Korg Forums

[Jovco]

Hi guys, I'm new on this forum, and I'm new Kronos user.

I bought Kronos five days ago, and And I played mostly in program mode, and
I was totally excited how everything sounded, but...

When I tried to make some combis I've encountered great constraints in terms of polyphony, and I don't know is it just my unit, or is this a general problem with Kronos?

I always loved Korg because of 16 timbre combis, as I like to layer more sounds to create unique sound, but now I can't do it because I have huge voice stealing, and note drop off...even if I just use piano and some EXs18 strings, when using damper it will increase a cpu and start polyphony problems...

I know it's depends on each engine, but when I was doing my research, before buying, I didn't know that I will have these problems, I was thinking that somehow in combi polyphony will be devided between engines, and not summed up.

When I realise the problem, I even find it on programs...When i use program U-A000 Doubled Screamer, and just play three note chords randomly, voice CPU, Voice stealing, and number of sounding voices will increase dramatically.

Is something wrong with my Kronos?

My English is not so good, but I hope that someone will understand what I try to say, and eventualy help me.

I simply can't believe that I spent all my money, and I can't layer 3-4 sounds without losing notes.
If I was know this before buying, I think that I wouldn't buy it at all.

Did I miss something, or it is what it is?

[jeremykeys]

I'm not at my Kronos right now but one of the things that can be done to limit voice steeling is to turn off the level meters. You access this by first tapping the Global button, From there you will find a box that you can check that turns off the meters. I"m not exactly sure what page it is on but if I remember correctly it is somewhere near the lower edge of the screen near the middle.
Hope this helps. If not, if you give us an idea of what programs you are using to build your combis, we might be able to recreate the combi and see if we also have the same problem. If we don't find any voice steeling, then I would think there is something wrong with your Kronos.

Good luck!
Jeremykeys
_________________
If music is the food of love, play on and play loud!
Gear: Kronos 73, Triton Pro-X, Wavestation EX, Polysix, King Korg, Monotron and Monotron Duo, Minikorg, Moog Grandmother, 1 Roland U-20, Hammond M3, 4 acoustic and 6 electric guitars, 1 Ibanez 5 string bass, a bunch of microphones and other very cool toys, 1 wife and 3 cats!

[Artcutech]

I’m really interested to see how this plays out, I’m getting ready to buy a kronos on Black Friday but was thinking about next week as I have a sweet deal as of right now but would like to know more about how this situation plays out

I’ll prob buy it regardless but the more to look out for the better

[voip]

Getting to grips with polyphony and the impact it has will help to understand where the limitations are and how to get round them.

The Kronos is still way ahead of the rest of the pack in terms of the collective features and sounds it offers.

The Program mentioned, Doubled Screamer, is a double Program, using one instance each of the MS20 and Polysix engines. However, looking at the Play | Perf Meters tab, it can be seen that playing and holding just a single note uses 8 voices, which arises because of the way in which voices have been implemented in each of the synths. Repeatedly playing just one note, or a series of single notes, soon invokes 48 or even 52 voices. This is because the sounds do not cut off the instant a key is released, but sustain, and this requires voices to be utilised to play the sustained part of the sound after the key has been released. Playing a succession of three note chords would require three times as many voices.

However, try going to the Play tab, and select the Control Surface tab, and in the Control / Assign switch section at the left of the keyboard, press Timbre/Track. The screen now shows the relevant control surface. Move the Mix Volumes slider number 1 to its minimum position, which fades out the Polysix part, and play a few notes. It should immediately be clear that the MS-20 sound that remains is extremely quiet over most of the keyboard range, and only becomes relatively loud when notes in the lower register are played.

If the MS-20 is removed (set to "off") using the Program, Common | Basic/Vector tab, the number of voices being used will be halved, with little or no effect on the sound, except in the lower register. The Polysix has much higher polyphony than the MS-20 (see below).

Info on Kronos engines and their maximum polyphony, from the user manual and spec sheet:
HD-1 single 140 voices, double 70 voices
SGX-2 dual stereo 100 voices (equivalent to 400 mono voices)
AL-1 single 80 voices
STR-1 single 40 voices
CX-3 200 voices
MS-20 40 voices
PolySix 180 voices
MOD-7 52 voices
EP-1 104 voices

The Yamaha Montage offers 128 voices or equivalents.

