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Mipa 2012 Kronos the best workstation !!!
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piotrek_muzyk
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PostPosted: Sat Mar 24, 2012 12:09 pm    Post subject: Mipa 2012 Kronos the best workstation !!! Reply with quote

http://www1.mipa-award.de/


Applause
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michelkeijzers
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PostPosted: Sat Mar 24, 2012 1:20 pm    Post subject: Reply with quote

It would be strange if they didn't win (except in the area of workstations).
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Sharp
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PostPosted: Sat Mar 24, 2012 1:46 pm    Post subject: Reply with quote

It's a one horse race now days anyway.
Yamaha and Roland haven't released anything "New" in years.

Recycle.. Recycle.. rehash.. Recycle..

Yamaha's AWM2 Sound Engine is older than my house and my two kids age combined.

Regards
Sharp.
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BillW
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PostPosted: Sat Mar 24, 2012 2:48 pm    Post subject: Reply with quote

Sharp wrote:
It's a one horse race now days anyway.
Yamaha and Roland haven't released anything "New" in years.

Recycle.. Recycle.. rehash.. Recycle..

Yamaha's AWM2 Sound Engine is older than my house and my two kids age combined.

Regards
Sharp.


Isn't the Kronos a rehashed OASYS? Isn't EDS a spinoff of HD-1? Weren't there about 10 Triton models and several offshoots of that (MicroX, X50)? I'm just saying...they're all doing it. There is nothing that unique about Korg.
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Sharp
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PostPosted: Sat Mar 24, 2012 3:07 pm    Post subject: Reply with quote

Every keyboard is an upgrade on the last. What Yamaha deem an acceptable upgrade over the last is a joke to me. Just look at their Arranger Tyros series for example or any of the Motifs.

KORG keep coming up with new sound engines, modelling technology, major new functions, streaming HDR, and much more....

What have Yamaha done lately to push the envelope? I really can't think of one single thing and I'm not just saying that for the laugh or as a KORG Fan boy. I honesty can't think of anything Yamaha has done in a long time that I found interesting.

The last Yamaha item I bought was a VL-70M and a WX-5. Now that's freaking cool hardware. What happened to those VL days when Yamaha were inventing exciting NEW technologies?

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Sharp.
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apex
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PostPosted: Sat Mar 24, 2012 3:08 pm    Post subject: Reply with quote

but there is something unique about the Kronos. all companies rehash... it's the most cost effective way to produce, and smartest if I may add.

there is nothing wrong with recycling, (it helps the Earth Wink )

but the Kronos has recycled parts, and also brand new elements that it brings to the table.
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JPROBERTLA
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PostPosted: Sat Mar 24, 2012 3:14 pm    Post subject: Reply with quote

Technically I don't know what hardware and software in the Kronos is either recycled or new. But it doesn't really matter when you look at the sum of the parts and not the parts themselves. The design and concept is certainly is unique, compared to what else is out there.

The Kronos is simply the next step in the evolution of Korg synthesizer workstations; it would be foolish for them to go off in a completely different direction considering the success they have had over the last 20 years with the design and concept of their workstation products.

But don't believe for a minute that none of this is new. The basic concept and design (i.e., 9 different sound engines in one keyboard) is newish, except for the Oasys and maybe a few other keyboards from 2nd tier manufacturers that I don't even know about.

The Motif came out shortly after the Triton and the Fantom not to far after that. These are basically sample playback synths that have been improved on over the past 10 or so years - theres nothing wrong with that, but they are not new technology, design or concept.

The Triton-like spin-offs are lesser expensive models designed to give those that can't afford flagship workstations an alternative - theres certainly nothing wrong with that. The Oasys was a bold step forward and the M-3 was an improvement in Korg sample play-back workstations - nothing wrong with that either.

If you can't see the leap here, then I believe you simply don't want to.
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Jan1
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PostPosted: Sat Mar 24, 2012 3:48 pm    Post subject: Reply with quote

With the OASYS/KRONOS KORG has created a very versatile platform for their workstations, and I feel they rightly deserve the award.

