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Laste7 · Full Member Joined: 26 Mar 2010 Posts: 147

Hi Simur,

yes, but why do you want to be able to do this?
Even with RPPR or ARP you have to foward a click or something to the drummer...we tried it without, and failed.

So we use the sequencer now, to be able to give the drummer a click.
And of course, this has the advantage to fill some other things in, like the Vocoder "Radio" etc.

By the way: I think he is not programming the Kronos on his own, he just play it. As far as I remember, he had a female technican to do the programming...so he will not know, where it comes from Smile

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She told me it was either her or the Kronos! I'm going to miss her...

simur · Posted: Wed Aug 08, 2012 1:54 pm Post subject:

jeremykeys · Posted: Wed Aug 08, 2012 11:08 pm Post subject:

23 years ago I used ther sequencer in my Korg EX 800. It had 2 outputs and because I was running a mono system we just sent the other side to the board and routed it to a separate monitor send that only the drummer heard loudly. Plus, he had a foot switch to turn it on or off as he needed. I used the EX-800 for other sounds and sometimes he just wanted to hear his regular mix.
I also find just using a straight click is just obnoxious to work with. I prefer4 to send a grooving percussion track generally using latin percussion. Even in metal songs although this is mostly when we're recording. It helps keep everything tight.The "click" is never heard after the fact of course.
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If music is the food of love, play on and play loud!
Gear: Kronos 73, Triton Pro-X, Wavestation EX, Polysix, King Korg, Monotron and Monotron Duo, Minikorg, Moog Grandmother, 1 Roland U-20, Hammond M3, 4 acoustic and 6 electric guitars, 1 Ibanez 5 string bass, a bunch of microphones and other very cool toys, 1 wife and 3 cats!