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Rosen Sound Approved Merchant
Joined: 06 Jan 2010 Posts: 1056 Location: Los Angeles, California
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Posted: Wed May 18, 2011 9:40 am Post subject: Some MOSS technology? |
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Found this pic over at kronoshaven.com (from the guys who brought you.. you guessed it... tritonhaven.com)
http://www.kronoshaven.com/wp-content/uploads/2011/01/IMG_0173.jpg
Notice it has a SONDIUS sticker on it.. same guys who made the MOSS board for the trinity and triton... perhaps they helped korg do the modeling engines?
just some random speculation.. _________________
Current gear: Korg Kronos 61, Oberheim OB-8, Alesis Vortex
Past Gear: Triton Extreme w/moss & ram, Korg Radias, Kurzweil Micropiano, Triton classic, & Karma
Come visit my Burbank California repair shop/recording studio! Rosensound.com
And my band: Sirion.us.com |
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cello Platinum Member
Joined: 11 Jun 2009 Posts: 2152 Location: Glasgow, UK
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Posted: Wed May 18, 2011 10:43 am Post subject: |
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You could be right as the same logo is printed on the OASYS (but not on the back, is on the control surface). _________________ Plugged in: Fantom 8, Jupiter-X, Jupiter 80, System-8, JD-XA, V-Synth GTv2, FA-06, SE-02, JU-06A, TR-09, VT-4, Go:Livecast, Rubix44, Shure SM7b, Push2, Ableton 11 Suite, Sibelius, KRK Rokit 5, |
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Rosen Sound Approved Merchant
Joined: 06 Jan 2010 Posts: 1056 Location: Los Angeles, California
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Posted: Wed May 18, 2011 10:45 am Post subject: |
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II just got a triton extreme in my shop last week that has a sonidus XG printed on the triton ont he right side of the CS.... very strange.. never seen it before... _________________
Current gear: Korg Kronos 61, Oberheim OB-8, Alesis Vortex
Past Gear: Triton Extreme w/moss & ram, Korg Radias, Kurzweil Micropiano, Triton classic, & Karma
Come visit my Burbank California repair shop/recording studio! Rosensound.com
And my band: Sirion.us.com |
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DaveBoulden Senior Member
Joined: 20 Nov 2009 Posts: 314 Location: Kent, United Kingdom
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Posted: Wed May 18, 2011 11:55 am Post subject: |
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Sondius is/was a commercial entity created by Stanford University to exploit the research work and patents they established in physical modelling as a form of synthesis. Yamaha were heavily involved with them and jointly licensed some of the technolgies created. Their patents cover a lot of the physical modelling area so Korg will have most likely licensed the technology to get a head-start in terms of the code and also be sure they're not infringing any patents. It would have almost certainly been the most pragmatic approach to realising the MOD-7 EXi and the predecessor Korg technologies.
Last edited by DaveBoulden on Wed May 18, 2011 3:03 pm; edited 1 time in total |
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BasariStudios Approved Merchant
Joined: 29 May 2005 Posts: 6510 Location: NYC, USA
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Posted: Wed May 18, 2011 2:52 pm Post subject: |
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As i know off Korg had nothing to do with MOSS, it was Sondius and of course Yamaha...as the Yammy logo was there but not Korg's. _________________ http://www.basaristudios.com
Cubase 8.5 Pro. Windows 7 X64. ASUS SaberTooth X99. Intel I7 5820K. ASUS GTX 960 Strix OC 2GB. 4x8 GB G.SKILL.
2 850 PRO 256GB SSDs. 1 850 EVO 1TB SSD. Acustica: Nebula Server 3 Ultimate, Murano, Magenta 3, Navy, Titanium. |
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X-Trade Moderator
Joined: 14 Feb 2006 Posts: 6494 Location: Leeds, UK
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Posted: Wed May 18, 2011 2:54 pm Post subject: |
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MOSS was still Korg's creation and programming and hardware. Just the methods and principles are based upon research conducted at Stanford and have to be licensed through Sonidus or something along those lines.
MOSS certainly was a work of Korg and we've had that much confirmed before. _________________ Current Gear: Kronos 61, RADIAS-R, Volca Bass, ESX-1, microKorg, MS2000B, R3, Kaossilator Pro +, MiniKP, AX3000B, nanoKontrol, nanoPad MK II,
Other Mfgrs: Moog Sub37, Roland Boutique JX03, Novation MiniNova, Akai APC40, MOTU MIDI TimePiece 2, ART Pro VLA, Focusrite Saffire Pro 40.
Past Gear: Korg Karma, TR61, Poly800, EA-1, ER-1, ES-1, Kawai K1, Novation ReMote37SL, Boss GT-6B
Software: NI Komplete 10 Ultimate, Arturia V Collection, Ableton Live 9. Apple OSX El Capitan on 15" MacBook Pro |
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EXer Platinum Member
Joined: 17 Jan 2011 Posts: 558 Location: France
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Posted: Wed May 18, 2011 4:14 pm Post subject: |
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That's nothing new. Prophecy, Z1, MOSS, Oasys PCI, OASYS, they all come from a Stanford Sondius background.
That's a good thing, Stanford University are experts in physical modelling. Think of Yamaha VL1 and VL70-m back in the mid 90s...
I wonder if the algorithms used in EP-1 are related to those used in FDSP (cf. Yamaha EX5) and in the CP1. From a sonic point of vue, they have some similarities in the kind of 'organic' way the sound generator responds to the way the musician is playing on the kbd... |
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danatkorg Product Manager, Korg R&D
Joined: 21 Jan 2005 Posts: 4204 Location: California, USA
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Posted: Thu May 19, 2011 12:58 am Post subject: |
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Quoting from an earlier response to similar questions:
Stanford's CCRMA holds patents for aspects of waveguide synthesis technology. Korg holds a sublicense for these patents under Yamaha's Sondius-XG.
The patents in question apply specifically to some basic mechanisms of the waveguide synthesis method. Korg's proprietary and independently developed physical models of wind, brass, vocal, and plucked string instruments (as in the Trinity/Triton MOSS, OASYS PCI, and the new STR-1 plucked string model for the OASYS) use these mechanisms as *parts* of these algorithms, so we need to license the associated patents.
Hope this helps,
Dan _________________ Dan Phillips
Manager of Product Development, Korg R&D
Personal website: www.danphillips.com
For technical support, please contact your Korg Distributor: http://www.korg.co.jp/English/Distributors/
Regretfully, I cannot offer technical support directly.
If you need to contact me for purposes other than technical support, please do not send PMs; instead, send email to dan@korgrd.com |
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