Although I love these synths for their beautiful sounds and the ability to compose decent tunes without touching a computer, I do still have one huge problem:
I DON'T HAVE A CLUE how to go about designing my own sounds.
Is there a really good guide for getting the most out of the Kronos engines?
Or even a guide to make a basic start with sound design...
Check out QR's YouTube videos for one thing. Then Steven Kay's videos on KarmaLab.com for another. Many of the M3 concepts are the same, as well. And search these forums! Everything is in here!
when programming sounds you need to have some basic understanding of some of the concepts of synthesis. The following document is not that hard to understand and explains the basics quite good in my opinion.
basicly you program a sound in the following order:
1: OSC: select an oscillators type or sample
2: VCF: set the Filter for that sound
3: VCA: set the Envelopes (also often refered as ADSR by many people)
4: AMS / LFO: create the modulation matrix for that sound
5: IFX/MFX: select the effects
This one actually gives you examples on how to create specific sounds.
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qrobinez wrote:when programming sounds you need to have some basic understanding of some of the concepts of synthesis. The following document is not that hard to understand and explains the basics quite good in my opinion.
basicly you program a sound in the following order:
1: OSC: select an oscillators type or sample
2: VCF: set the Filter for that sound
3: VCA: set the Envelopes (also often refered as ADSR by many people)
4: AMS / LFO: create the modulation matrix for that sound
5: IFX/MFX: select the effects
I've been programming synthesizers since I got my Micromoog back in 1997 and those linked videos are absolutely fantastic. I so wish I could have seen these 15 years ago - especially back then, when I saw a fully working Roland Jupiter 6 in a Pawn Shop for $300.
Korg Kronos 88, Yamaha PSR s910, Korg C720, Yamaha DTX 520, Focusrite Scarlett 18i6, a pair of Yamaha HS80 in (soon not to be) an unproperly treated room..
Just goes to show how amazing the Internet and YouTube is for this generation. In the "old days" (yea...I know...shut up Grandpa! ) you had nothing but trial and error. I remember getting my first "real synth", which was an Ensoniq ESQ1 (prior to that I only had an SH101, which was a toy really at the time...and now its a coveted analog synth!:shock: ), and for a year I didn't know what the heck everything meant or did....even though I was still making great music with it by simply pressing buttons and sliding sliders and seeing what I could make happen. Then I stumbled across "The Transoniq Hacker", which was about an 8 page per month Xerox'ed newsletter (more like a Rag from some dudes garage) which actually had articles that explained what all this stuff meant. And it was like...WOW....who knew?....and these concepts started to make some sense. Back then... "Internet" wasn't even *word* yet! Its just amazing what the free sharing of information can do for you!
qrobinez wrote:when programming sounds you need to have some basic understanding of some of the concepts of synthesis. The following document is not that hard to understand and explains the basics quite good in my opinion.
basicly you program a sound in the following order:
1: OSC: select an oscillators type or sample
2: VCF: set the Filter for that sound
3: VCA: set the Envelopes (also often refered as ADSR by many people)
4: AMS / LFO: create the modulation matrix for that sound
5: IFX/MFX: select the effects
COME OFF IT Q... IM OLD
Actually, I have just sat still for a few minutes and read the Synth Basics and it's really good.. Thanks !,