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One M3 too many?

 
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karmathanever
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Joined: 12 Jan 2004
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Location: Australia (Oz !!)

PostPosted: Mon May 07, 2012 2:42 pm    Post subject: One M3 too many? Reply with quote

Hi folks

This may sound a bit stupid but I bought an M3M a while back and found that I more and more wanted a keybed for it. Couldn't find one so I ended up buying a second-hand M3-61.

I am having difficulty selling the M3M (and realise I won't get much for it now) but wondered if there was any benefit in actually keeping it. So, just wondered if any of you have 2 M3's and if you could suggest a reason for hanging on to it.

Sorry if this sounds a bit ridiculous - just after some suggestions....

Thanks

Pete Very Happy
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alland
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Joined: 17 Jun 2009
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PostPosted: Mon May 07, 2012 5:05 pm    Post subject: Re: One M3 too many? Reply with quote

karmathanever wrote:
I am having difficulty selling the M3M (and realise I won't get much for it now) but wondered if there was any benefit in actually keeping it. So, just wondered if any of you have 2 M3's and if you could suggest a reason for hanging on to it.


If I had extra M3M I'd keep it in my church where I play often. So I'd need less hassle carrying my stuff from home to church and back.
On gear for the go and another fixed at home studio.
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X-Trade
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Joined: 14 Feb 2006
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PostPosted: Mon May 07, 2012 5:16 pm    Post subject: Reply with quote

I would think running eight KARMA modules together should be fun Wink
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billbaker
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Joined: 31 May 2006
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Location: Vienna, Virginia, USA

PostPosted: Mon May 07, 2012 10:15 pm    Post subject: Reply with quote

+1 to alland. Having gear set up on-site at a regular venue is very nice - a time saver and makes for a more consistent performance week-to-week.

Also - having a second of the same synth engine is really handy from the standpoint of reliability and repair issues. If you tour, that second module is an absolute necessity; you can get one repaired without missing dates, or even send one ahead if you play more than one date in a day.

BB
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michelkeijzers
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PostPosted: Mon May 07, 2012 11:04 pm    Post subject: Reply with quote

I think it still is possible to use even notes on one and uneven notes on the other, making approximately a double polyphony M3 without the need of changing anything (except that parameter).
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BrendanG
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Joined: 13 Apr 2010
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PostPosted: Tue May 08, 2012 11:38 pm    Post subject: Reply with quote

I'm the opposite.
I bought the m3 61 and also an m3 73 and then sold one module but kept both keybeds,
I gig with the 73 keybed and practice at home on the 61
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karmathanever
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PostPosted: Wed May 09, 2012 4:49 am    Post subject: Reply with quote

Quote:
I bought the m3 61 and also an m3 73 and then sold one module but kept both keybeds,
I gig with the 73 keybed and practice at home on the 61


Awesome. Very Happy
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michelkeijzers
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PostPosted: Wed May 09, 2012 6:52 am    Post subject: Reply with quote

karmathanever wrote:
Quote:
I bought the m3 61 and also an m3 73 and then sold one module but kept both keybeds,
I gig with the 73 keybed and practice at home on the 61


Awesome. Very Happy


I think this is a good way to use it, you only need the module part to drag around.
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dysamoria



Joined: 09 Jan 2007
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Location: Hell, PA, The Corporate States of America

PostPosted: Wed May 09, 2012 8:14 pm    Post subject: Reply with quote

Heh, I wish I'd bought the 88 key version instead of the M, my own self, but I figured my Alesis 88-key boards were enough. Then I realized that the presets are devised to use the ribbon & switches for performance & that the RH3 has graduated hammer action like a real piano and now I regret the choice. Korg should have made the key beds available separately.

EDIT: AND that the sequencer is easier to work with when using the M3 keyboard, rather than an external MIDI In!!
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