Connecting a Bose L1 Compact
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- PraiseTheLord
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Connecting a Bose L1 Compact
I recently purchased a Bose L1 Compact, and have been trying different ways to connect it to my Pa900.
The default seems to be an unbalanced TS Mono cable, and I must say it sounds wonderful, and has added a lot to the sound, especially when I perform in longer room.
However, I've seen other guys connecting using two cables from the left and right outputs and then combining them using some kind of adapter. I have successfully used an adapter of 2 female ts to one male ts which I then plug into the Bose. This also sounds wonderful, but I'm not sure it's actually better.
Others talk about connecting into the RCA connections or the 1/8 inch stereo connection in the Bose. But I can't get this to work. I get a bad hum connecting this way.
How do you connect?
The default seems to be an unbalanced TS Mono cable, and I must say it sounds wonderful, and has added a lot to the sound, especially when I perform in longer room.
However, I've seen other guys connecting using two cables from the left and right outputs and then combining them using some kind of adapter. I have successfully used an adapter of 2 female ts to one male ts which I then plug into the Bose. This also sounds wonderful, but I'm not sure it's actually better.
Others talk about connecting into the RCA connections or the 1/8 inch stereo connection in the Bose. But I can't get this to work. I get a bad hum connecting this way.
How do you connect?
Graham (Pa1000)
- Nemik
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The hum is coming from cheap unbalanced cable, at least most the times.
If you have RCA input, use it, buy good balanced cable 1/4 to RCA.
If you got switch, put in position Line (not guitar 1/4")
I learn on my own, don't be cheap on cables, is a lot different in quality using good cables.
Try to stay away from any kind adapters.!
For this type connection I'm using Live Wire 1/4" - RCA Dual Patch Cable
http://www.musiciansfriend.com/accessor ... atch-cable
--..Your cable is your sound. Superior wiring allows your signal to be quiet, eliminating frustrating hums, buzzing, and crackles.
If you have RCA input, use it, buy good balanced cable 1/4 to RCA.
If you got switch, put in position Line (not guitar 1/4")
I learn on my own, don't be cheap on cables, is a lot different in quality using good cables.
Try to stay away from any kind adapters.!
For this type connection I'm using Live Wire 1/4" - RCA Dual Patch Cable
http://www.musiciansfriend.com/accessor ... atch-cable
--..Your cable is your sound. Superior wiring allows your signal to be quiet, eliminating frustrating hums, buzzing, and crackles.
Nemik
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- PraiseTheLord
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Hi Nemik
I tried an adapter on the regular cables, and both these cables, which seem to be similar spec and quality to the one you posted:
http://smile.amazon.com/gp/product/B004 ... ge_o01_s00
and
http://www.sweetwater.com/store/detail/DKQR10
I had the hum in every case. Both keyboard and Bose plugged into same power strip. No other equipment plugged in.
I tried an adapter on the regular cables, and both these cables, which seem to be similar spec and quality to the one you posted:
http://smile.amazon.com/gp/product/B004 ... ge_o01_s00
and
http://www.sweetwater.com/store/detail/DKQR10
I had the hum in every case. Both keyboard and Bose plugged into same power strip. No other equipment plugged in.
Graham (Pa1000)
- Thoraldus
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Perhaps a DI Direct Box would be the ticket?
<i>”It’s easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself.”
<br>Johann Sebastian Bach
</i>
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Rick Stirling - Retired Electrical Engineer - Erstwhile Photographer
Korg Kronos2, Casio MZ-X500, PA600, AKAI MPD32, M-Audio Oxygen 25, ZOOM H6, Cakewalk Sonar
<br>Johann Sebastian Bach
</i>
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Rick Stirling - Retired Electrical Engineer - Erstwhile Photographer
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- PraiseTheLord
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Yes.PraiseTheLord wrote:Is that how you connect yours, Rick?

<i>”It’s easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself.”
<br>Johann Sebastian Bach
</i>
----------------------------------------------
Rick Stirling - Retired Electrical Engineer - Erstwhile Photographer
Korg Kronos2, Casio MZ-X500, PA600, AKAI MPD32, M-Audio Oxygen 25, ZOOM H6, Cakewalk Sonar
<br>Johann Sebastian Bach
</i>
----------------------------------------------
Rick Stirling - Retired Electrical Engineer - Erstwhile Photographer
Korg Kronos2, Casio MZ-X500, PA600, AKAI MPD32, M-Audio Oxygen 25, ZOOM H6, Cakewalk Sonar
- PraiseTheLord
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Balanced XLR to TRS cables.PraiseTheLord wrote:How do you get from the DI Box to the Bose?
Here's the DI
<i>”It’s easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself.”
<br>Johann Sebastian Bach
</i>
----------------------------------------------
Rick Stirling - Retired Electrical Engineer - Erstwhile Photographer
Korg Kronos2, Casio MZ-X500, PA600, AKAI MPD32, M-Audio Oxygen 25, ZOOM H6, Cakewalk Sonar
<br>Johann Sebastian Bach
</i>
----------------------------------------------
Rick Stirling - Retired Electrical Engineer - Erstwhile Photographer
Korg Kronos2, Casio MZ-X500, PA600, AKAI MPD32, M-Audio Oxygen 25, ZOOM H6, Cakewalk Sonar
- PraiseTheLord
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Yes, if you have just one L1 --- two for stereo system.PraiseTheLord wrote:Just one, into the Line Input?

