
Problems assigning a MIDI channel to a sound
Moderators: Sharp, X-Trade, Pepperpotty, karmathanever
Problems assigning a MIDI channel to a sound
I thought the MS-2000 was supposed to be a multi-timbre instrument. I am using the MS-2000 with a sequencer and I am having problems assigning a channel to a sound. How is this done? the manual doesn't explain it clearly. Right now I can only sequence one channel at a time. Anybody??
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you can only control one program at a time. programs are in a way up to two-part multi-timbral, but you can't assign timbres to different MIDI channels - only layer or split the two timbres. plus if you run two timbres the polyphony is reduced to two (or three if the other timbre is monophonic). the multitimbral operation is more designed for creating more complex sounds, rather than for sequencing purposes.
the best solution to this is to record the audio from the unit into your sequencer. create an audio track, then when you record the MIDI will be transmitted, causing the unit to play and you will get audio back. then mute the MIDI track once you have your audio recording. It is best to keep it in case you need to change it in the future - you can always go back and re-record the audio after altering the MIDI.
the best solution to this is to record the audio from the unit into your sequencer. create an audio track, then when you record the MIDI will be transmitted, causing the unit to play and you will get audio back. then mute the MIDI track once you have your audio recording. It is best to keep it in case you need to change it in the future - you can always go back and re-record the audio after altering the MIDI.
Current Gear: Kronos 61, RADIAS-R, Volca Bass, ESX-1, microKorg, MS2000B, R3, Kaossilator Pro +, MiniKP, AX3000B, nanoKontrol, nanoPad MK II,
Other Mfgrs: Moog Sub37, Roland Boutique JX03, Novation MiniNova, Akai APC40, MOTU MIDI TimePiece 2, ART Pro VLA, Focusrite Saffire Pro 40.
Past Gear: Korg Karma, TR61, Poly800, EA-1, ER-1, ES-1, Kawai K1, Novation ReMote37SL, Boss GT-6B
Software: NI Komplete 10 Ultimate, Arturia V Collection, Ableton Live 9. Apple OSX El Capitan on 15" MacBook Pro
Other Mfgrs: Moog Sub37, Roland Boutique JX03, Novation MiniNova, Akai APC40, MOTU MIDI TimePiece 2, ART Pro VLA, Focusrite Saffire Pro 40.
Past Gear: Korg Karma, TR61, Poly800, EA-1, ER-1, ES-1, Kawai K1, Novation ReMote37SL, Boss GT-6B
Software: NI Komplete 10 Ultimate, Arturia V Collection, Ableton Live 9. Apple OSX El Capitan on 15" MacBook Pro
Problems assigning a MIDI channel to a sound
Oh well, I was expecting the MS-2000 to be more like the Nord Lead where one can assign different instruments to different channels on the fly. Why have 16 channels available if only one can be used at a time?? I am using a Doepfer MAQ sequencer that has three different sequences on 3 channels and I like to hear how they mesh together simultaneously. I am more of a hardware based musician, I don't use a computer to sequence things.
It is still not the ideal solution though. as I said before, the dual mode is much more suited to making layered or split programs or programs controlled by two seperate keyboards. there are still several severe limitations:
- only two timbres
- four note polyphony has to be split between both timbres. so you can only realistically use two mono/unison leads/basses, or a poly limited to three note chords and a mono lead/bass or arp.
- both timbres have to go through the same EQ and effects
It was never really designed to be used as a multitimbral sound module - it is a straight VA synth. a workstation or derived product (e.g. X50, MicroX) would be more suited to the job. doesn't apply to all synths though, for example I do use the Radias as a multitimbral sound module for live performance, as well as a Virus B which has up to 16 timbres limited to monophony.
- only two timbres
- four note polyphony has to be split between both timbres. so you can only realistically use two mono/unison leads/basses, or a poly limited to three note chords and a mono lead/bass or arp.
- both timbres have to go through the same EQ and effects
It was never really designed to be used as a multitimbral sound module - it is a straight VA synth. a workstation or derived product (e.g. X50, MicroX) would be more suited to the job. doesn't apply to all synths though, for example I do use the Radias as a multitimbral sound module for live performance, as well as a Virus B which has up to 16 timbres limited to monophony.
Current Gear: Kronos 61, RADIAS-R, Volca Bass, ESX-1, microKorg, MS2000B, R3, Kaossilator Pro +, MiniKP, AX3000B, nanoKontrol, nanoPad MK II,
Other Mfgrs: Moog Sub37, Roland Boutique JX03, Novation MiniNova, Akai APC40, MOTU MIDI TimePiece 2, ART Pro VLA, Focusrite Saffire Pro 40.
Past Gear: Korg Karma, TR61, Poly800, EA-1, ER-1, ES-1, Kawai K1, Novation ReMote37SL, Boss GT-6B
Software: NI Komplete 10 Ultimate, Arturia V Collection, Ableton Live 9. Apple OSX El Capitan on 15" MacBook Pro
Other Mfgrs: Moog Sub37, Roland Boutique JX03, Novation MiniNova, Akai APC40, MOTU MIDI TimePiece 2, ART Pro VLA, Focusrite Saffire Pro 40.
Past Gear: Korg Karma, TR61, Poly800, EA-1, ER-1, ES-1, Kawai K1, Novation ReMote37SL, Boss GT-6B
Software: NI Komplete 10 Ultimate, Arturia V Collection, Ableton Live 9. Apple OSX El Capitan on 15" MacBook Pro