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Build Ups, Drops, & Breakdowns

 
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BubbleTrailsMusic
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Joined: 19 Aug 2016
Posts: 51
Location: Austin, Texas

PostPosted: Fri Sep 16, 2016 9:04 pm    Post subject: Build Ups, Drops, & Breakdowns Reply with quote

Curious how others achieve big changes in their tracks by using build-ups, drops, & breakdowns.

A couple methods that work for me:

-For snare rolls I copy the same snare sound I'm using for the beat and keep it muted until I'm ready to transition. Also, will sometimes apply a 32 roller to it for about half of the last measure (depending on track). For Kick rolls I usually do something similar.

-I use HPF Noise Osc's with filter sweeps motion captured. Sweep up filter to transition out, and sweep down on the next pattern.

-Killing any Master Effect Hold that was held on the previous pattern really helps tighten things up on a breakdown or drop. (For example: use HP Delay Master FX to build a lot, then next pattern have it off)

-Reverse rides/crashes are really good for making transitions smoother (combine with HPF Noise Sweep)

- Also I will have an OSC that I MoCap a pitch sweep from -63 to +63 beginning to end. Now there is a trick to this one when you make it: Hold the note to record a continuous TIED tone throughout whole pattern, next record your motion capture of the pitch up sweep. You will notice when the pattern resets for the first few notes you will hear the highest possible pitch because it takes a second to reset your motion capture. Use sequencer to delete beginning steps one at a time until you don't hear the high note.

There now you guys have some of my secrets, what are yours?
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WestLondoner
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Joined: 24 Jul 2016
Posts: 64

PostPosted: Mon Sep 19, 2016 12:41 pm    Post subject: Reply with quote

Excellent thread, bubbletrails!
Although I don't make enough use of buildups and breakdowns, in my tracks to date, your post is definitely inspiring. Might have to give your suggestions a go later on.

Thank you Very Happy

PS hopefully others will add some of their related tips soon.

PPS actually, there was one effect I managed to squeeze out of my E2 recently - the sound of waves crashing, against a seashore, then receding - which chuffed me to bits - utterly convincing. Just couldn't believe how close it was to the real thing, but I'm not sure many others would be interested in how it was done, at least until I upload a track featuring it...
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BubbleTrailsMusic
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Joined: 19 Aug 2016
Posts: 51
Location: Austin, Texas

PostPosted: Mon Sep 19, 2016 3:58 pm    Post subject: Reply with quote

WestLondoner wrote:

PPS actually, there was one effect I managed to squeeze out of my E2 recently - the sound of waves crashing, against a seashore, then receding - which chuffed me to bits - utterly convincing. Just couldn't believe how close it was to the real thing, but I'm not sure many others would be interested in how it was done, at least until I upload a track featuring it...


I'd love to hear it and know how you achieved it. I know wind is pretty easy to create using noise but let's hear the seashore! Awesome.
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Live Improvisational EDM from ATX. No computer, just nastiness.

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https://twitter.com/BTmusicFreqs
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WestLondoner
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Joined: 24 Jul 2016
Posts: 64

PostPosted: Mon Sep 19, 2016 11:06 pm    Post subject: Reply with quote

Hi, if I do it won't be soon because I've just had to send my trusty mixer in for repair, as it's finally developed loose jack connections (btw anyone know what a good price to have 1/4 inch jacks repaired? was tired of twiddling the wires all kinds of ways, just to get a good stereo field and I've been quoted around 30 Uk or 40-45 usd) so won't be recording anything new for a good few days, alas. Embarrassed to admit that I'm too 'olskool' for ableton and pc recording I'm afraid, but should get an example up with it when it's back. hth
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