It sounds very close! I don't recall the original sample having any stereo info on the 01wfd, so I modified your program to use only a single oscillator (half of your stereo sample) and saved it in the next program location N101. I also tweaked some filter, amp and effect settings:
http://synthasaurus.googlepages.com/01W_PNO2.PCG
I didn't save your sample (the KSC file) with my PCG file. Just load my PCG after you've loaded your 01W-PNO sample and it should work.
Program Mode is Kicking my butt!
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- Gargamel314
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- Location: Carneys Point, NJ
That's a lot better than mine was... i wasn't so sure what to do about start levels in the Amp EG... 01/W doesn't even have a field for that.... how did you know what to enter for that?
Also... the stereo was a goof... i sampled it as stereo on accident, and didn't want to lose half the sample. guess it didn't really matter tho.
Also... the stereo was a goof... i sampled it as stereo on accident, and didn't want to lose half the sample. guess it didn't really matter tho.
After hearing your multisample, it reminded me of how I had tried to get a longer/smoother decay from the 01 piano programs. I remember finding out that the multisample itself had a faster than natural decay time (probably to save sample memory), and that there wasn't much I could do to make each note ring a little longer.
On the Triton, my amp and filter EG settings were adusted to try and smooth out the initial attack - decay level differences of the multisample. It only helped a little, but maybe with more tweaking you can get it a little more natural sounding.
You might experiment with the keyboard tracking for the amp and filter EG levels and rates. I think most of the problem areas are in the mid-higher octaves.
I confess that I've had problems getting those parameters in the Triton set correctly. I'm not sure if it's a bug in the Triton OS, or if I'm setting something incorrectly.
On the Triton, my amp and filter EG settings were adusted to try and smooth out the initial attack - decay level differences of the multisample. It only helped a little, but maybe with more tweaking you can get it a little more natural sounding.
You might experiment with the keyboard tracking for the amp and filter EG levels and rates. I think most of the problem areas are in the mid-higher octaves.
I confess that I've had problems getting those parameters in the Triton set correctly. I'm not sure if it's a bug in the Triton OS, or if I'm setting something incorrectly.