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Posted: Wed Nov 16, 2011 10:08 pm
by Morshu
I personally thing this program sounds kinda strange. It doesnt really sound like the wobble, but once i editted it enough it did.

Posted: Thu Nov 17, 2011 1:15 am
by tpantano
Morshu wrote:I personally thing this program sounds kinda strange. It doesnt really sound like the wobble, but once i editted it enough it did.
Somebody ban him already

Posted: Thu Nov 17, 2011 2:43 am
by xmlguy
zalo wrote:

Code: Select all

When BPM Sync is "ON".
        00~07 : 8/1     26~2C : 1/2     4B~52 : 1/6     71~77 : 1/32
        08~0E : 4/1     2D~34 : 3/8     53~59 : 1/8     78~7F : 1/64
        0F~16 : 2/1     35~3B : 1/3     5A~61 : 1/12
        17~1D : 1/1     3C~43 : 1/4     62~68 : 1/16
        1E~25 : 3/4     44~4A : 3/16    69~70 : 1/24
Thanks zalo for that catch. When I didn't see the see the BPMSync as an available parameter for CC, I didn't realize that the LFO1 Freq was being used for dual purposes. Yeah, it would be easier to directly set it that way.

Posted: Thu Nov 17, 2011 2:46 am
by xmlguy
Morshu wrote:I personally thing this program sounds kinda strange. It doesnt really sound like the wobble, but once i editted it enough it did.
What a coincidence! Everyone here think you sound strange and wishes you would wobble somewhere else.

Posted: Thu Nov 17, 2011 6:39 am
by zalo
xmlguy wrote:Thanks zalo for that catch. When I didn't see the see the BPMSync as an available parameter for CC, I didn't realize that the LFO1 Freq was being used for dual purposes. Yeah, it would be easier to directly set it that way.
No problem, and if you have a computer in your live set up you can do this for even cheaper with a nanoPAD.

Posted: Fri Feb 03, 2012 1:50 pm
by m_player
zalo wrote:

Code: Select all

When BPM Sync is "ON".
        00~07 : 8/1     26~2C : 1/2     4B~52 : 1/6     71~77 : 1/32
        08~0E : 4/1     2D~34 : 3/8     53~59 : 1/8     78~7F : 1/64
        0F~16 : 2/1     35~3B : 1/3     5A~61 : 1/12
        17~1D : 1/1     3C~43 : 1/4     62~68 : 1/16
        1E~25 : 3/4     44~4A : 3/16    69~70 : 1/24
Those values are in hex so you just need to convert them to dec and you will have your standard 0-127.

The R3 uses assignable CC#s, so assign the LFO Freq to an unused # (I will use 60 for this explanation).

Set the first button to CC# 60 with an ON Value of 61 (quarter note, 1/4)
the next button to CC# 60 ON Value 76 (quarter note triplet, 1/6)
next CC# 60 ON Value 84 (eighth note, 1/8 )
and so on.

Set them all to have an Off Value of 39 (half note, 1/2) or what ever you want for your default pulse.

Or use which ever values you want to get your appropriate divisions.
So I've attempted getting my KP3 and R3 to communicate via MIDI. Read everything in their manuals and learned how to program the KP3 to work as an external midi.

By using the KP3 editor (software that came with it), I set the values for the LFO. Is http://www.statman.info/conversions/hexadecimal.html a good hex converter to use? Because I got different values than you said, zalo.

EDIT: The jist is that I connected the KP3 and R3 to my computer via USB and tried to use OSX as a midi thru... I have only seen it work with additional software on Windows in this video:
http://www.youtube.com/watch?v=kooH2TMV ... re=related

I read that on OSX its not necessary to use software because it is built into the OS with AudioMIDI. I went in there and it only recognized the KP3 as a midi device with internal ports. Yet in the above video it clearly worked. I'm getting audio midi cables this afternoon to see if my progress actually worked.

From the R3 manual; I should connect the MIDI out R3 - MIDI in KP3, and MIDI out KP3 - MIDI in R3---correct?

Posted: Fri Feb 03, 2012 10:00 pm
by X-Trade
If you're just controlling the R3 with the KP3, then you only need KP3 MIDI Out to R3 MIDI In - don't make it complicated.

you touch the pad on the KP3, it generates a message which is sent to the R3, the R3 does whatever that message tells it to do..

Posted: Sun Feb 05, 2012 4:07 pm
by m_player
X-Trade wrote:If you're just controlling the R3 with the KP3, then you only need KP3 MIDI Out to R3 MIDI In - don't make it complicated.

you touch the pad on the KP3, it generates a message which is sent to the R3, the R3 does whatever that message tells it to do..
Kept it simple as you said and got them communicating! It sure is nice to switch directly between LFOs and cutoffs. Thanks for all the quality guidance!

m