Inputs/Outputs
Moderators: Sharp, X-Trade, Pepperpotty, karmathanever
Inputs/Outputs
What are the INDIV.OUT, and ST/MONO AUDIO IN, connections used for, what can i plug into those sources, i have my phono to jack lead connected to the L/mono output, and my mic connected to the right output
-
- Posts: 13
- Joined: Wed Jun 27, 2007 9:51 am
- musikmachine
- Senior Member
- Posts: 351
- Joined: Thu Nov 09, 2006 10:46 pm
Just apply that to one machine,i think ruso means you can do it on both that's all.Route cables from outs 3+4 into behringer fx,then route a cable from the behringers back into the audio in on your 'tribe,is that right Ruso,is the processed audio routed to the main outs?rickis wrote:i'm just way confused now, i only want to add effects to the sx am not wanting to route 2 tribes together.


another use for the output (& inputs)
1. cue port: in a gig situation you can have some parts pre-assigned to outs 3/4 for pre-listening before you send them to the P.A.
the outputs are quite hi, almost to drive light headphones directly, but it´s better to have them thru a hp amp or some mixer channel that you could monitor independent from the main channels
sometimes i leave 1 synth or percussion part for live sequencing or jamming with the ribbon and pre-listening to it before hit the audience with some pathetic s**t
2. metronome for other musicians
3. drum compression without increasing tube noise of the main outs. just remember that outs 3/4 doesn´t pass thru the tube stage (and doesn´t pass thru the FX processors...shame)
4. TIP1: plug a short patchcord (like those to conect stompboxes together) between out 3 or 4 to the imput
then you could have some patterns in wich some parts are assigned to out 3/4 and then return to some synth part...this is very cool to process drums thru filters and the like...i use it to send the entire mix to a filter and gate for those decrescendo > crescendo parts
just remember that you have to assign input as the oscillator and place some gates in the sequencer in thata part in order to trigger the amp EG/gate. if you dont want to trigger the amp (just have it open) place a note in the firs step and edit the gate so it will be "pressed" for the amount of time you want to hera the input
5. TIP2: you could plug a mp3 player with some sustained sounds into the input and then use the sequencer to trigger it and the filters to make some synth textures...in some parts i have about 5 minutes of a sustained chord in the palyer and then gate it making some things the EMX couldn´t make from it oscillators...also sustained ambience textures works well...something tahta you doesn´t have to sync with the EMX, just plays it at anytime and have enough time running tu play with it...
1. cue port: in a gig situation you can have some parts pre-assigned to outs 3/4 for pre-listening before you send them to the P.A.
the outputs are quite hi, almost to drive light headphones directly, but it´s better to have them thru a hp amp or some mixer channel that you could monitor independent from the main channels
sometimes i leave 1 synth or percussion part for live sequencing or jamming with the ribbon and pre-listening to it before hit the audience with some pathetic s**t

2. metronome for other musicians
3. drum compression without increasing tube noise of the main outs. just remember that outs 3/4 doesn´t pass thru the tube stage (and doesn´t pass thru the FX processors...shame)
4. TIP1: plug a short patchcord (like those to conect stompboxes together) between out 3 or 4 to the imput
then you could have some patterns in wich some parts are assigned to out 3/4 and then return to some synth part...this is very cool to process drums thru filters and the like...i use it to send the entire mix to a filter and gate for those decrescendo > crescendo parts
just remember that you have to assign input as the oscillator and place some gates in the sequencer in thata part in order to trigger the amp EG/gate. if you dont want to trigger the amp (just have it open) place a note in the firs step and edit the gate so it will be "pressed" for the amount of time you want to hera the input
5. TIP2: you could plug a mp3 player with some sustained sounds into the input and then use the sequencer to trigger it and the filters to make some synth textures...in some parts i have about 5 minutes of a sustained chord in the palyer and then gate it making some things the EMX couldn´t make from it oscillators...also sustained ambience textures works well...something tahta you doesn´t have to sync with the EMX, just plays it at anytime and have enough time running tu play with it...
-
- Posts: 38
- Joined: Thu Oct 25, 2007 7:23 am
for every part you can choose between 2 STEREO busesinducejack wrote:wondering if I can send outs 3 and 4 to send seperate drums or synth or is the same output out of both mono channels?
1 - the main 1 / 2 STEREO out
2 - the alternate 3 / 4 STEREO out...if you choose that for a part then you can use the the PAN control to send a drum or synth just to the 3 or the 4 MONO output
so, the alternate outs acts as a sigle STEREO pair or as two separate MONO outputs
since the samples are mono and so the synths then this is not a big restriction (remember that the FX, who can export a stereo image from a mono input, are note available for outs 3 /4)