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How to send click track from COMBI mode

 
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psionic311
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Joined: 14 Nov 2014
Posts: 1046
Location: Orlando, Florida USA

PostPosted: Mon Apr 23, 2018 1:02 am    Post subject: How to send click track from COMBI mode Reply with quote

This is for a live situation. I've got main L/R going out to the FOH, and Audio OUT 1 dedicated to the left hand bass. I'm hoping there's a way to send a basic click track to Audio OUT 2 while in COMBI mode. Any suggestions?
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jok3r



Joined: 23 Apr 2018
Posts: 1

PostPosted: Mon Apr 23, 2018 12:59 pm    Post subject: Reply with quote

I'm using the Drum Track for this. I use the Metronome Pattern (417 on my machine), route it to Midi Channel 16. On the mixer page i choose "Misc. Percussion" as program for timbre 16. On the IFX routing you can disable the "Drums" checkbox for timbre 16 and then route it to the output that you want to.

I usually don't have any tempo changes. But if you need that you could still pre-record your click track, load it as user sample/convert to a program and fire it with a key or pad.

Perhaps there's a possibility to change the tempo on the fly by using karma, but as I said: i don't need tempo changes, so the last two suggestions are untested Wink

EDIT: this also only works if you don't change combination during song... the drum track will stop if you switch to another combi. I have two other keyboards connected to my Kronos, so i usually can split and layer all my sounds, so that i don't have to switch combi's during a song. keep that in mind, if you want to try that.
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psionic311
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Joined: 14 Nov 2014
Posts: 1046
Location: Orlando, Florida USA

PostPosted: Mon Apr 23, 2018 9:04 pm    Post subject: Reply with quote

jok3r wrote:
I usually don't have any tempo changes. But if you need that you could still pre-record your click track, load it as user sample/convert to a program and fire it with a key or pad.


This gives me an idea. Since the drummer is wearing in ears, I can just play each song beforehand so he can get not only the tempo but also the rhythm. Thx.
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