Volume boost in a combi
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Volume boost in a combi
Hi, sorry for the dumb question but I don't know how to increase the volume of a single program in a combi over the default level (that is the top, I assume..).
In my case I have a single-program combi with a lead, but the volume is too low and I can't just decrease all the other combinations of the song.
(again, sorry for my english)
In my case I have a single-program combi with a lead, but the volume is too low and I can't just decrease all the other combinations of the song.
(again, sorry for my english)
Current gear: Korg M50-88, Yamaha MM6
I tend to mix thinking that the 'normal' would be 100, thus giving an extra 27 for boosting things. So the best solution would be to lower everything else - surely that would have the same effect as just turning up this single instrument track? (it also helps to avoid clipping and provides a more reasonably balanced, professional mix in general. You shouldn't push everything to the max).
However, if you for some inexplicable reason can't justify doing that, there are other alternatives. You basically want this sound to come to the forefront of the mix. You can do this with effects - apply less reverb send, less chorus/flange. Phase is okay.
Also you can insert an insert effect at the start of its effect chain (if it has one), of a Limiter, Compressor, or some light (read very subtle) distortion or overdrive.
Or just better use of the EQ to bring out that instrument in the frequency region of the mix where it matters - usually for lead sounds this will be near the top of the 'musical' spectrum (i.e. not 20k, generally below 10k).
However, if you for some inexplicable reason can't justify doing that, there are other alternatives. You basically want this sound to come to the forefront of the mix. You can do this with effects - apply less reverb send, less chorus/flange. Phase is okay.
Also you can insert an insert effect at the start of its effect chain (if it has one), of a Limiter, Compressor, or some light (read very subtle) distortion or overdrive.
Or just better use of the EQ to bring out that instrument in the frequency region of the mix where it matters - usually for lead sounds this will be near the top of the 'musical' spectrum (i.e. not 20k, generally below 10k).
Current Gear: Kronos 61, RADIAS-R, Volca Bass, ESX-1, microKorg, MS2000B, R3, Kaossilator Pro +, MiniKP, AX3000B, nanoKontrol, nanoPad MK II,
Other Mfgrs: Moog Sub37, Roland Boutique JX03, Novation MiniNova, Akai APC40, MOTU MIDI TimePiece 2, ART Pro VLA, Focusrite Saffire Pro 40.
Past Gear: Korg Karma, TR61, Poly800, EA-1, ER-1, ES-1, Kawai K1, Novation ReMote37SL, Boss GT-6B
Software: NI Komplete 10 Ultimate, Arturia V Collection, Ableton Live 9. Apple OSX El Capitan on 15" MacBook Pro
Other Mfgrs: Moog Sub37, Roland Boutique JX03, Novation MiniNova, Akai APC40, MOTU MIDI TimePiece 2, ART Pro VLA, Focusrite Saffire Pro 40.
Past Gear: Korg Karma, TR61, Poly800, EA-1, ER-1, ES-1, Kawai K1, Novation ReMote37SL, Boss GT-6B
Software: NI Komplete 10 Ultimate, Arturia V Collection, Ableton Live 9. Apple OSX El Capitan on 15" MacBook Pro
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The problem was not to make a louder instrument track in an ensamble, but to make a combi with one single instrument louder than the combinations I created before.X-Trade wrote:I tend to mix thinking that the 'normal' would be 100, thus giving an extra 27 for boosting things. So the best solution would be to lower everything else - surely that would have the same effect as just turning up this single instrument track? (it also helps to avoid clipping and provides a more reasonably balanced, professional mix in general. You shouldn't push everything to the max).
However, if you for some inexplicable reason can't justify doing that, there are other alternatives. You basically want this sound to come to the forefront of the mix. You can do this with effects - apply less reverb send, less chorus/flange. Phase is okay.
Also you can insert an insert effect at the start of its effect chain (if it has one), of a Limiter, Compressor, or some light (read very subtle) distortion or overdrive.
Or just better use of the EQ to bring out that instrument in the frequency region of the mix where it matters - usually for lead sounds this will be near the top of the 'musical' spectrum (i.e. not 20k, generally below 10k).
But the suggestion of putting by default the track volume to 100 it's so convincing that I'll change every combi..
Thank you again!
(you put to 100 even the Master in the MFX/TFX Routing page?)
