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You win.
Busch.
Busch.
Kronos 73, Nautilus 61, Vox Continental 73, Monologue, Yamaha Montage 8, Rhodes Suitcase, Yamaha VL-1, Roland V-Synth, Yamaha AvantGrand, Minimoog Model D, Studio Electronics Omega 8, CSS, Spitfire, VSL, LASS, Sample Modeling, Ivory, Komplete 12, Spectrasonics, Cubase, Pro Tools, etc.
http://www.purgatorycreek.com
http://www.purgatorycreek.com
https://www.youtube.com/watch?v=PEM7E980H-k
Have to say, sounds very good... This setting next to a minilogue....lots of possibilities!
Another vid from Korg:
https://www.youtube.com/watch?v=Xv63ZWFfZf0
Have to say, sounds very good... This setting next to a minilogue....lots of possibilities!
Another vid from Korg:
https://www.youtube.com/watch?v=Xv63ZWFfZf0
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2 Octaves of Mini keys with no pitchbend or modulation controller to the left. It's going from bad to worse.
The only saving grace about all of this is that there's so much s**t being pumped out into the market these days that it will all surely become economically unsustainable very shortly, and hopefully many of these companies will go under and this crap will start to disappear from the market. One can only hope.
This junk is an insult to all musicians - of every age (I know a few will laud them here, but I know that real, quality musicians will find a minikey 2 octave synth an insult).
I now understand why the 'synthesizer' market collapsed through the 80's and into the 90's - everybody saw each new analogue release as the same mutton dressed up, and lost faith.
I was just getting into synths then and was annoyed with the collapse of availability of such synth - but now I can see that it was a good think - it cleared the way for innovation through sampling, FM, VL and so forth - so hopefully we're not too far from that point again. It's needed, badly.
Korg have lost their way completely - from the high point of OASYs, Radias and MicroKorg in and around 2005 to Volca, Gadget and '...Logue' synths in 2016. It's sad. Really sad.
My only apprehension in waiting for such radical change is that I've also been waiting since about 1990 for music to stop being about only dance music - and it hasn't happened yet. I switched on MTV the other day to catch up on the latest output, and switched off, depressed.
Don't care if this post comes across a ageist - I'm not old - and I know my 16 and 18 year old nephews find dance music to be utter s**t too, so I know there's an objectivity to the tripe that being released as music these days, and utter and total tripe instruments like this.
Korg - depressing - beyond our worst expectations (far, FAR beyond). What are you doing???
The only saving grace about all of this is that there's so much s**t being pumped out into the market these days that it will all surely become economically unsustainable very shortly, and hopefully many of these companies will go under and this crap will start to disappear from the market. One can only hope.
This junk is an insult to all musicians - of every age (I know a few will laud them here, but I know that real, quality musicians will find a minikey 2 octave synth an insult).
I now understand why the 'synthesizer' market collapsed through the 80's and into the 90's - everybody saw each new analogue release as the same mutton dressed up, and lost faith.
I was just getting into synths then and was annoyed with the collapse of availability of such synth - but now I can see that it was a good think - it cleared the way for innovation through sampling, FM, VL and so forth - so hopefully we're not too far from that point again. It's needed, badly.
Korg have lost their way completely - from the high point of OASYs, Radias and MicroKorg in and around 2005 to Volca, Gadget and '...Logue' synths in 2016. It's sad. Really sad.
My only apprehension in waiting for such radical change is that I've also been waiting since about 1990 for music to stop being about only dance music - and it hasn't happened yet. I switched on MTV the other day to catch up on the latest output, and switched off, depressed.
Don't care if this post comes across a ageist - I'm not old - and I know my 16 and 18 year old nephews find dance music to be utter s**t too, so I know there's an objectivity to the tripe that being released as music these days, and utter and total tripe instruments like this.
Korg - depressing - beyond our worst expectations (far, FAR beyond). What are you doing???
Step in the completely wrong direction.
An updated 8 voice Minilogue would at least have made SOME sense. But this is just more toy nonsense. It can all be used, I know. But I'm really fed up with all this cheap junk from the major brands meanwhile:
Korg, Yamaha, Roland: Go all to Pepperland with it and make some noise!
An updated 8 voice Minilogue would at least have made SOME sense. But this is just more toy nonsense. It can all be used, I know. But I'm really fed up with all this cheap junk from the major brands meanwhile:
Korg, Yamaha, Roland: Go all to Pepperland with it and make some noise!

Kronos 73 - Moog Voyager RME - Moog LP TE - Behringer Model D - Prophet 6 - Roland Jupiter Xm - Rhodes Stage 73 Mk I - Elektron Analog Rytm MkII - Roland TR-6s - Cubase 12 Pro + Groove Agent 5
- Akos Janca
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Let me share my opinion. I don’t find these news so disappointing.
Yes, it would have been nice to see a new poly analogue (in the style of Polysix, Mono/Poly, with normal keys, aftertouch etc.) – maybe next time.