Sharp wrote:
The last Yamaha item I bought was a VL-70M and a WX-5. Now that's freaking cool hardware. What happened to those VL days when Yamaha were inventing exciting NEW technologies?

That's exactly what I was wondering when I was watching YouTube clips featuring Yamaha's instruments from the seventies, eighties and early nineties.
It seems like there was an air of adventure and enthusiasm in what they had to offer which is completely lacking at the moment.
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GregC
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PostPosted: Sat Mar 24, 2012 4:24 pm    Post subject: Reply with quote

BillW wrote:
Sharp wrote:
It's a one horse race now days anyway.
Yamaha and Roland haven't released anything "New" in years.

Recycle.. Recycle.. rehash.. Recycle..

Yamaha's AWM2 Sound Engine is older than my house and my two kids age combined.

Regards
Sharp.


Isn't the Kronos a rehashed OASYS? Isn't EDS a spinoff of HD-1? Weren't there about 10 Triton models and several offshoots of that (MicroX, X50)? I'm just saying...they're all doing it. There is nothing that unique about Korg.


I can get the same sounds using software on my uncles $300 PC
Smile
( this is a joke. this is the kind of ' opinion ' you find on other keyboard forums)
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Last edited by GregC on Sat Mar 24, 2012 6:37 pm; edited 1 time in total
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apex
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PostPosted: Sat Mar 24, 2012 5:07 pm    Post subject: Reply with quote

GregC wrote:
BillW wrote:
Sharp wrote:
It's a one horse race now days anyway.
Yamaha and Roland haven't released anything "New" in years.

Recycle.. Recycle.. rehash.. Recycle..

Yamaha's AWM2 Sound Engine is older than my house and my two kids age combined.

Regards
Sharp.


Isn't the Kronos a rehashed OASYS? Isn't EDS a spinoff of HD-1? Weren't there about 10 Triton models and several offshoots of that (MicroX, X50)? I'm just saying...they're all doing it. There is nothing that unique about Korg.




I can get the same sounds using software on my uncles $300 PC
Smile


good for you. (don't be like that my man!!!)
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Cpilot
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PostPosted: Sat Mar 24, 2012 6:34 pm    Post subject: Reply with quote

I agree with Sharp. My newest Yamaha arranger is 10 years old and Yamaha haven't done much since then. One of the reasons I bought the Kronos (apart from the fact that it's the best keyboard around).

Bryan
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Chriskk
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PostPosted: Sat Mar 24, 2012 7:47 pm    Post subject: Reply with quote

Quote:
Yamaha's AWM2 Sound Engine is older than my house and my two kids age combined.


So is the HD-1. The HD-1 is basically the same as the Trinity sample playback engine. A new name doesn't mean it's really new. Yamaha could name the particular AWM2 in the Motif ZK2 or whatever.
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Sharp
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PostPosted: Sat Mar 24, 2012 8:17 pm    Post subject: Reply with quote

Chriskk wrote:

So is the HD-1. The HD-1 is basically the same as the Trinity sample playback engine. A new name doesn't mean it's really new. Yamaha could name the particular AWM2 in the Motif ZK2 or whatever.


What ?
Your kidding me right ? Shocked

Sharp.
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Oboemd
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Joined: 18 Aug 2008
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PostPosted: Sat Mar 24, 2012 9:01 pm    Post subject: Reply with quote

Chriskk wrote:
Quote:
Yamaha's AWM2 Sound Engine is older than my house and my two kids age combined.


So is the HD-1. The HD-1 is basically the same as the Trinity sample playback engine. A new name doesn't mean it's really new. Yamaha could name the particular AWM2 in the Motif ZK2 or whatever.


Kinda like Korg's "old" sample streaming from solid
state drive and the "old" non-sample-playback synth engines in their workstations.

Seriously, Yamaha's flash memory is an advancement
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Sharp
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PostPosted: Sat Mar 24, 2012 9:08 pm    Post subject: Reply with quote

Quote:
Seriously, Yamaha's flash memory is an advancement


Really ?

It takes over 1 hour to populate the Chip and the Motif still has to process the data on bootup. It does so at a speed that is longer than what it takes my OASYS to load it's samples to RAM.

Regards
Sharp.
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