Ufff...Not trying to knock it but if you are on the market like me for a sampling/sequencer then comparisons are inevitable, and the strength you mention seems pretty much standard everywhere else. Plus there is a downside to that in as much as you lose the ability to transpose all your instrument parts independently to the drums and record the results. A feature I loved in my old RM1X, I believe it was also present in the older Electribes...?To me this highlights one of the strengths of the e2....how you can literally assign any part to be whatever you want
e2 links, thoughts about clicks, parts transitions, workflow
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Can you elaborate on this? Not sure I understand what you meanDEEPMOSES wrote: Plus there is a downside to that in as much as you lose the ability to transpose all your instrument parts independently to the drums and record the results. A feature I loved in my old RM1X, I believe it was also present in the older Electribes...?
I'll give you an example:
On the RM1X for example, even though you could assign any sound to any of the 16 tracks, (represented by 16 white keyboard/sequencer pads) the pads would be split into two sections of 8. The first 8 for drums, the next 8 for instruments. In transpose mode (I don't recall the exact term) you could transpose all instrument tracks simultaneously (the drum tracks would not be affected) and record the performance back into the sequencer for some great key changes. This was also possible on a per track basis, but only on the 8 instrument tracks. Remember that drums kits could also be loaded in the instrument tracks, transposition would then result in a different drum sound being triggered, truly wonderful stuff.
From what I've read I believe some sort of similar transposition trickery was possible on the older EMX/SX... Or did I dream it?
On the RM1X for example, even though you could assign any sound to any of the 16 tracks, (represented by 16 white keyboard/sequencer pads) the pads would be split into two sections of 8. The first 8 for drums, the next 8 for instruments. In transpose mode (I don't recall the exact term) you could transpose all instrument tracks simultaneously (the drum tracks would not be affected) and record the performance back into the sequencer for some great key changes. This was also possible on a per track basis, but only on the 8 instrument tracks. Remember that drums kits could also be loaded in the instrument tracks, transposition would then result in a different drum sound being triggered, truly wonderful stuff.
From what I've read I believe some sort of similar transposition trickery was possible on the older EMX/SX... Or did I dream it?
If you want to hear the music I make: https://soundcloud.com/finn-1
If I understand you correctly, then you can do the same on the electribe2. There is a feature called scale mode, which you can turn on for any number of pads. When you change the key and scale, those parts will also change accordingly.
In my opinion, though, the transpose function was much better on the older electribes, as it felt more performance driven. On the new electribes, you hit shift+pad4 and then use the Parameter Knob to change the key. I thought this was better implemented by using the pads on the older models.
In my opinion, though, the transpose function was much better on the older electribes, as it felt more performance driven. On the new electribes, you hit shift+pad4 and then use the Parameter Knob to change the key. I thought this was better implemented by using the pads on the older models.
Aha, ok. But if you are using a dial to change key that means you have to scroll through notes in the scale sequentially, you can't jump from value to value?roblabs wrote: In my opinion, though, the transpose function was much better on the older electribes, as it felt more performance driven. On the new electribes, you hit shift+pad4 and then use the Parameter Knob to change the key. I thought this was better implemented by using the pads on the older models.
If you want to hear the music I make: https://soundcloud.com/finn-1
Yes that's exactly the problem. Its good only if its a simple key change.DEEPMOSES wrote:Aha, ok. But if you are using a dial to change key that means you have to scroll through notes in the scale sequentially, you can't jump from value to value?roblabs wrote: In my opinion, though, the transpose function was much better on the older electribes, as it felt more performance driven. On the new electribes, you hit shift+pad4 and then use the Parameter Knob to change the key. I thought this was better implemented by using the pads on the older models.
Thanks again for the insight.Yes that's exactly the problem. Its good only if its a simple key change.
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If you want to hear the music I make: https://soundcloud.com/finn-1
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