Korg’s decisions are based on many factors. Let us welcome the newborn babies in the family! Monologue is a nice and clever little thing. ODYSSEi looks promising and beautiful. I’m very glad to see KingKorg is not ‘abandoned’.
Yes, it would have been nice to see a new poly analogue (in the style of Polysix, Mono/Poly, with normal keys, aftertouch etc.) – maybe next time.
Korg’s decisions are based on many factors. Let us welcome the newborn babies in the family! Monologue is a nice and clever little thing. ODYSSEi looks promising and beautiful. I’m very glad to see KingKorg is not ‘abandoned’.
I think the above is 100% true. Why should we complain? We have too much instruments already. Do we really need one more? For example, right now I have my KingKorg turned on in front of me – and I am searching for new synths on the internet, instead of using it better, on a higher level?jimknopf wrote:The only teaser I would really mind nowadays, would probably be a daily one reminding me of practising, playing, song writing and recording, and of making more use of the wealth of possibilities I already have in direct reach!
I don't find it disappointing at all. The mono seems to sound really great. I think of these as 2 modules that happen to have keys. A mini and mono combined gives you possibilities that either one couldn't do on their own. I could imagine these next to each other with the mono handling bass voices mono leads and the mini doing the poly thing and each is specifically suited to those jobs.
Those 2 together on a tier above a capable korg controller/synth doing a split in combi mode would make for a far more capable synth than a jx and be an awesome analog especially for the price.
One anapoly synth wouldn't give you the sum of both of what these two synths have to offer.
Those 2 together on a tier above a capable korg controller/synth doing a split in combi mode would make for a far more capable synth than a jx and be an awesome analog especially for the price.
One anapoly synth wouldn't give you the sum of both of what these two synths have to offer.
The Odyssei app looks very nice, but I have to say that I was more excited about the announcement of IK's MODO Bass than the new releases of KORG.
To be fair to KORG, the newly styled step sequencer with its different modes looks great as do the different microtuning settings.
To be fair to KORG, the newly styled step sequencer with its different modes looks great as do the different microtuning settings.
Last edited by Jan1 on Tue Nov 01, 2016 12:43 pm, edited 1 time in total.
Does this Monologue thing not even have full/separate EG curves for amp and filter, or have I misunderstood something in the specs?
If so, the Odyssey module would be a ten times better deal, even in price relation, especially since the Monologue "keys" aren't worth much more than any virtual iPad surface keys. I'm really disgusted by this whole heavily compromised Bonsai keyboard culture and the management approach behind it, from all major brands!
If so, the Odyssey module would be a ten times better deal, even in price relation, especially since the Monologue "keys" aren't worth much more than any virtual iPad surface keys. I'm really disgusted by this whole heavily compromised Bonsai keyboard culture and the management approach behind it, from all major brands!
Kronos 73 - Moog Voyager RME - Moog LP TE - Behringer Model D - Prophet 6 - Roland Jupiter Xm - Rhodes Stage 73 Mk I - Elektron Analog Rytm MkII - Roland TR-6s - Cubase 12 Pro + Groove Agent 5
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Not surprised. I felt the products would be ' moderate price ' stuff.jimknopf wrote:Step in the completely wrong direction.
An updated 8 voice Minilogue would at least have made SOME sense. But this is just more toy nonsense. It can all be used, I know. But I'm really fed up with all this cheap junk from the major brands meanwhile:
Korg, Yamaha, Roland: Go all to Pepperland with it and make some noise!
The marketing was low budget.
The stuff looks inexpensive to manufacture. Is Korg marketing to the millennials ? The dance crowd ?
The Odyssey module is a decent move but a necessary step.
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Akos Janca wrote:Let me share my opinion. I don’t find these news so disappointing.
Yes, it would have been nice to see a new poly analogue (in the style of Polysix, Mono/Poly, with normal keys, aftertouch etc.) – maybe next time.
Korg’s decisions are based on many factors. Let us welcome the newborn babies in the family! Monologue is a nice and clever little thing. ODYSSEi looks promising and beautiful. I’m very glad to see KingKorg is not ‘abandoned’.
I think the above is 100% true. Why should we complain? We have too much instruments already. Do we really need one more? For example, right now I have my KingKorg turned on in front of me – and I am searching for new synths on the internet, instead of using it better, on a higher level?jimknopf wrote:The only teaser I would really mind nowadays, would probably be a daily one reminding me of practising, playing, song writing and recording, and of making more use of the wealth of possibilities I already have in direct reach!
so you're saying these releases are acceptable? To whom? do you expect keyboard players to be content with a 2 octave minikeyboard. and are you saying there is no more innvation to happen in synthesizers, for ever more - even into the far future? Really- we're done with new stuff? Because that's how you post reads. And, are you saying that new musicians have to tolerate this stuff while we use Jupiter 8's and OASYS? You're happy to kick new musicians in the teeth with this junk while you enjoy the higher standards and expectations of the past?
Last edited by Kevin Nolan on Tue Nov 01, 2016 2:44 pm, edited 1 time in total.