<i>”It’s easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself.”
<br>Johann Sebastian Bach
</i>
----------------------------------------------
Rick Stirling - Retired Electrical Engineer - Erstwhile Photographer
Korg Kronos2, Casio MZ-X500, PA600, AKAI MPD32, M-Audio Oxygen 25, ZOOM H6, Cakewalk Sonar
<br>Johann Sebastian Bach
</i>
----------------------------------------------
Rick Stirling - Retired Electrical Engineer - Erstwhile Photographer
Korg Kronos2, Casio MZ-X500, PA600, AKAI MPD32, M-Audio Oxygen 25, ZOOM H6, Cakewalk Sonar
- PraiseTheLord
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Balanced audio connections use a number of techniques to significantly reduce noise.PraiseTheLord wrote:OK, so this non-engineer wants to know why is that better than just connecting the unbalanced cable in on its own or combining via an adapter?
A typical balanced cable contains two identical wires, which are twisted together and then wrapped with a third conductor (foil or braid) that acts as a shield. The two wires form a circuit carrying the audio signal; one wire is in phase with respect to the source signal, the other wire is reversed in polarity. The in-phase wire is called non-inverting, positive or "hot" while the out-of-phase wire is called inverting, phase-inverted, anti-phase, negative or "cold". The hot and cold connections are often shown as In+ and In− ("in plus" and "in minus") on circuit diagrams.
The term "balanced" comes from the method of connecting each wire to identical impedances at source and load. This means that much of the electromagnetic interference will induce an equal noise voltage in each wire. Since the amplifier at the far end measures the difference in voltage between the two signal lines, noise that is identical on both wires is rejected. The noise received in the second, inverted line is applied against the first, upright signal, and cancels it out when the two signals are subtracted.
This differential signal recombination can be implemented with a differential amplifier. A balun may also be used instead of an active differential amplifier device.
The wires are also twisted together, to reduce interference from electromagnetic induction. A twisted pair makes the loop area between the conductors as small as possible, and ensures that a magnetic field that passes equally through adjacent loops will induce equal levels of noise on both lines, which is canceled out by the differential amplifier. If the noise source is extremely close to the cable, then it is possible it will be induced on one of the lines more than the other, and it won't be canceled as well, but canceling will still occur to the extent of the amount of noise that is equal on both lines.
The separate shield of a balanced audio connection also yields a noise rejection advantage over an unbalanced two-conductor arrangement (such as used in typical home stereos) where the shield must also act as the signal return wire. Any noise currents induced into a balanced audio shield will not therefore be directly modulated onto the signal, whereas in a two-conductor system they will be. This also prevents ground loop problems, by separating the shield/chassis from signal ground.

<i>”It’s easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself.”
<br>Johann Sebastian Bach
</i>
----------------------------------------------
Rick Stirling - Retired Electrical Engineer - Erstwhile Photographer
Korg Kronos2, Casio MZ-X500, PA600, AKAI MPD32, M-Audio Oxygen 25, ZOOM H6, Cakewalk Sonar
<br>Johann Sebastian Bach
</i>
----------------------------------------------
Rick Stirling - Retired Electrical Engineer - Erstwhile Photographer
Korg Kronos2, Casio MZ-X500, PA600, AKAI MPD32, M-Audio Oxygen 25, ZOOM H6, Cakewalk Sonar
- PraiseTheLord
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I did leave out all the math and formulas.PraiseTheLord wrote:That'll teach me to ask![]()
Seriously, thanks.
Anyone else use a Compact connected to their Pa900?

<i>”It’s easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself.”
<br>Johann Sebastian Bach
</i>
----------------------------------------------
Rick Stirling - Retired Electrical Engineer - Erstwhile Photographer
Korg Kronos2, Casio MZ-X500, PA600, AKAI MPD32, M-Audio Oxygen 25, ZOOM H6, Cakewalk Sonar
<br>Johann Sebastian Bach
</i>
----------------------------------------------
Rick Stirling - Retired Electrical Engineer - Erstwhile Photographer
Korg Kronos2, Casio MZ-X500, PA600, AKAI MPD32, M-Audio Oxygen 25, ZOOM H6, Cakewalk Sonar
- PraiseTheLord
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