Current gear: Korg M50-88, Yamaha MM6
- mocando
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Some instruments are louder than others by design. I don't remember the reason why, but someone here explained it a few months back.
The reason why one combi sounds louder than other using the same instrument (in a recently created combi) is not because of the mixer settings, but the filters. When you use "copy from program" while creating a combi, make sure you select all filter settings so you'll have an exact copy of the program the way it was designed. It will sound the same on every combi you use it.
The reason why one combi sounds louder than other using the same instrument (in a recently created combi) is not because of the mixer settings, but the filters. When you use "copy from program" while creating a combi, make sure you select all filter settings so you'll have an exact copy of the program the way it was designed. It will sound the same on every combi you use it.
Martin Ocando
Korg Gear: Wavestation
Korg Software: KLC Wavestation, iWavestation for iPad
Non Korg: M-Audio Code 61 MIDI Controller, Nektar GX49 MIDI Controller
Music Computing: 16in Macbook Pro with Touch Bar Mid 2019, i9 32GB RAM 2TB Flash, MacOS Catalina - 2019 iPad Air 64GB
Software: Apple MainStage, Arturia V Collection 7, Arturia OB-Xa V
Visit: <a href="http://korgfans.wordpress.com">Synth Fans :: Everything Synths</a> Twitter: <a href="http://twitter.com/korgfans">@korgfans</a>
Korg Gear: Wavestation
Korg Software: KLC Wavestation, iWavestation for iPad
Non Korg: M-Audio Code 61 MIDI Controller, Nektar GX49 MIDI Controller
Music Computing: 16in Macbook Pro with Touch Bar Mid 2019, i9 32GB RAM 2TB Flash, MacOS Catalina - 2019 iPad Air 64GB
Software: Apple MainStage, Arturia V Collection 7, Arturia OB-Xa V
Visit: <a href="http://korgfans.wordpress.com">Synth Fans :: Everything Synths</a> Twitter: <a href="http://twitter.com/korgfans">@korgfans</a>
I assume you mean the Effects? i've heard people refer to them as Filters occasionally, for some reason.mocando wrote:Some instruments are louder than others by design. I don't remember the reason why, but someone here explained it a few months back.
The reason why one combi sounds louder than other using the same instrument (in a recently created combi) is not because of the mixer settings, but the filters. When you use "copy from program" while creating a combi, make sure you select all filter settings so you'll have an exact copy of the program the way it was designed. It will sound the same on every combi you use it.
as I mentioned, things like overdrive, limiters, compressors, and EQ can make things louder.
I also got the impression from the opening post that they were using custom built combis specific to a song.
Also as you know, it isn't always possible to copy all effects from every program you use in a combi.
Current Gear: Kronos 61, RADIAS-R, Volca Bass, ESX-1, microKorg, MS2000B, R3, Kaossilator Pro +, MiniKP, AX3000B, nanoKontrol, nanoPad MK II,
Other Mfgrs: Moog Sub37, Roland Boutique JX03, Novation MiniNova, Akai APC40, MOTU MIDI TimePiece 2, ART Pro VLA, Focusrite Saffire Pro 40.
Past Gear: Korg Karma, TR61, Poly800, EA-1, ER-1, ES-1, Kawai K1, Novation ReMote37SL, Boss GT-6B
Software: NI Komplete 10 Ultimate, Arturia V Collection, Ableton Live 9. Apple OSX El Capitan on 15" MacBook Pro
Other Mfgrs: Moog Sub37, Roland Boutique JX03, Novation MiniNova, Akai APC40, MOTU MIDI TimePiece 2, ART Pro VLA, Focusrite Saffire Pro 40.
Past Gear: Korg Karma, TR61, Poly800, EA-1, ER-1, ES-1, Kawai K1, Novation ReMote37SL, Boss GT-6B
Software: NI Komplete 10 Ultimate, Arturia V Collection, Ableton Live 9. Apple OSX El Capitan on 15" MacBook Pro
- mocando
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Yeah, it's me AGAINX-Trade wrote:I assume you mean the Effects? i've heard people refer to them as Filters occasionally, for some reason.
as I mentioned, things like overdrive, limiters, compressors, and EQ can make things louder.
I also got the impression from the opening post that they were using custom built combis specific to a song.
