Here is a picture of my newly restored M3 module. A great addition to my battery of musical equipment. You can see I am using another Korg, an ancient but very playable Korg SP-500, as a controller. Why this one...it has the RH2 graded action-same as the Oasys but more so because the action is very playable for piano-a little heavier than my TP40 Fusions, closer to the Casio PX560, but has nicer "momentum" to the keys. and thanks Steven Kay for responding to my post, my first here. I cn't seem to get half-pedaling done with the Korg DH-1 pedal. I have it plugged directly into the M3 module-all the correct settings are on and the multimeter shows the pedal working through its range-I see incremental change in the resistance readings. Might have something to do with the SP-500 as controller? But that's another post.
newly restored M3 module
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Nice setup!
How's the joystick contraption working out? Are they pricey?
Also, it that wood veneer on the M3 module endcaps and LCD bezel strips?
How's the joystick contraption working out? Are they pricey?
Also, it that wood veneer on the M3 module endcaps and LCD bezel strips?
~SynD
M3-M/Triton Classic 61(x2, 1x MOSS)/Triton Rack(x2)/Trinity/01Wfd/KPR77
+ PC3(x2)/K2500S/K2000RS(x2)/TG77/A4000/TQ5/JD990/S5000/ESynth-Kb/K5000S/SQ80
M3-M/Triton Classic 61(x2, 1x MOSS)/Triton Rack(x2)/Trinity/01Wfd/KPR77
+ PC3(x2)/K2500S/K2000RS(x2)/TG77/A4000/TQ5/JD990/S5000/ESynth-Kb/K5000S/SQ80
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Restored Korg M3
Sorry I didn't post back sooner-life gets in the way. Yes, it is from part of a collection of sample sheets I kept from my uncle, who was a VP and design engineer with US Plywood back in the 50s-60s, when they were first starting to use exotic veneers for furniture and other building plans. I still have a few sheets.
I needed to study how this midi module is programmed, very easy once I studied the directions carefully, but I haven't had a chance to try it, its sitting next to my SP-500-I also purchased a midi merge box from "DoReMidi" since I would need to midi this and the SP-500 together, just go that last week.
Since the original keyboard assemblies are so hard to get-and the SP-500 has a rather fantastic piano action with its RHII graded, this alternate way to get extra real-time control is definitely worth trying. The SP-500 is pretty narrow from front to back, I built a stand to prop the M3 module upright directly over the SP, takes up less space than a full 88-key M3 keyboard and module. I just wish the slide pots were sturdier-very similar to the old Korg microKontrol-which must have had the same slide pots, I'd repaired at least 2 microKontrols with faulty pots on those., and the replacements are hard to find.
If I were using this on gigs regularly-well I don't think I would! By the way-despite its age, the SP-500 has some very usable sounds, was a big surprise-I guess it was derived from the Triton or Trinity.
I needed to study how this midi module is programmed, very easy once I studied the directions carefully, but I haven't had a chance to try it, its sitting next to my SP-500-I also purchased a midi merge box from "DoReMidi" since I would need to midi this and the SP-500 together, just go that last week.
Since the original keyboard assemblies are so hard to get-and the SP-500 has a rather fantastic piano action with its RHII graded, this alternate way to get extra real-time control is definitely worth trying. The SP-500 is pretty narrow from front to back, I built a stand to prop the M3 module upright directly over the SP, takes up less space than a full 88-key M3 keyboard and module. I just wish the slide pots were sturdier-very similar to the old Korg microKontrol-which must have had the same slide pots, I'd repaired at least 2 microKontrols with faulty pots on those., and the replacements are hard to find.
If I were using this on gigs regularly-well I don't think I would! By the way-despite its age, the SP-500 has some very usable sounds, was a big surprise-I guess it was derived from the Triton or Trinity.