A wise choice! The M50 was not designed as a replacement for the Triton series at all, but as a more streamlined, affordable version of the M3 for aspiring musicians, or those of a tight budget. But for me, I can't even imagine using the M50 in live settings for very long. It's just too limited.choken31 wrote:hello. finally i decided to buy the used extreme 88, and i´m very plased with my decision. it works fine and it´s almost new. just a little dirt in the menu button. i saw the m50 in the store and it seems cheap. thenk you for your opininions
For instance, the Triton series (including the Extreme) features 12 assignable controllers - a VERY important thing for any gigging professional. Consider the 2-axis, 4-way joystick. Each direction can be assigned to a desired parameter. Then there is, of course, the 4 assignable knobs, followed by the 2 switches/buttons above the joystick. There is also the ribbon controller. And finally, you have the Value slider (next to the screen). Actually, I take that back... If you count the Switch input on the rear panel, you have 13 total assignable controllers.
Compare that to the 7 (maybe) of the M50. I don't know if those chord pads can be used for CC commands or not, but if they can, then it would add another 4 for a total of 11..
And don't get me started on the rest of the Triton Extreme's feature list.
Triton Extreme = professional gigging musician
M50 = "I make beats in my spare time."