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laandodeman Senior Member
Joined: 07 Jul 2011 Posts: 417
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Posted: Fri Sep 14, 2012 7:01 am Post subject: CX Hammond does not cut through the mix |
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Anyone recognize this? I play in a rock band and dhe sound technician of my band says the hammond programs I made are not loud enough compared to my other programs and they do not come through in the mix.
Is there an easy way to solve that (except of course turn up the volume of the hammonds in all my combi's)? |
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arne v Full Member
Joined: 23 Aug 2011 Posts: 195 Location: Norway
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Posted: Fri Sep 14, 2012 8:02 am Post subject: |
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Hi,
Do you mean it sounds "weak" compared to the rest of the sounds?
What i did with most of my pianos (acc, and el) i would copy EXi 1 over to EXi 2. This "doubles" the sound and it sounds much "fuller" imho. This does not affect your CPU usage to much when its just an organ.
You can of course play with the "detune" and panning option to widen the sound
Regards Arne v |
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SanderXpander Platinum Member
Joined: 29 Jul 2011 Posts: 7860
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Posted: Fri Sep 14, 2012 8:19 am Post subject: |
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I would argue very strongly against doubling like that, especially with Leslie speakers involved and such. Of course, you should do what sounds best to you, but it seems to me an excellent way of introducing phase problems.
I don't really know what to tell you otherwise. Organs are very dynamic. Not through velocity of course, but the drawbar settings and amount of notes you play make a huge difference, not to mention riding the volume pedal. This is why the "starting volume" of the organ is perhaps a little lower. It was the same on my Nord Stage. I just reprogram my patches accordingly (lower the sound of the other patches) and usually leave a little room on my master volume knob to boost if I need it. |
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laandodeman Senior Member
Joined: 07 Jul 2011 Posts: 417
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Posted: Fri Sep 14, 2012 8:26 am Post subject: |
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Interesting, I also had the same problem with my Nord Stage before I converted to Korg....
I was hoping there was something in the CX programs I could do to turn up the volume, but probably you are right that the best solution is turning the volume of other programs in the combi down. |
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SanderXpander Platinum Member
Joined: 29 Jul 2011 Posts: 7860
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Posted: Fri Sep 14, 2012 9:03 am Post subject: |
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If you really want, you could try disabling the CX3s internal leslie, then run the "naked drawbars" through a compressor in IFX and then a leslie (also in IFX). This would bring up the basic volume, at the expense of sacrificing some dynamics. But really, master volume riding, if done with care, should work really well. Last gig after my organ solo the sound guy asked me to please not have the organ so loud |
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mathieumaes Senior Member
Joined: 10 Dec 2011 Posts: 430
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Posted: Fri Sep 14, 2012 9:13 am Post subject: |
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I actually have the opposite problem. I sometimes need to use the organ as a background sound (ie. listen to John Fogerty's "Have you ever seen rain"), but most sounds are too agressive and way too loud.
Maybe we should exchange programs ? _________________ Old gig setup: Yamaha S90, Roland Fantom XR, Hammond XM-1, M-Audio Axiom 61
2011 gig setup: Korg Kronos 88 |
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DoubleM Junior Member
Joined: 27 Jan 2012 Posts: 52 Location: Germany, in the very South!
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Posted: Fri Sep 14, 2012 9:13 am Post subject: |
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I had the same problems after reprogramming my hammond sounds, formerly coming from my Nord Electro III.
I followed the same procedure like SanderXpander did, lowered the volume of the other sounds in the combinations and left some "headroom" in volumes generally.
What I found out esp. for hammond sounds:
You have to take care of the frequencies in the EQ. In a band context the organ frequencies often get in conflict with the guitars. I sometimes tweak the EQ in EXi1 carefully in a range of est. 1.6 kH a little bit. Result is, the organ isn´t louder at all, but cuts better through the mix. Maybe you should give it a try... _________________ Cheers, Michael
Gear: Kronos-2 61, Kronos 88, KingKorg, MOXF8, Fantom X 7, Hammond XK-1c |
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SanderXpander Platinum Member
Joined: 29 Jul 2011 Posts: 7860
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Posted: Fri Sep 14, 2012 9:33 am Post subject: |
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mathieumaes wrote: | I actually have the opposite problem. I sometimes need to use the organ as a background sound (ie. listen to John Fogerty's "Have you ever seen rain"), but most sounds are too agressive and way too loud.
Maybe we should exchange programs ? |
Turn off the lowest two drawbars and play lower on the keyboard. If you've ever sat behind a real Hammond... you really only use those if you want to blast everyone apart. |
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DoubleM Junior Member
Joined: 27 Jan 2012 Posts: 52 Location: Germany, in the very South!
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Posted: Fri Sep 14, 2012 10:33 am Post subject: |
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SanderXpander wrote: | mathieumaes wrote: | I actually have the opposite problem. I sometimes need to use the organ as a background sound (ie. listen to John Fogerty's "Have you ever seen rain"), but most sounds are too agressive and way too loud.
Maybe we should exchange programs ? |
Turn off the lowest two drawbars and play lower on the keyboard. If you've ever sat behind a real Hammond... you really only use those if you want to blast everyone apart. |
No, no, no...
