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Sharp Site Admin
Joined: 02 Jan 2002 Posts: 18197 Location: Ireland
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Posted: Sat Oct 06, 2012 1:18 pm Post subject: Chords |
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Hi all.
If chords were something you could only trigger and not play the individual notes yourself, what would you deem as critical must have chords ?
My thinking for each note is...
Major
7th
Minor
Diminished
Augmented
Regards
Sharp. |
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BasariStudios Approved Merchant
Joined: 29 May 2005 Posts: 6510 Location: NYC, USA
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Posted: Sat Oct 06, 2012 1:32 pm Post subject: |
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I agree with you, those are the ones mostly used. _________________ http://www.basaristudios.com
Cubase 8.5 Pro. Windows 7 X64. ASUS SaberTooth X99. Intel I7 5820K. ASUS GTX 960 Strix OC 2GB. 4x8 GB G.SKILL.
2 850 PRO 256GB SSDs. 1 850 EVO 1TB SSD. Acustica: Nebula Server 3 Ultimate, Murano, Magenta 3, Navy, Titanium. |
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jeremykeys Platinum Member
Joined: 19 Jun 2011 Posts: 3092 Location: Toronto, Ontario, Canada
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Posted: Sat Oct 06, 2012 1:35 pm Post subject: |
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I would also suggest suspended chords such as second and forth chords. I tend to use them as the third is only implied. Sometimes I don't exactly want a major or minor tonality or i want to be vle to slide into it. Kid of a Pete Townsend thing.. _________________ If music is the food of love, play on and play loud!
Gear: Kronos 73, Triton Pro-X, Wavestation EX, Polysix, King Korg, Monotron and Monotron Duo, Minikorg, Moog Grandmother, 1 Roland U-20, Hammond M3, 4 acoustic and 6 electric guitars, 1 Ibanez 5 string bass, a bunch of microphones and other very cool toys, 1 wife and 3 cats! |
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jazlover Platinum Member
Joined: 09 Jan 2002 Posts: 1657 Location: Tampa, Fla USA
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Posted: Sat Oct 06, 2012 1:47 pm Post subject: |
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I know this is hypothetical....however:
For me, to not be able to flavor chords with (2nd, 6th, +5, +9 etc....) would leave the soup too tasteless. It would be sad indeed! You would be stuck with only giving the chord its essence without the colors and shadings. It would be like playing the blues without the blue notes.
and yes suspended chords are a must. _________________ “I’m into scales right now.”
John Coltrane |
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phattbuzz Platinum Member
Joined: 15 Jun 2011 Posts: 790 Location: NH USA
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Posted: Sat Oct 06, 2012 1:51 pm Post subject: |
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Interesting you should bring this up. This past month I've been taking the samples from the master reels backing tracks of the Optigan (www.optigan.com) and putting them on my Kronos. The chords it uses are limited to major, minor, diminished and in a few cases, augmented.
Personally, I would start with triads. The thirds and fifths are most important for chords. All other tensions can be covered with the melody. So my list would be:
major
minor
sus2
sus4
augmented
b5
minor (b5) _________________ Latest Set Up: Kronos 61, Casio Privia, Korg TR61, EoWave Ribbon, Roli Rise 48, TEC Breath Controller, StudioLogic MP-117 Bass Pedals, Moog Theremini.
Past Instruments of Construction: Hammond A100 w/Leslie 760, Korg R3, Roland AxSynth, Korg Poly61, Korg M1, Univox MaxiKorg, Korg MS2000, (2) Moog Concertmate MG1, (2) Hammond X5, Rhodes Mark I & 2, Farfisa Compact, Yamaha S08, Casio SK1, Strymon Mobius, Custom Bass Pedals, Burns B3 Theremin. |
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runningman67 Platinum Member
Joined: 06 Aug 2011 Posts: 1663 Location: Manchester UK
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Sharp Site Admin
Joined: 02 Jan 2002 Posts: 18197 Location: Ireland
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Posted: Sat Oct 06, 2012 2:07 pm Post subject: |
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lol.... so basically “Everything”.
Given the mathematics of music, if a single instrument in a song is locked to the chords I've mentioned, then surly this does not define the chords the song itself is limited to.
Would you agree with that?
Regards
Sharp. |
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danmusician Platinum Member
Joined: 08 Apr 2009 Posts: 875 Location: Southern PA
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Posted: Sat Oct 06, 2012 2:44 pm Post subject: Re: Chords |
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Sharp wrote: | Hi all.
If chords were something you could only trigger and not play the individual notes yourself, what would you deem as critical must have chords ?
My thinking for each note is...
Major
7th
Minor
Diminished
Augmented
Regards
Sharp. |
To this list I would add m7 and Maj7. I might also go with +9.
If I were limited to just 5 choices, I would drop aug, dim and +9. _________________ Kronos 2 88, Kronos Classic 73, PX-5S, Kronos 2 61, Roli Seaboard Rise 49 |
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jazlover Platinum Member
Joined: 09 Jan 2002 Posts: 1657 Location: Tampa, Fla USA
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Posted: Sat Oct 06, 2012 2:51 pm Post subject: |
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Maybe I am not understanding your question but if an instrument is locked into a set of basic chords, then the bass (root) and the melody are the only variables. The chords would be defined everytime except for the root and melody.
