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Bachus Platinum Member
Joined: 23 Apr 2006 Posts: 3126
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Posted: Wed Jun 29, 2022 7:05 pm Post subject: |
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Koekepan wrote: | I'm pretty sure I've heard other numbers, something more like 192? Over 100, to be sure.
But again, when the device is also a MIDI master that can drive other devices hard, that's a very artificial limit. I can use my Force to drive my Kross and my Krome and my Blofeld and my Pipes and my stack of Volcas and various desktop monosynths at the same time - and then I'm well over 200 parallel voices. |
I guess since its not based on a dsp structure.. it makes polyphony much more variable, like on Kronos or even a Daw where there is no hard polyphony number, but more like a soft one based on how much processor power you are using.. _________________ Korg Kronos 2/88 , Genos, Mainstage3 +VSTsu, ipad pro, GSi Gemini, Roland Integra 7, Jupiter Xm, Yamaha motif XS rack, Ketron SD90.
www.keyszone.boards.net |
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kimu Platinum Member
Joined: 29 Aug 2007 Posts: 1133 Location: Italy,Milan
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Posted: Tue Jul 19, 2022 8:56 am Post subject: |
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i am trying it since couple of weeks and have to say it's quite different from what we consider to be a workstation.
it's great for studio work especially if you like or are used to mpc workflow.
the integrated key added a much smoother workflow than having a mpc live/x with a midi key and the cv/gate make sequencing your eurorack or other analog synth quite easy.
sound-wise is what you expect from an mpc, modern and oriented to r&b, hip-hop etc etc the added piano, ep and organ are good but are not standing to what a flagship workstation or a dedicated stage piano like nord provide today.
it has some quirks that made it not very usable live, like browsing sound de-fact load sample into ram, just 4 plugin at a time, no smooth transition between patches, loading time to change project is quite long...
so, overall, if you like sampling and working in studio is a great substitution to a daw, but it's not a workstation /stage piano killer to me _________________ "Don´t let your Blofeld beside children, mothers-in-law or pets. This could lead to critical interactions."
Waldorf Blofeld User's Manual, Jan 2009
http://rsto.bandcamp.com/album/constellation - Free download of "Constellation"
http://www.youtube.com/user/RedShiftingTheOceans
http://soundcloud.com/kimuz |
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Sharp Site Admin
Joined: 02 Jan 2002 Posts: 18197 Location: Ireland
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Posted: Sat Jul 23, 2022 1:00 pm Post subject: |
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The mere fact it will always be slow at changing sounds means it's entirely impracticable as a Live Instrument for anyone who gigs in the traditional sense you would normally buy a workstation or a Synth for. In the Studio there's time to wait, but personally, this is also unacceptable for me. Given my MPC-X has the same limitations, and the exact same workflow, I decided to simply give up and sell my MPC as it was just not getting any use. Simply didn't fit with my workflow and I don't think AKAI will get this right for many years and some future generation of keyboard.
Decided to put the money towards a Hydrasynth Delux which should arrive in a week or so. That should be a far better fit for me.
Regards
Sharp. |
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SeedyLee Platinum Member
Joined: 13 Sep 2006 Posts: 1370 Location: Perth, Australia
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Posted: Wed Jul 27, 2022 12:27 am Post subject: |
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So I’m really curious as to how the MPC Keys stacks up agains the Fantom 06? Anyone done a comparison? _________________ Current Equipment:
Korg Kronos 2 88, Reface CS, Roland JV-1080, TE OP1, Moog Subsequent 37, Korg ARP Odyssey, Allen & Heath Zed 18, Adam F5, MOTU MIDI Express XT, Lexicon MX200 & MPX1, Yamaha QY700, Yamaha AW16G, Tascam DP008ex, Zoom H6, Organelle, Roland J6 & JU06A
Previous: Triton LE 61/Sampling/64MB/4GB SCSI, MS2000BR, Kronos 1 61, Monotribe, NanoKontrol, NanoKeys, Kaossilator II, Casio HT3000, Roland VP-03, Reface DX, Novation Mininova, MPC One |
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