X-Trade wrote:I'm not that fussed about the Solaris. It looks cool, but it just sounds and has features not that far off any VA, from what I've seen.
I'd love to be told differently but currently I just don't see anything that isn't covered by KRONOS, or my Radias even.
If you had played with its predecessor, Solaris on a Scope card, you'd probably be less definite in your opinion.
As for things not possible with another machine, I could write a long reply, but I'll give you only one example, rotors. The Solaris enables you to select Rotor as a source. A rotor has 4 inputs, each giving an output, which are cycled. So when selecting Rotor as source, you have a function that enables you to select any source (OSC, PCM, Wavetable...) for each of the 4 inputs. And since each output can be routed to its own path for the rest of the synthesis (envelops, filters, effects...), you can imagine how complex the overall sound can be, cycling between up to 4 sources, each with its own sound treatment. The result is something very versatile, that can sound like a Wavestation, a Prophet VS... and more. This, as far as I know, is pretty unique to the Solaris.
Still, I can understand if you're not fussed about it. Each to his own. Personally, I love the approach taken on giving instant access to all parameters via 5 dedicated screens and 1 central screen, going back to older machines which were more hands on than currently. I also love the raw power of the new state of teh art DSP that enable working at 96 kHz internally. I love the various forms of synthesis on offer, some of them unique. And I love the fact that it will remain a fairly rare instrument.
Solaris promises to be an exceptional machine for who's into sound designing. And I appreciate it is not the case for everyone.