How would you play the Classic Hammond drawbar setting 88800000, if you turn off the lowest two drawbars??? _________________ Cheers, Michael
Gear: Kronos-2 61, Kronos 88, KingKorg, MOXF8, Fantom X 7, Hammond XK-1c |
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SanderXpander Platinum Member
Joined: 29 Jul 2011 Posts: 7860
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Posted: Fri Sep 14, 2012 10:38 am Post subject: |
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It's just my opinion, but I would generally not use that setting for soft comping. 008080000 would work a lot better. |
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laandodeman Senior Member
Joined: 07 Jul 2011 Posts: 417
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Posted: Fri Sep 14, 2012 2:10 pm Post subject: |
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DoubleM wrote: |
What I found out esp. for hammond sounds:
You have to take care of the frequencies in the EQ. In a band context the organ frequencies often get in conflict with the guitars. I sometimes tweak the EQ in EXi1 carefully in a range of est. 1.6 kH a little bit. Result is, the organ isn´t louder at all, but cuts better through the mix. Maybe you should give it a try... |
Makes sense, I will try that one. |
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arne v Full Member
Joined: 23 Aug 2011 Posts: 195 Location: Norway
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Posted: Fri Sep 14, 2012 4:12 pm Post subject: |
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SanderXpander wrote: | I would argue very strongly against doubling like that, especially with Leslie speakers involved and such. Of course, you should do what sounds best to you, but it seems to me an excellent way of introducing phase problems.
I don't really know what to tell you otherwise. Organs are very dynamic. Not through velocity of course, but the drawbar settings and amount of notes you play make a huge difference, not to mention riding the volume pedal. This is why the "starting volume" of the organ is perhaps a little lower. It was the same on my Nord Stage. I just reprogram my patches accordingly (lower the sound of the other patches) and usually leave a little room on my master volume knob to boost if I need it. |
well, i have now tried this on different organ sounds and they sound awesome, no problem with rotary or out of phase here
And i who never use the organ sounds
Anyway, it was just a suggestion
[edit] try the A041 Tom Coster Rythm comp, if the volume is turned up on both EXi`s you will get a small distortion on the upper part of the organ |
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guillex Full Member
Joined: 18 Jun 2007 Posts: 206
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Posted: Fri Sep 14, 2012 7:26 pm Post subject: |
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Happens with many keyboards from different brands. Nowadays I don't use factory presets as they come, at live.
I add a preamp and I improve the EQ for each program or combi that I use at live. You should do the same, because you know better how it should sound your keyboard in your band, than Korg, or Nord.
There are some frequencies that can be modified to cut trough the mix with the piano sounds, other for the Hammond... _________________ Current Gear: Nord Stage 2 sw 73 - Clavinet D6 - Kurzweil Artis
Past Gear: Korg Krome 61 -Hammond SK1 73 - Korg M3 61 Expanded Radias - Korg M50 73 - Korg N5EX - Korg N1R - Korg TR 76 - Korg TR 88
http://guilleportogarcia.com |
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dg-keys
Joined: 04 Sep 2007 Posts: 20 Location: germany
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Posted: Fri Sep 14, 2012 8:49 pm Post subject: |
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Hey folks,
when I met mr. Jordan Rudess, he told me, that he uses the multiband limiter in the master section in every combi/program.
The effect makes the sound much more assertive. Rises a little bit of the high and a bit of the mid. When you play wide chords he cuts the volume a little bit without notice. So you are never too loud and never too quiet.
I use the effect in every combi/program as well and it works fine. Give it try.
Regards from germany
Dan |
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X-Trade Moderator
Joined: 14 Feb 2006 Posts: 6494 Location: Leeds, UK
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Posted: Fri Sep 14, 2012 9:32 pm Post subject: |
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dg-keys wrote: | Hey folks,
when I met mr. Jordan Rudess, he told me, that he uses the multiband limiter in the master section in every combi/program.
The effect makes the sound much more assertive. Rises a little bit of the high and a bit of the mid. When you play wide chords he cuts the volume a little bit without notice. So you are never too loud and never too quiet.
I use the effect in every combi/program as well and it works fine. Give it try.
Regards from germany
Dan |
Do you recommend a particular preset? Or the default settings?
Th problem with multiband compressors and limiters is that they are so hard to tune.. _________________ Current Gear: Kronos 61, RADIAS-R, Volca Bass, ESX-1, microKorg, MS2000B, R3, Kaossilator Pro +, MiniKP, AX3000B, nanoKontrol, nanoPad MK II,
Other Mfgrs: Moog Sub37, Roland Boutique JX03, Novation MiniNova, Akai APC40, MOTU MIDI TimePiece 2, ART Pro VLA, Focusrite Saffire Pro 40.
Past Gear: Korg Karma, TR61, Poly800, EA-1, ER-1, ES-1, Kawai K1, Novation ReMote37SL, Boss GT-6B
Software: NI Komplete 10 Ultimate, Arturia V Collection, Ableton Live 9. Apple OSX El Capitan on 15" MacBook Pro |
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