KARMA Oasys (KO) Software from Stephen Kay / Karma-Lab
Posted: Fri Dec 21, 2007 11:53 am
Hi Stephen -
I just see today Daz's sticky post regarding the release of your KARMA OASYS (KO) even though I bought it a few days ago! I thought for a moment that it's release was going unnoticed on Korgforums.
May I congratulate you on an exquisite job on KO. The user interface is fantastic; and the depth and breadth of the software facility itself is mind-boggling. I can't honestly comprehend how you have managed to do all of this.
Into the bargain, despite your apologies for more time needed on documentation; the documentation provided and the level of detail and clarity in your tutorials are a fantastic help. Its also fantastic to have the entire documentation set available in an on-line format with the application.
While I'm still barely learning KO and am barely scratching the surface; what I'm realising very quickly is that KO is THE perfect computer-based compliment to OASYS. Of course among the defining qualities of OASYS (for me) is Karma - it's what gives it a depth akin to the legendary Farilights and Synclaviers of times past; and now you have provided unprecedented access to the entire world of Karma though KO. Three immediate and very exciting applications of KO come to mind (though correct be if I'm wrong):
- from your tutorial, I can envisage importing any MIDI based drum riff (from any other source) and converting it into a GE. Wow! I'm going to try this with one or two patterns from my RM1X in the new year and see if I can then apply the 'might' of Karma to their realtime performance.
- I can envisage creating completely new GE's based on my needs in any given piece.
- I can envisage taking existing GE's and editing them and storing them as new GE's
It's also great to know that for the long haul, for years and years to come, I now have available one of the most exciting and expansive electronic music exploration and creativity tools fully and uncompromisingly at my disposal. I know there are 50 other application of KO that I can't think of right now but will be invaluably served by KO at those future creative junctures. And of course this points to the most valuable aspect of KO - it puts us in the driving seat. We can now create, from scratch, with Karma technology. This to me is its real value - its a new and fully featured musical compositional tool; which is a whole new slant and approach to Karma that I'll look forward to getting my teeth into.
I know I may be laying the praise on a bit thick here; but I feel itsfully justified. The mind boggles at (your creative talent) and the possibilities of KO. Two years after owning OASYS and I can still barley get my head around its internal features, and now KO adds a huge, gigantic, new dimension to its possibilities. Phew!
Christmas came a little early for OASYS users IMHO; and from the incredible and mammoth task you have just finished - I hope you have a well earned break.
Cheers!
Kevin.
I just see today Daz's sticky post regarding the release of your KARMA OASYS (KO) even though I bought it a few days ago! I thought for a moment that it's release was going unnoticed on Korgforums.
May I congratulate you on an exquisite job on KO. The user interface is fantastic; and the depth and breadth of the software facility itself is mind-boggling. I can't honestly comprehend how you have managed to do all of this.
Into the bargain, despite your apologies for more time needed on documentation; the documentation provided and the level of detail and clarity in your tutorials are a fantastic help. Its also fantastic to have the entire documentation set available in an on-line format with the application.
While I'm still barely learning KO and am barely scratching the surface; what I'm realising very quickly is that KO is THE perfect computer-based compliment to OASYS. Of course among the defining qualities of OASYS (for me) is Karma - it's what gives it a depth akin to the legendary Farilights and Synclaviers of times past; and now you have provided unprecedented access to the entire world of Karma though KO. Three immediate and very exciting applications of KO come to mind (though correct be if I'm wrong):
- from your tutorial, I can envisage importing any MIDI based drum riff (from any other source) and converting it into a GE. Wow! I'm going to try this with one or two patterns from my RM1X in the new year and see if I can then apply the 'might' of Karma to their realtime performance.
- I can envisage creating completely new GE's based on my needs in any given piece.
- I can envisage taking existing GE's and editing them and storing them as new GE's
It's also great to know that for the long haul, for years and years to come, I now have available one of the most exciting and expansive electronic music exploration and creativity tools fully and uncompromisingly at my disposal. I know there are 50 other application of KO that I can't think of right now but will be invaluably served by KO at those future creative junctures. And of course this points to the most valuable aspect of KO - it puts us in the driving seat. We can now create, from scratch, with Karma technology. This to me is its real value - its a new and fully featured musical compositional tool; which is a whole new slant and approach to Karma that I'll look forward to getting my teeth into.
I know I may be laying the praise on a bit thick here; but I feel itsfully justified. The mind boggles at (your creative talent) and the possibilities of KO. Two years after owning OASYS and I can still barley get my head around its internal features, and now KO adds a huge, gigantic, new dimension to its possibilities. Phew!
Christmas came a little early for OASYS users IMHO; and from the incredible and mammoth task you have just finished - I hope you have a well earned break.
Cheers!
Kevin.