who programmed original Oasys combis?..
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- curvebender
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who programmed original Oasys combis?..
Does anyone know who programmed the factory combis for the Oasys?
I realise there must have been a number of people involved, but I'm curious to find out who programmed what... For example, was there a person who did all the "jazz" style combis, and then another one did the "electronic"?.. And so on.
Sometimes when I go through the combis I can't help but being very impressed by some of them. In particular, the chord changes on quite a few are stunning!!
Maybe Jerry or the man with the pipe can shed some light on this.
I realise there must have been a number of people involved, but I'm curious to find out who programmed what... For example, was there a person who did all the "jazz" style combis, and then another one did the "electronic"?.. And so on.
Sometimes when I go through the combis I can't help but being very impressed by some of them. In particular, the chord changes on quite a few are stunning!!
Maybe Jerry or the man with the pipe can shed some light on this.
Paul: Don't be nervous.
John: I'M NOT NERVOUS!!!
John: I'M NOT NERVOUS!!!
If you own the Karma Oasys software you can see the name of the sound designer assigned to each Combi
Just in case anyone is not familiar with Karma Oasys, look here : http://www.karma-lab.com/karmasoft/ko/ko_main.html

Just in case anyone is not familiar with Karma Oasys, look here : http://www.karma-lab.com/karmasoft/ko/ko_main.html
It's our "usual suspects + a few" - in no particular order:
Jack Hotop
John Lemkuhl
Michele Paciulli
Steve McNally
Michael Geisel
Stephen Kay
Paul Osborne
Peter Schwartz
Toni Diaz
Ben Dowling
Clive Smith
Taiki Imaizumi
Helping on the sidlelines:
Dan Phillips
myself
Brandon Daniels
etc.
Regards,
Jerry
Jack Hotop
John Lemkuhl
Michele Paciulli
Steve McNally
Michael Geisel
Stephen Kay
Paul Osborne
Peter Schwartz
Toni Diaz
Ben Dowling
Clive Smith
Taiki Imaizumi
Helping on the sidlelines:
Dan Phillips
myself
Brandon Daniels
etc.
Regards,
Jerry
- curvebender
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Thanks for your reply Jerry.
May I ask how long it took to program the combis? I just tried to program a "full" combi myself the other day, and I realised how long it would take to perfect it!!
Considering there are 384 combis, it must have been a well planned job.
May I ask how long it took to program the combis? I just tried to program a "full" combi myself the other day, and I realised how long it would take to perfect it!!
Considering there are 384 combis, it must have been a well planned job.

Paul: Don't be nervous.
John: I'M NOT NERVOUS!!!
John: I'M NOT NERVOUS!!!
- danatkorg
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You're very right to note that there's a lot involved! The time for a single Combi would vary depending on what was involved, but taking everything into account - sampling and sample editing, KARMA GEs, Wave Sequences, Drum Kits, Programs, and Combis - the OASYS sounds represent many man-years of work.
Dan Phillips
Manager of Product Development, Korg R&D
Personal website: www.danphillips.com
For technical support, please contact your Korg Distributor: http://www.korg.co.jp/English/Distributors/
Regretfully, I cannot offer technical support directly.
If you need to contact me for purposes other than technical support, please do not send PMs; instead, send email to dan@korgrd.com
Manager of Product Development, Korg R&D
Personal website: www.danphillips.com
For technical support, please contact your Korg Distributor: http://www.korg.co.jp/English/Distributors/
Regretfully, I cannot offer technical support directly.
If you need to contact me for purposes other than technical support, please do not send PMs; instead, send email to dan@korgrd.com
jerrythek wrote:It's our "usual suspects + a few" - in no particular order:
Jack Hotop
John Lemkuhl
Michele Paciulli
Steve McNally
Michael Geisel
Stephen Kay
Paul Osborne
Peter Schwartz
Toni Diaz
Ben Dowling
Clive Smith
Taiki Imaizumi
Helping on the sidlelines:
Dan Phillips
myself
Brandon Daniels
etc.
Regards,
Jerry
Who was solely responsible for "particles and waves"?, or was this tragic event a a collective effort(J/K)

Tony
Last edited by AnthonyB on Mon Feb 02, 2009 7:21 pm, edited 1 time in total.
KORG KRONOS 88-Korg D3200-Casio Privia PX-830BP-KAWAI RX-2 Grand Piano
Sequencing: KRONOS/Cubase/Cubasis/iPad air2
JOHN 3:16
Sequencing: KRONOS/Cubase/Cubasis/iPad air2
JOHN 3:16
- curvebender
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- StephenKay
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Paul Osborn and myself were responsible for that one.curvebender wrote:What?.. I don't get it.AnthonyB wrote: Who was solely responsible for "particles and waves"?, or was this tragic event a a collective one(J/K)
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Tony
Hopefully, he's referring to the fact that it gets so old being the start up combi that you hear all the time, and not that he thinks it sucks, since it's a good combi.