Also as you know, it isn't always possible to copy all effects from every program you use in a combi.


Sorry man, I keep doing it. Some day you'll call me Mr. Filterman


Martin Ocando
Korg Gear: Wavestation
Korg Software: KLC Wavestation, iWavestation for iPad
Non Korg: M-Audio Code 61 MIDI Controller, Nektar GX49 MIDI Controller
Music Computing: 16in Macbook Pro with Touch Bar Mid 2019, i9 32GB RAM 2TB Flash, MacOS Catalina - 2019 iPad Air 64GB
Software: Apple MainStage, Arturia V Collection 7, Arturia OB-Xa V
Visit: <a href="http://korgfans.wordpress.com">Synth Fans :: Everything Synths</a> Twitter: <a href="http://twitter.com/korgfans">@korgfans</a>
Korg Gear: Wavestation
Korg Software: KLC Wavestation, iWavestation for iPad
Non Korg: M-Audio Code 61 MIDI Controller, Nektar GX49 MIDI Controller
Music Computing: 16in Macbook Pro with Touch Bar Mid 2019, i9 32GB RAM 2TB Flash, MacOS Catalina - 2019 iPad Air 64GB
Software: Apple MainStage, Arturia V Collection 7, Arturia OB-Xa V
Visit: <a href="http://korgfans.wordpress.com">Synth Fans :: Everything Synths</a> Twitter: <a href="http://twitter.com/korgfans">@korgfans</a>
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That 100 basic with 27 left for boost is otherwise nice, but if you're using some distortion or overdrive effects (or Rotary Speaker OD for example) the distortion/overdrive gets weaker if you lower the volume from the mixer of the combi... this is obvious because the effects are located after the mixer which means that there is a lower input for the effects...
Korg Triton Classic 61-keys, Native Instruments Kore 2 (SW&HW)
- mocando
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I agree. That's why I keep tweaking the mixer settings all the time. Organ patches are very high volumed. While choir and strings are very low, specially slow synth sounds.
Martin Ocando
Korg Gear: Wavestation
Korg Software: KLC Wavestation, iWavestation for iPad
Non Korg: M-Audio Code 61 MIDI Controller, Nektar GX49 MIDI Controller
Music Computing: 16in Macbook Pro with Touch Bar Mid 2019, i9 32GB RAM 2TB Flash, MacOS Catalina - 2019 iPad Air 64GB
Software: Apple MainStage, Arturia V Collection 7, Arturia OB-Xa V
Visit: <a href="http://korgfans.wordpress.com">Synth Fans :: Everything Synths</a> Twitter: <a href="http://twitter.com/korgfans">@korgfans</a>
Korg Gear: Wavestation
Korg Software: KLC Wavestation, iWavestation for iPad
Non Korg: M-Audio Code 61 MIDI Controller, Nektar GX49 MIDI Controller
Music Computing: 16in Macbook Pro with Touch Bar Mid 2019, i9 32GB RAM 2TB Flash, MacOS Catalina - 2019 iPad Air 64GB
Software: Apple MainStage, Arturia V Collection 7, Arturia OB-Xa V
Visit: <a href="http://korgfans.wordpress.com">Synth Fans :: Everything Synths</a> Twitter: <a href="http://twitter.com/korgfans">@korgfans</a>
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To maximize a program's volume in a combination, set its volume to 127 AND set the EQ Trim (edit page 2-1) to 99.
If you still need more gain, try choosing Stereo Limiter as the Total Effect. Use the Gain Adjust parameter to boost the volume as needed. This effect will compress the combi's dynamic range by default, but if you don't want it to, simply set the Ratio to 1.0:1. That will turn the limiter into a simple gain boost.
This technique also works with insert effects. If you need to boost the volume of one or more programs - but not all of them - route them to the Stereo Limiter assigned to an insert effect block.
If you still need more gain, try choosing Stereo Limiter as the Total Effect. Use the Gain Adjust parameter to boost the volume as needed. This effect will compress the combi's dynamic range by default, but if you don't want it to, simply set the Ratio to 1.0:1. That will turn the limiter into a simple gain boost.
This technique also works with insert effects. If you need to boost the volume of one or more programs - but not all of them - route them to the Stereo Limiter assigned to an insert effect block.
Keven Spargo, Sound Designer
www.ksounds.com
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