Korg Forums

For all the brilliance in the software design of the WaveState, I find it really hard to get excited about a synth whose sound engine is powered by a $40 off-the-shelf Raspberry Pi. You’re so right! I would buy the WaveState in a heartbeat if there would be an Intel Xeon Processor with 28 cores i ...

What amazes me personally: He doesn't play an instrument. I admit, I don't know much about business and how corporations work, but I'd expect that the director of a musical company which produces keyboards, knows how to use and play them. He mentions Steve Jobs. I wonder, would the iPhone or the Mac ...

Again - because it's not designed as a multitimbral instrument in the MIDI sense! It's a bloody synthesizer - NOT a workstation. You're not asking for each section of a Sub37 to be controllable in that way! Why aren'y you - why isn't everybody? Answer that - and you'll understand WHY the Montage is ...

What scenes? You still seem not to understand it. Some people consider using a Montage 6 with a midi controller. They want some of the sounds to be played on the montage, the other from the midi controller at the same time . I just mentioned an extreme example but the problems start much earlier ...

you have four layered parts in a performance then you have to edit four channels of data when you make a change In Logic, you would use alias regions for the other parts in a performance. Or, use single channel mode and dump everything to USB audio when edits are done. You don't understand the ...

I'm slowly getting lost here but the Montage is multitimbral from a midi stand point. Each of the 16 parts receives messages on a different midi channel. It is just that those midi channels are fix and correspond to the part number. Why would freely assignable input midi channels on a per part basis ...

Kevin Nolan wrote:So overall, I am disappointed with the Montage design - it's too complicated,

Huh, you seem to be overwhelmed with the Montage design which is actually very easy to understand and to master but somehow you think you know exactly why yamaha designed something in the way they did.

I've read and re-read your post numerous times now, and I still don't understand what you are asking for. Third Midi mode? What would that even be? You have two modes on Montage - Single, which puts the whole instrument into transmitting and receiving on one channel. This is the mode I am in all ...

The rubber strip under the keys could be faulty. Contact your korg dealer and let them look at it. It sounds to me definitely like a hardware problem so it's the best if you take it to repair.

xXRobertamXx wrote:Any Ideas or known fixes? Thanks.

You posted that youtube clip almost a year ago.
Is there a special reason why you didn't contact your local dealer so far?

I'd say Yamaha s90es.

Well, I actually know that you own a jp80 but you compared it generally to a fantom or a kurzweil. Sorry, I didn't look at your gear list and it was not clear to me which fantom or kurzweil are you comparing it to. It's not such a big deal. I'm 40 now and I'm getting tired of moving anything heavier ...

I wouldn't trade for a Jupiter 50. Yes it IS a capable instrument, but if weight is the issue, I can tell you that the Jupiter 80 is not that heavy. Yeah, it's built like virtually all Roland instruments - it's a Sherman tank -but it's nowhere near as heavy as a Fantom or a Kurzweil. Sorry, I'm a ...

I'm just curious, in Europe, you have the right to get your money back or to get a completely new product if your faulty one is not repaired in 45 days. Of course, if the product is covered by the guarantee. Is it different in the USA? I mean, it's one of the biggest world market and they don't have ...

Stopped by the music store today to buy some stuff, there was a new krome 61 and and a used m50 61 there. I've got to tell you... same keybed as you know... The keybed on the Krome is certainly not something one will easily fall in love with, but if you don't feel a difference between the Krome ...