R3dias Patch Challenge#001 (RPC#001)

Discussion relating to the Korg RADIAS, RADIAS-R and the R3

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axxim
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R3dias Patch Challenge#001 (RPC#001)

Post by axxim »

Hi everyone,

after the small but positive voting results, I will start the first R3dias Patch Challenge today.

before I reveal the fist task, here are some rules or suggestions to observe:
  • 1. I will setup a new post titled RPC#001-Submissions where each participant should submit his sample link with his comments only once. Comments or questions from other users should be made in this thread and not there. This is to maintain it easy for all others to have an overview of the submissions.

    2. Each submission points to a link where the SOUND made with the patch is hosted and NOT the PATCH itself! After the voting, each one is free to publish his own patch

    3. The sound shuld be in .mp3 format

    4. The patch should use max 2 timbres. This is to avoid disdavantages for R3 users

    5. The sound can be recorded with whatever device is possible but it should contain only the patch sound as it is delivered by the synth, without additional external (DAW) effects tracks or sounds unless otherwise specified.

    6. The task setter (in this first challenge: me) may post additionaly a basic MIDI file (Sequence) that is to be used with the patch to create the competing sound. This way, the playskills of each competitor will have less weight than the sound itself. Of course the use of whatewer modulation controllers will be free. If no MIDI-sequence is specified then each one goes his own way

    7. Filename: To ease administration and identification of the submissions, as well as the synth (radias/r3) used, the task setter will specify a NAME for the sound and patch (i.e. Train). Each competitor should name his sound like this: NAME_KorgForumUserName_Synth.mp3 (in the example train_axxim_radias.mp3)

    8. If a competitor wants to post his link/sound (advances) for comments or hints, he may do it in this or other threads and not in the submissions. If a competitor posts more than one link in the submissions, then only the first will be taken for voting

    9. Voting: will be done after the deadline by poll as far as it is possible (I dont know how much poll items is the limit). In case that poll limits are reached the first entries will be considered. I encourage all forum members to participate!

    10. Deadline: The challenge will be open for at least a week. (depending of the avalaibility of the task setter). After the deadline, the task setter (or someone he gets in charge for him) should set the poll.

    11. The winner will set up the next challenge or transfer it to someone of his preference.

    12. The task setter itself can/should post his own sample just for prove of its feasibility but shouldn't paticipate in the voting

    13. This is just the start. If someone has objections or additional suggestions please post it. My hope is that this will be fun and will encourage all to grow their capabilities and understanding of sound synthesis.
Well, here is the task for RPC#001 (As you see i may be too optimistic in the numbering :lol:)

NAME: wc2010sa
MIDI-Sequence: none, free play at your best
Category: S.E.
Deadline: around 10. July 2010

Description:
It's a very actual and controvertial sound that in these days is heard by millions of people. It's the ambience of the FIFA World Coup 2010 in South Africa(R).
The sound should reflect the background of a football (soccer) match at the WC2010 contest in South Africa, which means: vuvuzelas, crowd, noises, etc.
I had this idea two days ago and tested it. I will post my example (out of competition) later. It took me about 1 hour to create and refine it.

Examples:
http://www.youtube.com/watch?v=1BIgnEiT8ow
http://www.youtube.com/watch?v=MBtuxZfx ... re=related starting at 1:55

More examples are found under the keywords vuvuzela, WC2010, etc.

Submit your sounds here: http://www.korgforums.com/forum/phpBB2/ ... hp?t=53702

If someone needs hosting for his sound, just PM me or someone else who can help.

Ladies and gentlemen, please start your machines and fave fun :D

BTW: Are there female R3dias sound designers here?[/url]
Last edited by axxim on Thu Jul 01, 2010 9:22 pm, edited 1 time in total.
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addendum

Post by axxim »

addendum:

The sound name (point 7) should also contain the synth used (r3 or radias). Just in case to decide between two equally good sounds with different synths, I personally would consider to vote for the R3 version due to its lack of some features the Radias has.

I forgot: everyone is invited to take the challenge and to vote!
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Post by axxim »

TrrP wrote:Hey people,

Here's my small, pitiful attempt:

The 24-bit wav file:
http://www.speedyshare.com/files/23229306/FUTBAL24.wav

And the MP3 file:
http://www.speedyshare.com/files/23229315/FUTBAL.mp3

Hope I'm not the only one.

:D
Nice sound TrrP, I would like have that patch after the voting!
I think it could have a good use even with melodic purposes like a pad.
Is it R3 or Radias? (do you remember the naming convention? -> wc2010sa_trrp_r?.mp3)
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Post by TrrP »

Thanks! :)

About the name: woops, sorry, yeah i read through the rules to fast.

It is a Radias by the way. Two timbres. (and they are mono timbres with very little unison [oops did i just give something away :lol: ] so they are perfectly replicable for the R3 polyphony wise). Absolutely no external editing, effects or processing ofcourse. Made it in give or take one hour. I wouldn't mind going back to refine it and add some stuff though. I used headphones to make it because it was late at night so after listening back now there are a few things I'd like to change.

And yes I would be very glad to pass the patch on once the competition is over.
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