Posted: Sun Jun 01, 2014 6:43 am
To the OP, are you looking at the 88's or the 61's?
I'm in a very similar situation. I play prog rock, in my case vast amounts of Wakeman solo stuff, and I too was choosing between the Kross and Krome.
To me the big difference is the Krome has the big sized piano samples that are beautiful, but within the mix of a band I'm not sure you will get the full benefit, and the digital audio recording and favourites in the Kross.
Another difference is price. The Kross is about three quarters the price of the Krome.
For me I went with the Kross and I have no regrets.
As a kind of mini-review:
Pros:
I like the pianos a lot. e.pianos are great. Organ sounds are decent as are mellotron sounds, synth leads, and orchestral sounds. I am 100 % happy with the sound of the board.
The Favourites section makes it a super stage friendly board!!!
I find the sequencer quite easy to use.
You can create very complex combi's, and while working from the Kross display wading through menus would be pretty tedious, the free editing software it great. (In fact if they made an ipad/iphone version, you would basically get the Krome touch screen)
Polyphony has not been a problem at all thus far, and that is using the Kross for everything and triggering it both from it's own keyboard and a second one as well.
Run's on batteries. Now the promo video has people taking their Kross to the park to jam, but to me the real value of the batteries is that if for some reason you lose power even for a second onstage, you won't have to reboot. The Kross just seamlessly switches to battery if the power is cut. A great thing on stage but also when editing.
The Con's:
The synth action keybed is pretty awful. It's ok for basic playing mostly on white keys, but playing something like a Ab arpeggio is not going to turn out well.
I think the 88 key would be fine, but for the 61 (and I'm pretty sure it is exactly the same on the Krome) it is a weak point.
Once I get a midi merger so I can play the Kross from both my digital piano and my old m1, I'm not sure how often I would even use the Kross keyboard in performance because of this. I should maybe add I teach piano for a living and have been playing for over 40 years.
There are some odd limits in the fx section. Specifically delay is pretty much solely a master fx, and it cannot be combined with reverb.
My biggest beef outside the keybed is that there is no real way to mute tracks within a combi or sequence. If you could do that with the 16 favourite/step sequencer buttons....OMG it would open up a whole world of multi keyboard options in a one or 2 keyboard rig.
I guess the main thing is this....every night I cannot wait to sit down at my kross, and create combis and just play. I have a strong emotional connection to it already. I'm using it as a solo-ist, but if I were in a band, most of the limitations I mentioned become unimportant and it is a really great stage instrument.
It's also incredibly portable!
I'm in a very similar situation. I play prog rock, in my case vast amounts of Wakeman solo stuff, and I too was choosing between the Kross and Krome.
To me the big difference is the Krome has the big sized piano samples that are beautiful, but within the mix of a band I'm not sure you will get the full benefit, and the digital audio recording and favourites in the Kross.
Another difference is price. The Kross is about three quarters the price of the Krome.
For me I went with the Kross and I have no regrets.
As a kind of mini-review:
Pros:
I like the pianos a lot. e.pianos are great. Organ sounds are decent as are mellotron sounds, synth leads, and orchestral sounds. I am 100 % happy with the sound of the board.
The Favourites section makes it a super stage friendly board!!!
I find the sequencer quite easy to use.
You can create very complex combi's, and while working from the Kross display wading through menus would be pretty tedious, the free editing software it great. (In fact if they made an ipad/iphone version, you would basically get the Krome touch screen)
Polyphony has not been a problem at all thus far, and that is using the Kross for everything and triggering it both from it's own keyboard and a second one as well.
Run's on batteries. Now the promo video has people taking their Kross to the park to jam, but to me the real value of the batteries is that if for some reason you lose power even for a second onstage, you won't have to reboot. The Kross just seamlessly switches to battery if the power is cut. A great thing on stage but also when editing.
The Con's:
The synth action keybed is pretty awful. It's ok for basic playing mostly on white keys, but playing something like a Ab arpeggio is not going to turn out well.
I think the 88 key would be fine, but for the 61 (and I'm pretty sure it is exactly the same on the Krome) it is a weak point.
Once I get a midi merger so I can play the Kross from both my digital piano and my old m1, I'm not sure how often I would even use the Kross keyboard in performance because of this. I should maybe add I teach piano for a living and have been playing for over 40 years.
There are some odd limits in the fx section. Specifically delay is pretty much solely a master fx, and it cannot be combined with reverb.
My biggest beef outside the keybed is that there is no real way to mute tracks within a combi or sequence. If you could do that with the 16 favourite/step sequencer buttons....OMG it would open up a whole world of multi keyboard options in a one or 2 keyboard rig.
I guess the main thing is this....every night I cannot wait to sit down at my kross, and create combis and just play. I have a strong emotional connection to it already. I'm using it as a solo-ist, but if I were in a band, most of the limitations I mentioned become unimportant and it is a really great stage instrument.
It's also incredibly portable!