Actually all innovation where it comes to sound creation happens in VST country, for example where it comes to authentic keysounds, spectrasonics keyscape is incredible.. but when you load it into omnisphere, you get something incredible..Joe Gerardi wrote:Let me turn this around, then:
Where should the keyboard maker's go? What is new out there? What has not been done? If you remove sampling, FM, Analog, PM, Granular, wavetable, and additive style of synthesis, what is left?
Until someone invents a whole new technology, there is going to be only regurgitation.
If you think about it, the Kronos offered zilch in new features It was just a rehash of the same old stuff.
However it was done brilliantly. And that's what we see out there- rehashes, that every so often offer something brilliant.
I, for one, am excited about the Quantum. I love how samples can become part of a wavetable. And Granular synthesis. And all the other goodies. I think it will be a perfect complement to the Kronos, offering thing the Kronos hasn't got.
But mostly, what's really needed is musicians making keyboard music. Too much out there can be done on a 1980's Casio home keyboard- there's no real playing going on except in quite a niche area of music.
Hard to innovate for such a small crowd.
..Joe
So the perfect workstation should have a VST soundsource, but then, why not just use a computer? Well, a computer will allways feel like a computer and not like a musicall instrument..
So what does a workstation require to hide the fact that there is a computer inside?
Thats a dedicated interface, which allows you to controll the sounds.. and this is where the innovation should be
and on top of that... the tools to be creative with those sounds... thats where a workstation differs from a synthesizer... sequencers, stepsequencers, drumloops, arpeggios, karma, arrnager styles, clip launching and some more all integrated in a single interface...
On top of that a modular design, allowing for improvements and new things to be added.. nothing set in stone, but a way to add new features and things to the software (and make money on that)
But most important thing for a workstation is content to play around with... when you look at Kronos, there are so many nice comb's .. with their own Karma scenes.. and then every sound comes with a drum... when you look at pa4x, there are so many prepreprared soundsets and styles, which make it easy accesible...
So is this innovative? Well, the interface should be...
But the rest? Well its modular, and its software, so there will allways be room to add more innovative features and Vst's....
So shouldn't the hardware (cpu power and such) be upgradable?
Even this could be archieved trough sepperating the product in 3 parts....
1) the controlling hardware connected to the hidden pc, including a touchscreen..
2) a VST host with all the workstation features on board running on the PC
3) a PC.. sepperate buy... you can add a PC as powerfull as you need/want in a case and uograde it in the future, and hide it.. either in the keyboard... or just have a PC ...
The future is in combining these 3 things.....