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Some MOSS technology?

 
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Rosen Sound
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PostPosted: Wed May 18, 2011 9:40 am    Post subject: Some MOSS technology? Reply with quote

Found this pic over at kronoshaven.com (from the guys who brought you.. you guessed it... tritonhaven.com)
http://www.kronoshaven.com/wp-content/uploads/2011/01/IMG_0173.jpg
Notice it has a SONDIUS sticker on it.. same guys who made the MOSS board for the trinity and triton... perhaps they helped korg do the modeling engines?

just some random speculation..
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cello
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PostPosted: Wed May 18, 2011 10:43 am    Post subject: Reply with quote

You could be right as the same logo is printed on the OASYS (but not on the back, is on the control surface).
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Rosen Sound
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PostPosted: Wed May 18, 2011 10:45 am    Post subject: Reply with quote

II just got a triton extreme in my shop last week that has a sonidus XG printed on the triton ont he right side of the CS.... very strange.. never seen it before...
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DaveBoulden
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PostPosted: Wed May 18, 2011 11:55 am    Post subject: Reply with quote

Sondius is/was a commercial entity created by Stanford University to exploit the research work and patents they established in physical modelling as a form of synthesis. Yamaha were heavily involved with them and jointly licensed some of the technolgies created. Their patents cover a lot of the physical modelling area so Korg will have most likely licensed the technology to get a head-start in terms of the code and also be sure they're not infringing any patents. It would have almost certainly been the most pragmatic approach to realising the MOD-7 EXi and the predecessor Korg technologies.

Last edited by DaveBoulden on Wed May 18, 2011 3:03 pm; edited 1 time in total
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BasariStudios
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PostPosted: Wed May 18, 2011 2:52 pm    Post subject: Reply with quote

As i know off Korg had nothing to do with MOSS, it was Sondius and of course Yamaha...as the Yammy logo was there but not Korg's.
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X-Trade
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PostPosted: Wed May 18, 2011 2:54 pm    Post subject: Reply with quote

MOSS was still Korg's creation and programming and hardware. Just the methods and principles are based upon research conducted at Stanford and have to be licensed through Sonidus or something along those lines.
MOSS certainly was a work of Korg and we've had that much confirmed before.
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EXer
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PostPosted: Wed May 18, 2011 4:14 pm    Post subject: Reply with quote

That's nothing new. Prophecy, Z1, MOSS, Oasys PCI, OASYS, they all come from a Stanford Sondius background.

on the EXB-MOSS board page of their website Korg wrote:
Developed under license of physical modeling patents [...] owned by Stanford University, USA, and by Yamaha Corporation.

on the KRONOS specifications page of their website Korg wrote:
Developed under license of physical modeling patents owned by Stanford University, USA, and by Yamaha Corporation.


That's a good thing, Stanford University are experts in physical modelling. Think of Yamaha VL1 and VL70-m back in the mid 90s...

I wonder if the algorithms used in EP-1 are related to those used in FDSP (cf. Yamaha EX5) and in the CP1. From a sonic point of vue, they have some similarities in the kind of 'organic' way the sound generator responds to the way the musician is playing on the kbd...
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danatkorg
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PostPosted: Thu May 19, 2011 12:58 am    Post subject: Reply with quote

Quoting from an earlier response to similar questions:

Stanford's CCRMA holds patents for aspects of waveguide synthesis technology. Korg holds a sublicense for these patents under Yamaha's Sondius-XG.

The patents in question apply specifically to some basic mechanisms of the waveguide synthesis method. Korg's proprietary and independently developed physical models of wind, brass, vocal, and plucked string instruments (as in the Trinity/Triton MOSS, OASYS PCI, and the new STR-1 plucked string model for the OASYS) use these mechanisms as *parts* of these algorithms, so we need to license the associated patents.

Hope this helps,

Dan
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