..as opposed to a Live Pro Tools user?gadgetboy wrote:I'm an avid Ableton user.
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..as opposed to a Live Pro Tools user?gadgetboy wrote:I'm an avid Ableton user.
...groan...sauce wrote:..as opposed to a Live Pro Tools user?gadgetboy wrote:I'm an avid Ableton user.![]()
(See what I did there?
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completely agree. It's looking more and more likely that we'll be getting them after NYE though.. poor show Korg.Olivander12 wrote:I hope that Europe gets their electribe before christmas. Korg defintely has to improve their release/production-managment. I think it will drastically harm their sales not having units avaiable two weeks before christmas.
Yep I had the same form dolphin music, dude was saying under his breath "Is this guy in first 5?" then came back to me with "yes looks like you get one from the first batch so some time this week".gadgetboy wrote:DV247 have just told me that they're only actually getting 5 in this first delivery, they actually asked for 50!!
I wanted to buy a motorbike, but none was avaible. So I bought a new Laptop.Griz wrote:I've just cancelled mine from an online UK music retailer. It was an Xmas gift for my nephew and I couldn't gamble on it not getting here before the big day really. He's old enough to understand Santa can have difficulties with certain items, but I don't want him to be without a present, it makes me look like a cheapskate. Thanks for nothing Korg, Xmas probably doesn't mean a lot in Japan, but for a large part of the world it's quite a big deal. Think I'm going to get him an Ableton Push controller instead.
I understand that they are completely different beasts and have different functions. I wanted to buy my nephew his first bit of actual hardware, to get him away from the laptop, as I've always believed that the best way to learn synthesis and programming is to have hands on experience rather than just interacting with a screen. That's the way I learned, before virtual 'in the box' production was even a pipe dream. A Push controller is tied to a laptop I know, but there are some knobs to twiddle and some pads to hit/use as a sequencer. I may get him a Electribe for his birthday in 2015.Olivander12 wrote:I wanted to buy a motorbike, but none was avaible. So I bought a new Laptop.Griz wrote:I've just cancelled mine from an online UK music retailer. It was an Xmas gift for my nephew and I couldn't gamble on it not getting here before the big day really. He's old enough to understand Santa can have difficulties with certain items, but I don't want him to be without a present, it makes me look like a cheapskate. Thanks for nothing Korg, Xmas probably doesn't mean a lot in Japan, but for a large part of the world it's quite a big deal. Think I'm going to get him an Ableton Push controller instead.
No offense, Sir, but Ableton Push controller and an electribe are not really playing in the same league, neither does none of them substitue the other.
This new electribe, it really depends on what exactly you want to do with it.Griz wrote:I understand that they are completely different beasts and have different functions. I wanted to buy my nephew his first bit of actual hardware, to get him away from the laptop, as I've always believed that the best way to learn synthesis and programming is to have hands on experience rather than just interacting with a screen. That's the way I learned, before virtual 'in the box' production was even a pipe dream. A Push controller is tied to a laptop I know, but there are some knobs to twiddle and some pads to hit/use as a sequencer. I may get him a Electribe for his birthday in 2015.Olivander12 wrote:I wanted to buy a motorbike, but none was avaible. So I bought a new Laptop.Griz wrote:I've just cancelled mine from an online UK music retailer. It was an Xmas gift for my nephew and I couldn't gamble on it not getting here before the big day really. He's old enough to understand Santa can have difficulties with certain items, but I don't want him to be without a present, it makes me look like a cheapskate. Thanks for nothing Korg, Xmas probably doesn't mean a lot in Japan, but for a large part of the world it's quite a big deal. Think I'm going to get him an Ableton Push controller instead.
No offense, Sir, but Ableton Push controller and an electribe are not really playing in the same league, neither does none of them substitue the other.
I'm a little concerned that there's been no proper reviews by someone like SonicState yet, we've only been shown what Korg want to show us which has made me a little bit wary, couple this with no guarantee he'd receive it in time for Xmas and I've been forced to push the abort button for now. I hope it is as successful and as well regarded as previous models, but I think the jury is still wavering a little bit at the moment.
I do sort of concur with your opinion of it, from what I've seen at least, you've actually got one so you're bound to have an opinion based on the instrument itself, rather than YouTube videos and other people's opinions. I'm just a bit concerned about whether he'd still be using it in 6/12 months time and Korg's reticence about giving it out to independent reviewers rather than people they have hired also sounds warning bells. I ideally want something that he can grow with, which has sort of pushed me towards Ableton and Push, because I know the software really well and know for a fact he'll be uncovering new ways of doing things in 2 years time never mind six months. I don't want to go around to his house in 6 months time and see it abandoned on his bedroom floor is what I'm really saying! He'll be 14 early next year and his interest in girls, cider and cigs is due to hit him hard any time soon! [well, it will if I'm any kind of a precedent] Perhaps I should just save the cash and drip feed him it when he's pestering me to go to the shop for booze for him?DrHoo wrote:This new electribe, it really depends on what exactly you want to do with it.Griz wrote:I understand that they are completely different beasts and have different functions. I wanted to buy my nephew his first bit of actual hardware, to get him away from the laptop, as I've always believed that the best way to learn synthesis and programming is to have hands on experience rather than just interacting with a screen. That's the way I learned, before virtual 'in the box' production was even a pipe dream. A Push controller is tied to a laptop I know, but there are some knobs to twiddle and some pads to hit/use as a sequencer. I may get him a Electribe for his birthday in 2015.Olivander12 wrote: I wanted to buy a motorbike, but none was avaible. So I bought a new Laptop.
No offense, Sir, but Ableton Push controller and an electribe are not really playing in the same league, neither does none of them substitue the other.
I'm a little concerned that there's been no proper reviews by someone like SonicState yet, we've only been shown what Korg want to show us which has made me a little bit wary, couple this with no guarantee he'd receive it in time for Xmas and I've been forced to push the abort button for now. I hope it is as successful and as well regarded as previous models, but I think the jury is still wavering a little bit at the moment.
As a stand alone song machine, it's a no go in my view unless you are very dexterous & have an exeptional brain (Which i dun't ) (Haha)
As a jamming station for getting quick results, evolving results, the buzz of doing it live & learning at the same time... Winner, & no doubt a good first synth.
As a tool for making loops & patterns to export to a daw & create full mixes, again a winner & would make music far more immediete & enjoyable than the computer environment alone.
As a tool for making backing trax to play along with, again i'd say a very useful machine.
It would also make a brilliant extra to any good existing hardware set up.
That's what i reckon !
No, I'm from the North of England friend. Although, I am a massive fan of Detroit Techno, that's my favourite type of dance music. I'm actually a second generation Griz, my cousin was the original, named after an old TV show called Grizzly Adams.sauce wrote:Hey, Griz.. Are you out of Detroit?Griz wrote:I've always believed that the best way to learn synthesis and programming is to have hands on experience rather than just interacting with a screen. That's the way I learned, before virtual 'in the box' production was even a pipe dream