Behringer looking for hardware and software engineers

iowagold · Post by **iowagold** » Fri Jul 19, 2019 10:03 am

hiring in todays market
well as an "old dog"
getting interviews is not the issue...
the issue is when you do get an audience most of the time it is with some person 1/2 or 1/4 your age!!
and when you have a background like mine you get asked questions like..
"with your qualifications why do you want to work here?"
or reply's like "you know we do not make space shuttle parts here right?"
although some of those companies have gone under now!!
just like the challenger!! crash and burn....
too soon???
sorry
so I guess there is no good answer to this problem...
I see wasted talent out there every day!!
folks who are way over qualified.. and now have jobs flipping burgers...
(that is a job way under qualified)
and folks with jobs that are soooo under trained.... and way over paid!!
I wish I had money...
I would hire all of the good talent out there!!
and head hunt for others as well!!
who me work for one of the big companies???
yea pick me pick me!! come on down!!
lol almost like I am talking with monty hall!!
and lol to psi!! that is funny I do not care who you are!!
as I wave my hand … "yes these are the tech's you are looking for!!"
tee hee hee!!

D575 · Post by **D575** » Sat Aug 31, 2019 1:15 pm

https://www.gearnews.com/behringer-bags ... on-center/

jimknopf · Post by **jimknopf** » Sun Sep 01, 2019 11:14 am

“These days, it’s difficult for current Japanese companies to create the types of synths that I used to develop,” Nishijima added. “This is why I joined Behringer.”

megamarkd · Post by **megamarkd** » Tue Sep 03, 2019 2:16 am

jimknopf wrote:“These days, it’s difficult for current Japanese companies to create the types of synths that I used to develop,” Nishijima added. “This is why I joined Behringer.”

Interesting. Over the last few years Behringer have been buying out companies who were once at the top of their games and then focusing on producing products that used to be the realms of professionals (as well as their traditional "hobbyist" market).

I'm still rather in two minds over the recreating old synths that are legendary, I'm more interested in synths that aren't a classic subtractive. That ground is well trodden. I'm hoping that with the addition of Nishijima to Uli's team, Behringer might start to do more originals that expand on the classics. The synth world needs more Prologues, Peak/Summits, Quantums and the like which incorporate more esoteric synthesis engines with the signal path made famous by the super synths of the 70's. (It's a shame that one maker from that time who spent the 80's doing exactly what I just described is now eschewing it all.....)