have four velocity layers rather than two. _________________ Current Gear: Kronos 61, RADIAS-R, Volca Bass, ESX-1, microKorg, MS2000B, R3, Kaossilator Pro +, MiniKP, AX3000B, nanoKontrol, nanoPad MK II,
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Software: NI Komplete 10 Ultimate, Arturia V Collection, Ableton Live 9. Apple OSX El Capitan on 15" MacBook Pro |
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jpq Junior Member
Joined: 13 Jun 2009 Posts: 61
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Posted: Wed Jun 17, 2009 12:14 pm Post subject: |
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X-Trade wrote: | the triton directly jumps, so I would assume that the trinity does too (considering it is older). don't know if the new EDS synths (M50, M3) or the HD-1 (OASYS) does it, but I do know that they have four velocity layers rather than two. |
i asked this form one generic forum. i get this ansver these new can "morph"/crossfade them. |
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Timo Platinum Member
Joined: 24 Jan 2002 Posts: 3109 Location: Kaoss central, England
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Posted: Wed Jun 17, 2009 1:40 pm Post subject: |
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You could always set up a combi with two patches. One patch that gets attenuated the harder you press, and the other patch to get louder the harder you press.
The end result will be very similar to a crossfade. If you play softly, you will hear more of the first patch. As you play the keys harder, the first patch will fade out and the second patch will fade in, meaning you will hear more of the second patch accordingly.
Both fine detune parameters of both patches within the combi must be identical, or you may have detune/phase issues when both patches are summed. _________________ [Free Moss Set For All Workstations With Moss Expansion]
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jpq Junior Member
Joined: 13 Jun 2009 Posts: 61
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Posted: Thu Jun 18, 2009 11:55 am Post subject: |
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Timo wrote: | You could always set up a combi with two patches. One patch that gets attenuated the harder you press, and the other patch to get louder the harder you press.
The end result will be very similar to a crossfade. If you play softly, you will hear more of the first patch. As you play the keys harder, the first patch will fade out and the second patch will fade in, meaning you will hear more of the second patch accordingly.
Both fine detune parameters of both patches within the combi must be identical, or you may have detune/phase issues when both patches are summed. |
nice tip but hard some times but still usefull. |
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