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Formant filters and oscillators are very helpful, but what about synths without them? Older synths don`t have them. I think it`s a matter of experimenting and combining samples, filters and effects. You can achieve good results with controling wah-wah, resonance, opening of the filters.But the ...

1. AFTERTOUCH Ok, my aftertouch is behaving like it`s not there and when I try to calibrate it I always got an "NG" message. The strange thing is that when I press the key the calibrating "progress bar" is reacting and when I`m finished I always got the "NG". Could it be that key rubbers are worn ...

There`s another way for dealing with effects and performances without need to put all combis in any order. 1. put all combis and programs in performance order 2. when changing the performance parts with "page/part" cursor all you have to do is then press inc and dec and combi or program will have it ...

When using "layer" function instead of "combi" when I need only two sounds to be overlapped, I do it like this: - my first potentiometer (named "attack") is set to control the "volume" - when I press layer all I have to do is select the upper or lower sound (by engraying it) with a cursor button and ...

I had the same problem and resolved it with Hijackthis program.

A little correction of tech specs: The N5EX has 18MB of sample ROM and it`s the same as N1, without weightened keyboard and extra outputs. I think it has some extra drum sets more than N1. The N364 is known as "little trinity". To me, it`s one of the nicest looking low-budget synths and at that time ...

You have to define this in every PROGRAM for each of the oscillators, under "pitch LFO" section - page "Pitch Bend Range" (owner`s manual page 33). The default parameter is 2 semitones. You should notice that you can`t define different parameters for up and down, but they share the same parameter ...