New Triton Released

Marc · Post by **Marc** » Wed Jun 04, 2008 7:38 pm

Check this out...

New for 2009, Triton Composite

Its an all-in-one, portable, lightweight, easy to carry, balanced, touch sensitive, velocity switched, portable instrument that is accessible from 360 degrees. It uses Pitch Count Modulation (PCM) with dual routing options and its LFO can be triggered by contact.

The computer-based design process has resulted in a huge sweet spot that yields outstanding performance. It is ideally suited for swing music but also excels on blue grass. Lefties will appreciate its ambidexterity.

This one's a home run in my book, way to go Korg!

http://www.batsbatsbats.com/Louisville_ ... ite-3.html

Marc

RVNOak · Post by **RVNOak** » Wed Jun 04, 2008 8:07 pm

You get an A+ for creative/descriptive writing!!

Daz · Post by **Daz** » Wed Jun 04, 2008 8:36 pm

Post by **Sharp** » Wed Jun 04, 2008 8:41 pm

ginol96 · Post by **ginol96** » Thu Jun 05, 2008 5:41 am

I want it

tritex4 · Post by **tritex4** » Thu Jun 05, 2008 6:26 am

Wow,
only 400.00 bucks!!!

Stephen · Post by **Stephen** » Thu Jun 05, 2008 12:16 pm

There are times when that would be very useful, but......

Diego · Post by **Diego** » Thu Jun 05, 2008 12:38 pm

I'm looking for a 88 weighted keys version...
Don't you know if they planned to make a big version someday?

milkojnr · Post by **milkojnr** » Sat Jun 07, 2008 7:36 am

I could use one of them every-time the drummer goes out of time!!!

1, hit, 2, hit, 3, hit ,4 hit!!!

Post by **mikemolloyuk** » Mon Jun 09, 2008 9:56 am

Is it only 1 note polyphony???

Mike

Diego · Post by **Diego** » Mon Jun 09, 2008 11:04 am

YEAH!!
It's the new Prophecy: monophonic, but with a solid rock sound!!

Regards

RVNOak · Post by **RVNOak** » Mon Jun 09, 2008 4:56 pm

I'm willing to bet this instrument is recommended for live use only...

Marc · Post by **Marc** » Mon Jun 09, 2008 9:36 pm

Bravo to you gents!

I missed "analog" (entirely throughout the path BTW) and its "monophonic" oscillator (watch the sines for when to swing, when to square to bunt, and when to sample and hold -- all while ignoring the noise sources of course).

...and I should have mentioned other features such as its variable sweeping filters, unlimited ARP patterns, and slap reverb/echo...

(RVNOak) - live use for sure, but why not in the studio? Isn't that where we create hits in the first place?

Marc

RVNOak · Post by **RVNOak** » Mon Jun 09, 2008 10:42 pm

Marc wrote: (RVNOak) - live use for sure, but why not in the studio? Isn't that where we create hits in the first place?Marc

Oh dear, I seriously pissed myself in front of my wife... Good one!!!

JonSolo · Post by **JonSolo** » Mon Jun 09, 2008 11:07 pm

I personally like the fact that you don't have to press a button to activate the "swing" feature.

Solo