You could import the MIDI file from the Triton to Protools. Or you could bypass the MIDI process if you are happy with the sounds and the edits and synchronize Protools with the Triton and drop one audio track at a time.Dee wrote:Now what if I already have a song with 5 or 6 tracks recorded on the triton and want to transfer all of these into pro tools as midi data? Do I do them all at the same time, or one by one? Or do I save the song as a midi file on the triton's floppy and then get this midi file into pro tools, and then...er...well....don't know!
By not mixing ALL your audio to one track when you are recording, you have more control over the mix once it is in PT. Once in PT you can add effects, EQ, etc. to each individual track. You can raise and lower the volume in parts. It really is about control and crafting your track.Daz, you say you mute all the midi tracks except the one you're recording to audio.........why don't you record all the midi tracks to audio tracks at the same time? Can't they run at the same time? why "rinse and repeat for each midi track"??
Yes you can. It really makes no difference what sound is in your Triton when you are recording MIDI data. However, like you said, the sound and effects do affect the way you play the keyboard. So pick the sound that you will LIKELY use.So it is possible to have some effects set on the triton HEARD when 'performing' the part for each instrument when doing step (1) even if this is not being captured as part of the midi data. (I find that the effects determine how I play the particular part, like how long I hold the notes down etc.
BTW, did your hardware come with any Virtual instruments? They usually package one or two. I know you got Reason. Reason would be a perfect way to balance the understanding between audio and MIDI as ALL reason does is record MIDI using internal sounds of Reason and not your Triton.
Jon