BTW, going back to the earlier questions, I estimate that it takes from one to two days to create a full-blown Combi with 8 scenes of KARMA, all of the controllers set up to do useful things, the right effects, the right mix, etc. I know, because I just spent 5 to 6 hours on each of the 32 combis in our new Catalyst Volume 1 set for the OASYS, and that's on top of whatever Eric Sawyer spent on each one - this project was a collaboration between the two of us.
During the OASYS Voicing, I know I spent two days on each of the ones that I wrote.

Yes, indeed:) I sometimes forget to turn my oasys on before my 240 watt Monitors, and when the oasys starts up, and volume is on over ½ way up, it does make me jump somewhat.....StephenKay wrote:Paul Osborn and myself were responsible for that one.curvebender wrote:What?.. I don't get it.AnthonyB wrote: Who was solely responsible for "particles and waves"?, or was this tragic event a a collective one(J/K)
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Tony
Hopefully, he's referring to the fact that it gets so old being the start up combi that you hear all the time, and not that he thinks it sucks, since it's a good combi.
KORG KRONOS 88-Korg D3200-Casio Privia PX-830BP-KAWAI RX-2 Grand Piano
Sequencing: KRONOS/Cubase/Cubasis/iPad air2
JOHN 3:16
Sequencing: KRONOS/Cubase/Cubasis/iPad air2
JOHN 3:16
- StephenKay
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But are you saying it starts playing by itself? If that is happening, it could be because your pads are out of calibration. Shouldn't happen. Or perhaps you just mean that when you first touch it, that is the sound that starts playing...? Anyway, I know I'm a bit tired of it.AnthonyB wrote:Yes, indeed:) I sometimes forget to turn my oasys on before my 240 watt Monitors, and when the oasys starts up, and volume is on over ½ way up, it does make me jump somewhat.....


No Stephen, it just happens when i touch they keys. didn't know "un-calibrated" pads would cause it to Start ?"itself"
Since my post, i've actually been using some KARMA on this Combi - and MY, you can make ONE combi sound so different,its amazing really. Quite often, I assume that when i select a Combi, it's the best sound "Currently-available" for this patch.
Tony

Since my post, i've actually been using some KARMA on this Combi - and MY, you can make ONE combi sound so different,its amazing really. Quite often, I assume that when i select a Combi, it's the best sound "Currently-available" for this patch.

Tony
KORG KRONOS 88-Korg D3200-Casio Privia PX-830BP-KAWAI RX-2 Grand Piano
Sequencing: KRONOS/Cubase/Cubasis/iPad air2
JOHN 3:16
Sequencing: KRONOS/Cubase/Cubasis/iPad air2
JOHN 3:16
- StephenKay
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Yep, that's the whole point of KARMA.AnthonyB wrote:Since my post, i've actually been using some KARMA on this Combi - and MY, you can make ONE combi sound so different,its amazing really.

The way a combi is stored (with KARMA) is really just a "point of departure" that the original programmer chose. You can go many different places with it, and end up with something that resembles the original very little.Quite often, I assume that when i select a Combi, it's the best sound "Currently-available" for this patch.
AnthonyB,
I dont mean to sound presumptuous, but if you can get into the habit of turning on all your hardware and waiting for it all to start up and only then turning on your monitor/amp, and then turn everything off only after you have turned off the monitor/amp, that will help preserve your monitors from nasty transient spikes and potential damage....not to mention your ears
I have done that a few times in the past, but once I nearly blew my new monitors and the noise made me jump so much I never made that mistake again....I thought a bomb had gone off, hehe. Anyway...just a tip.
I dont mean to sound presumptuous, but if you can get into the habit of turning on all your hardware and waiting for it all to start up and only then turning on your monitor/amp, and then turn everything off only after you have turned off the monitor/amp, that will help preserve your monitors from nasty transient spikes and potential damage....not to mention your ears

I have done that a few times in the past, but once I nearly blew my new monitors and the noise made me jump so much I never made that mistake again....I thought a bomb had gone off, hehe. Anyway...just a tip.