I can play a Cmaj7 easily 6 different ways (all unique sounds....some very open sounding....some very tense). Much of the fun of playing with two hand is in impling a harmony with the left hand but changing what I do with my right hand changes the harmonic essence. Playing in the left hand the notes B-E-A...can imply Cmaj7---Bsus7----Bmin7----Esus---Gmaj7...etc.. depending on the scales my right hand plays. Call me spoiled but I would hate to lose that. Also you need different flavoring for different genres of music. Playing Bossa Nova demands a certain flavor notes...so does Gospel..Modal Jazz..Blues..etc. Yeah, I guess I am spoiled and I have probably diluted your original intent on this post. _________________ “I’m into scales right now.”
John Coltrane |
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jazlover Platinum Member
Joined: 09 Jan 2002 Posts: 1657 Location: Tampa, Fla USA
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Posted: Sat Oct 06, 2012 3:04 pm Post subject: |
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Someone correct me if wrong but in jazz there are 7 types of basic chords: 6th, min6, min7, min7-5, dominant7, dim7 and maj7.
Suspended are consider more of a passing chord. _________________ “I’m into scales right now.”
John Coltrane |
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runningman67 Platinum Member
Joined: 06 Aug 2011 Posts: 1663 Location: Manchester UK
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Posted: Sat Oct 06, 2012 3:27 pm Post subject: |
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jazlover wrote: | Someone correct me if wrong but in jazz there are 7 types of basic chords: 6th, min6, min7, min7-5, dominant7, dim7 and maj7.
Suspended are consider more of a passing chord. |
Sounds about right jazlover.
Reminds me of my organ lessons many moons ago.
My least favourite chords are 7ths. G 7th leads to C Major etc.........but make it G minor 7th or G major seventh, now they have 'flavour'
Fave type of chord- B flat major 7th with a C bass = C 13th. Beautiful chord.
As you rightly say 'jazlover'. The root (bass note) is the important one. _________________ https://m.youtube.com/user/1967runningman
Last edited by runningman67 on Sat Oct 06, 2012 3:46 pm; edited 1 time in total |
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Sharp Site Admin
Joined: 02 Jan 2002 Posts: 18197 Location: Ireland
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Posted: Sat Oct 06, 2012 3:37 pm Post subject: |
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Quote: | Maybe I am not understanding your question but if an instrument is locked into a set of basic chords, then the bass (root) and the melody are the only variables. The chords would be defined everytime except for the root and melody. |
Very true, but let me try explain it another way to see what you think of this....
Assume the the limit is you can only pick 5 chords per note, but those chords need to be diverse enough to cover most material you might play.
I've gone over lots and lots of sheet music to simply find out what were the most common chords used. The results of which were, Major, 7th, Minor, Diminished and Augmented and they were all clear winners by a mile.
The hope at this point is to agree that those chords while being the most popular are the right ones to sample / lock down, and that they would blend best with other chords outside of your 5.
For example, the C Major sample will blend with a midi song playing C6 just fine. It fits well.
Or, out of the 5, would it be better to drop one or more, replace it with something less popular, but has a wider use when blended with a midi song.
Regards
Sharp. |
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runningman67 Platinum Member
Joined: 06 Aug 2011 Posts: 1663 Location: Manchester UK
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Posted: Sat Oct 06, 2012 3:44 pm Post subject: |
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Sharp wrote: | Quote: | Maybe I am not understanding your question but if an instrument is locked into a set of basic chords, then the bass (root) and the melody are the only variables. The chords would be defined everytime except for the root and melody. |
Very true, but let me try explain it another way to see what you think of this....
Assume the the limit is you can only pick 5 chords per note, but those chords need to be diverse enough to cover most material you might play.
I've gone over lots and lots of sheet music to simply find out what were the most common chords used. The results of which were, Major, 7th, Minor, Diminished and Augmented and they were all clear winners by a mile.
The hope at this point is to agree that those chords while being the most popular are the right ones to sample / lock down, and that they would blend best with other chords outside of your 5.
For example, the C Major sample will blend with a midi song playing C6 just fine. It fits well.
Or, out of the 5, would it be better to drop one or more, replace it with something less popular, but has a wider use when blended with a midi song.
Regards
Sharp. |
Major minor augmented diminished 7th as you said Sharp.
_________________ https://m.youtube.com/user/1967runningman |
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jazlover Platinum Member
Joined: 09 Jan 2002 Posts: 1657 Location: Tampa, Fla USA
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Posted: Sat Oct 06, 2012 3:52 pm Post subject: |
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I had a vision of the Korgforums Bus going down th highway, Sharp is driving (of course) and this irritating brat in the back is screaming "But.....I....WANT...IT........All....NOW" and Sharp saying "don't make me pull over".
Ok, those are the 5 basic chords for what you want will work. _________________ “I’m into scales right now.”
John Coltrane |
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Sharp Site Admin
Joined: 02 Jan 2002 Posts: 18197 Location: Ireland
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Posted: Sat Oct 06, 2012 4:16 pm Post subject: |
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lol.... Pull over?
When I'm driving the bus you just get thrown out the window without us even stopping.
Seriously though, do you think that those 5 if limited to that are the best ?
Any volunteers to test something
Regards
Sharp. |
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