Ah that idea of automating the controls on the mixer would be fun. Bouncing mutes on a different length pattern to that the units are running on could be interesting.thehighesttree wrote:I guess the quill in my ass comes from the fact that the speakers on the other Volcas don't feel like they're taking up space which could've been put to better use. I feel like they want those speakers to fill out the face panel so that it doesn't look so stark and void.
My idea of a sequencer would be 3-4 selectable lanes that would hold 16 patterns of 16 steps (with varying resolution a la Volca FM) of automation for volume/pan-balance/Isolator/FX Send/etc. It doesn't even need anything else like fake-ass stereo widening. The idea of a Volca Mixer is pretty straight-forward, yet they whiffed it with this turd. If they just took the time to write on a whiteboard "what is a Volca?" or, "what should a Volca Mixer do?" then it wouldn't be so far off the mark, but as-is it simply doesn't check enough boxes to fit into the product line. Luckily there's a lot of other goodies from NAMM this year to drool over!
I agree about the stereo width knob; I only own the two percussion units and don't know if there is any stereo features on the others so kept quite about the uselessness of adjusting the stereo width on mono instruments.