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tr-rack and Hi and lo samples
Posted: Tue Jun 16, 2009 11:09 pm
by jpq
tr-rack:
i found sounds can have different Hi and lo samples these crossfaded ? or velocity depends which sample plays. if there is crossfade i think tihs is much more usefull. ps. tell other korg synths about this if you know.
Re: tr-rack and Hi and lo samples
Posted: Wed Jun 17, 2009 8:55 am
by jpq
Its seems directly jumps older than triton series but m30,m5,ja oasys there is possiblity use crossfade. i get ansver from other place.
Posted: Wed Jun 17, 2009 11:03 am
by X-Trade
the triton directly jumps, so I would assume that the trinity does too (considering it is older). don't know if the new EDS synths (M50, M3) or the HD-1 (OASYS) does it, but I do know that they have four velocity layers rather than two.
Posted: Wed Jun 17, 2009 12:14 pm
by jpq
X-Trade wrote:the triton directly jumps, so I would assume that the trinity does too (considering it is older). don't know if the new EDS synths (M50, M3) or the HD-1 (OASYS) does it, but I do know that they have four velocity layers rather than two.
i asked this form one generic forum. i get this ansver these new can "morph"/crossfade them.
Posted: Wed Jun 17, 2009 1:40 pm
by Timo
You could always set up a combi with two patches. One patch that gets attenuated the harder you press, and the other patch to get louder the harder you press.
The end result will be very similar to a crossfade. If you play softly, you will hear more of the first patch. As you play the keys harder, the first patch will fade out and the second patch will fade in, meaning you will hear more of the second patch accordingly.
Both fine detune parameters of both patches within the combi must be identical, or you may have detune/phase issues when both patches are summed.
Posted: Thu Jun 18, 2009 11:55 am
by jpq
Timo wrote:You could always set up a combi with two patches. One patch that gets attenuated the harder you press, and the other patch to get louder the harder you press.
The end result will be very similar to a crossfade. If you play softly, you will hear more of the first patch. As you play the keys harder, the first patch will fade out and the second patch will fade in, meaning you will hear more of the second patch accordingly.
Both fine detune parameters of both patches within the combi must be identical, or you may have detune/phase issues when both patches are summed.
nice tip but hard some times but still usefull.