Electribe 2 Appreciation Thread
Posted: Fri Feb 06, 2015 7:44 am
Well, I got inspired to put a thread like this together knowing that while there is room for criticism of the Electribe 2, I thought it would be good to put a dedicated thread together for what you love about the new unit and how it has helped inspire new music.
Its not that this thread needs to be just gushing praise, but the general tone is to discuss its strengths and positive points.
For my own early-appreciation of the new Electribe, I'm going to discuss some of the gear I currently own for comparison. If you have had similar experience using such gear, it can provide a reference point.
Also, I'm not even close to a fan-boy, as I have come close a couple times to packing it up and returning it the store. So the strengths of the unit, really have saved its hide and I'm starting to really like it. I discuss this further down if you want to skip to it.
Background
So, I'm almost two weeks into owning the Electribe 2. Prior to this, I've been using synths since the late '90s, with my first Groovebox being a Roland MC-303. From real analogs, FM synthesizers, vintage samplers, physical modelling, romplers, and virtual analogs - I've been around.
To the Present
At some point I kinda just fazed out of working on music,worked too much, took up mixed martial arts and played too many games.
Having been through a total culture burn out as of recent, and going through a sort of 'realization' that I still may have a ton a time ahead of me - and I having no delusions of grandeur other than pure enjoyment, I have flung myself into music.
About a year ago I purchased a NI Maschine Studio. I have had my ups and downs, and I have hit many walls only to find away around them and change my approach. I have become increasingly more comfortably with the Maschine, and lack audio tracks or a more linear sequencer doesn't bother me anymore. To me, Maschine is a total instrument, and you play its scenes (patterns) drumming them much like everything else you enter into the unit. Native Instruments has updated it quite a bit with the last update adding scale input (similar to the Electribe,but less powerful in some ways).
So far, I have to hand it to Maschine. It is just really really fast. It is so quick copying notes,copying patterns, copying, cutting and pasting pretty much anything. And this is all from the hardware side of things. Sonically, Maschine is solid. Resampling and pitching samples on it - I haven't heard something with this much crunch to it since owning an Ensoniq ASR-10. Maschine, of course can load up any Native Instrument plugin (as well as AU/VST) you own, and having Monark, Razor and the veritable Massive (which it comes with), I can say I am totally pleased.
I also have a Monomachine, which has had some minor damage, but still works very well. The pots on older Elektron units I've never been a fan of but thankfully there are parameter locks. It has some really powerful workflow features, excellent MIDI implementation, a full song mode, and of course is capable of much weirdness and with some work, really good sounds.
So Why The Electribe (It's Strengths)
Now even though Maschine (especially the Studio) can be used without even looking at the computer. I still have a bit of a barrier (call it laziness or computer burn-out) setting up my laptop, and connecting audio card and Maschine together. Its not a huge deal, but after working on my computer all day, I just want to get away from it. I'm also not keen on buying another computer just for music, and I don't have that kinda space in a condo.
I've had this same issue for years and years. And so I have been looking for the ideal 'groovebox' - whatever that may be. Something that I can play and use anywhere.
For me the Electribe has some stiff competition. Not only does it need to contend with my Maschine, but also experience using Elektron hardware as well as sequencers like the Yamaha RS7000. Also, I had an iPad 3 running Gadget - which is very cool, but my iPad 3 was underpowered, and for whatever reason (perhaps the fact that its a tablet) I just end up browsing the web and not working on music.
So, in anticipation of the new Electribe, downgraded my Maschine Studio to a MKII (fine for me as it is more compact for DJing use), and sold my iPad.
Out of the blue - I get offered a Monomachine for an insane price - practically it was gifted to me.
Its my second time owning one, and I could honestly say, I probably could just live with the Monomachine. But I already had my heart set on the new Electribe. I had also ordered it and put a down payment.
So it arrives, and I'm totally stoked.
This quickly turns to some disappointment and surprise of some missing functions. Thankfully, version 1.03 provides some useful shortcuts. But still, there are odd little things that are missing (stuff you can read about in many other threads).
In the last week I have seriously contemplated returning the Electribe at least twice. I was going just get my money back, get an new iPad Air 2, load up Gadget and attach it to my Yamaha P150 and be done with it.
In the course of a few days I decided I'd spend each evening dedicated to either my Maschine, Monomachine and Electribe.
The Maschine, no complaints, I took my laptop to the library, hooked up my MkII and sound card. Great experience.
Monomachine, contested with its fiddly pots, but always blown away by the many modulation and routing possibilities. Also, each track has its own dedicated delay engine. Sound quality is quite good too, digital but of its own domain - it has a certain character.
So finally, I get around to the Electribe. My approach is starting to evolve in how I use it. To me, I treat each part like a very expressive monosynth. The filter section is incredible. They handily beat the Monomachine in this area, and sound better than many softsynths. If you've taken the journey using virtual analogs from the last 15 years, this sounds definitely leading-edge. The Electribe has very strong oscillators, that I've been finding are so expressive. Add modulation, detuning, and motion sequencing and it comes alive.
All of the components, architecture and inherent limitations of a synth, lend itself to a certain character. One thing Korg got right is the sound quality. The signal-to-noise ratio and overall quality of the DAC is very good. I've listened to it through my Sennheiser HD650s and my friends Focal monitors - the entire dynamic range of the Electribe is solid.
