ultravvox wrote:Well, I think words "noisy" and "powerful" are pretty universal, eh?

The words are universal but the meaning is entirely subjective, thus they are pretty useless without additional information about what you mean when you use them in this context.
For example, noisy could refer to cacophony/discordant, overly loud, distortion, anything disagreable (those noisy kids), screamo, white noise, pink noise, odd harmonics, lots of upper harmonics, etc.
The patch you have has no noise (other than the normal low level noise floor). Sawtooth waves have lots of upper harmonics, both even and odd. So what you may perceive and describe as noise, isn't really noise.
Take a look at the frequency domain graph on this page:
http://en.wikipedia.org/wiki/Sawtooth_wave
Using a low pass filter, you can cut off the harmonics until you convert that sawtooth into a sine wave. Or you can start with a sine waves and add more upper even harmonics with various techniques, such as distortion/overdrive with the waveshaper, or pulse-width modulation, or by mixing in some noise, or by using both filters in series with resonance to emphasize certain harmonics. Or you can start with a DWGS wave that has the harmonics close to what you want, the use the filters to emphasize the ones you want. For example, the DWGS endless wave has all octave harmonics.
The biggest difference between the mp3 you created with the example you posted seems to be the EG2 ADSR values. You have a longer release than the example. The example have notes that cutoff quickly, while it uses FX like delay and reverb to continue sounding the notes. In other words, the example is more staccato, while yours is more legato. Besides the envelope, you can also use a gating technique to produce a staccato effect by putting a Square Wave LFO on the AMP, synced to the BPM. Gates are more common when there is a pattern, like xoxoxxxo, which can be done with the R3 mod sequencer, 8 steps, 1/32 note step, and destination amp level.
Here's an example of gating done in Reason:
http://www.youtube.com/watch?v=56yIGvuEHuE
A big difference between gating compared to using the arp and ADSR EG is how the notes are played. Gating produces the staccato effect on the notes that are being held on, while the arp/EG is turning the notes on individually and applying the envelope repeatedly.
The example also has mid-high frequencies emphasized. You can do that with a high pass filter to filter out low frequencies, or other filters with resonance on the high frequencies.