The Moog One Poly has up to 16 voices.

.

[GregC]

Go to Global /System prefs/ Mute mode

Change from Studio to Live Mode.

Save/write your Global change

That should solve the problem
_________________
Kronos 88. MODX8
Achieve your musical dreams
https://soundcloud.com/user-898236994

[Poseidon]

[ITguy54]

[Jovco]

Thank you very much for the replies.

I will try to exit level meters, but I doubt that this will solve the problem.

I changed from studio to live mode, it did not help.

I understand that some programs are very demanding in terms of polyphony, but that's not something I should worry about in this expensive instrument.

I kept the money for months, because I do not earn it easy, and now I have come to the point that for all that money I can not create a combi with the sounds I like, but Instead I should find some that I don't like so much, and use them, because they are less demanding, such as some sounds which are identical to M3. If I wanted to play M3 I would not buy the Kronos.

One more thing, when I pulled out a new keyboard (Kronos 2-73) from the box, and checked if all the keys were working, I could not believe that one key in the last octave sometimes remains stuck and does not return.
I thought maybe I can manage it to work with constant use, but that did not happen.
Of course, I have a warranty, and can fix it, but I can not hide my disappointment, because these things should not happen.

On the other hand, I'm really excited how Kronos sounds, I'm more than happy in that way, but feelings are mixed, because the problems I have.

I really don't know what to do now.

Thank you once more for your replies.

[Liviou2004]

Hello jovco,

Sorry you've encountered these issues.

Is your Kronos a new one or a second hand ?

You say one key doesn't work. I've never heard such a problem with a new Kronos. If its a new Kronos, I think you should get it back and ask for a replacement.

(Changin only the CPU, as it has been said above, won't change anything. Just give a look here : https://(Software Piracy Do Not Click).blogspot.com/).

Using open sampling system can be a way around. That way you can free midi voices by using WAV file you sampled before.

[Poseidon]

[Liviou2004]

[Liviou2004]

[QuiRobinez]

Polyphony management is normal on synths and workstations, all synths have that (including VST's on computers), on my facebook channel i post a lot of tips and tricks, here's one of that posts that gives you some insight on what to do on the kronos when you hit the max polyphony of the kronos.
Especially tip 3 is an important one to keep the combi going.

Combi Tips and tricks: When creating korg kronos combis, sometimes you hit the polyphony limits when playing with those sounds. So if you have those note stealing issues then here are some tips to get more out polyphony of your combis.

For more cpu power and less note stealing four things are important in combi mode.

1: in global mode - basic tab (system preference section) you see a option called Mute Mode: set this one to Live (now the mute behavior in combi mode is changed) if you mute a timbre while playing it won't take any polyphony and cpu resources anymore. If you leave it to the default Studio setting, then it still consumes cpu en polyphony because only the audio path is muted and not anything else. So use the setting: Live
- don't forget to save the global settings to the right top menu to save your kronos this way.

2: if you use Effects, reassign effects to several timbres. For instance when using a delay effect for timbre 1, 2 and 3, there is nothing wrong with assigning one delay effect and use that one delay effect for all three timbres. If you use three delay effects then obviously this will take much more cpu power then one. This applies of course to all effects used. Same for a reverb, just set the reverb in one of the MFX slots and use the send channel for each timbre to determine the amount of reverb.

3: a very important feature is the timbre Priority checkbox on the combi - Timbre parameter tab - Midi subtab. Basically what this does is influences the note stealing of each timbre. For your main sounds (like drums and bass) set this priority to ON (checked). For pads and other sounds that are less important leave it off (unchecked). Don't activate the priority for every timbre. So let's say you play a piano with a pad underneath, you have the priority checked for the piano and unchecked for the pad. Now when you play and run out of cpu the kronos will try to keep the sound going for the piano and it steals some notes of the pad sound. It does this really good and most people won't hear it in a band context.

4: in firmware 3.04 or higher there is a setting in global mode where you can turn the level meters off which add some polyphony. So set this one also to off.

[Poseidon]

[QuiRobinez]