I'll add more of what I like about Electribe later. But right now, I'm enjoying the sounds of its main synth oscillators.
Its not that this thread needs to be just gushing praise, but the general tone is to discuss its strengths and positive points.
For my own early-appreciation of the new Electribe, I'm going to discuss some of the gear I currently own for comparison. If you have had similar experience using such gear, it can provide a reference point.
Also, I'm not even close to a fan-boy, as I have come close a couple times to packing it up and returning it the store. So the strengths of the unit, really have saved its hide and I'm starting to really like it. I discuss this further down if you want to skip to it.
Background
So, I'm almost two weeks into owning the Electribe 2. Prior to this, I've been using synths since the late '90s, with my first Groovebox being a Roland MC-303. From real analogs, FM synthesizers, vintage samplers, physical modelling, romplers, and virtual analogs - I've been around.
To the Present
At some point I kinda just fazed out of working on music,worked too much, took up mixed martial arts and played too many games.
Having been through a total culture burn out as of recent, and going through a sort of 'realization' that I still may have a ton a time ahead of me - and I having no delusions of grandeur other than pure enjoyment, I have flung myself into music.
About a year ago I purchased a NI Maschine Studio. I have had my ups and downs, and I have hit many walls only to find away around them and change my approach. I have become increasingly more comfortably with the Maschine, and lack audio tracks or a more linear sequencer doesn't bother me anymore. To me, Maschine is a total instrument, and you play its scenes (patterns) drumming them much like everything else you enter into the unit. Native Instruments has updated it quite a bit with the last update adding scale input (similar to the Electribe,but less powerful in some ways).
So far, I have to hand it to Maschine. It is just really really fast. It is so quick copying notes,copying patterns, copying, cutting and pasting pretty much anything. And this is all from the hardware side of things. Sonically, Maschine is solid. Resampling and pitching samples on it - I haven't heard something with this much crunch to it since owning an Ensoniq ASR-10. Maschine, of course can load up any Native Instrument plugin (as well as AU/VST) you own, and having Monark, Razor and the veritable Massive (which it comes with), I can say I am totally pleased.
I also have a Monomachine, which has had some minor damage, but still works very well. The pots on older Elektron units I've never been a fan of but thankfully there are parameter locks. It has some really powerful workflow features, excellent MIDI implementation, a full song mode, and of course is capable of much weirdness and with some work, really good sounds.
So Why The Electribe (It's Strengths)
Now even though Maschine (especially the Studio) can be used without even looking at the computer. I still have a bit of a barrier (call it laziness or computer burn-out) setting up my laptop, and connecting audio card and Maschine together. Its not a huge deal, but after working on my computer all day, I just want to get away from it. I'm also not keen on buying another computer just for music, and I don't have that kinda space in a condo.
I've had this same issue for years and years. And so I have been looking for the ideal 'groovebox' - whatever that may be. Something that I can play and use anywhere.
For me the Electribe has some stiff competition. Not only does it need to contend with my Maschine, but also experience using Elektron hardware as well as sequencers like the Yamaha RS7000. Also, I had an iPad 3 running Gadget - which is very cool, but my iPad 3 was underpowered, and for whatever reason (perhaps the fact that its a tablet) I just end up browsing the web and not working on music.
So, in anticipation of the new Electribe, downgraded my Maschine Studio to a MKII (fine for me as it is more compact for DJing use), and sold my iPad.
Out of the blue - I get offered a Monomachine for an insane price - practically it was gifted to me.
Its my second time owning one, and I could honestly say, I probably could just live with the Monomachine. But I already had my heart set on the new Electribe. I had also ordered it and put a down payment.
So it arrives, and I'm totally stoked.
This quickly turns to some disappointment and surprise of some missing functions. Thankfully, version 1.03 provides some useful shortcuts. But still, there are odd little things that are missing (stuff you can read about in many other threads).
In the last week I have seriously contemplated returning the Electribe at least twice. I was going just get my money back, get an new iPad Air 2, load up Gadget and attach it to my Yamaha P150 and be done with it.
In the course of a few days I decided I'd spend each evening dedicated to either my Maschine, Monomachine and Electribe.
The Maschine, no complaints, I took my laptop to the library, hooked up my MkII and sound card. Great experience.
Monomachine, contested with its fiddly pots, but always blown away by the many modulation and routing possibilities. Also, each track has its own dedicated delay engine. Sound quality is quite good too, digital but of its own domain - it has a certain character.
So finally, I get around to the Electribe. My approach is starting to evolve in how I use it. To me, I treat each part like a very expressive monosynth. The filter section is incredible. They handily beat the Monomachine in this area, and sound better than many softsynths. If you've taken the journey using virtual analogs from the last 15 years, this sounds definitely leading-edge. The Electribe has very strong oscillators, that I've been finding are so expressive. Add modulation, detuning, and motion sequencing and it comes alive.
All of the components, architecture and inherent limitations of a synth, lend itself to a certain character. One thing Korg got right is the sound quality. The signal-to-noise ratio and overall quality of the DAC is very good. I've listened to it through my Sennheiser HD650s and my friends Focal monitors - the entire dynamic range of the Electribe is solid.
I'll add more of what I like about Electribe later. But right now, I'm enjoying the sounds of its main synth oscillators.