I havent quite followed your point here - are you saying its not possible to make smaller and individual instrument libraries?
To do what you ask would result in 128 PCG and 128 different sets of samples that would generate far more than 1.5GB of data. So it can be done, but the problem is that KORG keyboards are not able to take into consideration what they already have loaded into memory at all times unlike AKAI Sampler can. So if one sample is used in 10 different programs, when it comes to loading those sounds one by one the OASYS will load the same sample to memory 10 time.
So the only way to create an optimized custom library is to use the instructions I posted above.
It also depends on the content of the library. For straight sounds like Pianos and Strings your very unlikely to use the samples more than once or twice, but for the likes of OASYS ASSAULT where I have 8 true stereo OSC's to work with and an very deep engine, mixing samples together and mangling them with the engine can produce fantastic results.
A serious suggestion to you and to Karo - why not release all your libraries in AKAI format - in this way OASYS will read them exquisitely and seperately and you will have vastly greater commercial opportunities.
The OASYS loads AKAI format perfectly, but AKAI format can't make use everything the HD-1 engine has to offer. For example I wouldn't be able to write KARMA settings Insert Effects, Ribbon and real-time controls and so on.
Basically, the library wouldn't sound as good as it could and we wouldn't be able to make the most of the OASYS if we did that.
In fact in general while you gravitate to OASYS through obvious passion for the instrument; surely theres potentially serious business to be had from your libraries across various formats from AKAI to Kontakt
It's something I've always wanted to do and who knows maybe I will someday. For me right now none of this is a business and what I make is nothing more than pocket money at the end of a month. It's actually not worth the effort when you sit down and consider how long it takes and how much it costs to produce a library. For me though it's more like a passion as I love making sounds and I'm hoping one day KORG will give me a break and notice the work I've been doing and give me a job
I do what I do because I love it.
Sorry for poorer (than usual) typos - Im delighted to say that Im typing this message from inside IRCAM, Paris where Im on a 6 day course on MAX/MSP (though MAX5)
Ooohhh Sweet.
Have a good time mate.
Regards.
Sharp.