They stick like a sore thumb among my black-and-wood analog setup.
AND: the white pads and controls disappear against a whitish background, and that's bad when improvising live.
So, I had my M3M customized.
Here are the pictures of the black beauty.
http://www.dagnyt.com/ne/m3black_006.jpg
http://www.dagnyt.com/ne/m3black_002.jpg
http://www.dagnyt.com/ne/m3black_003.jpg
http://www.dagnyt.com/ne/m3black_004.jpg
http://www.dagnyt.com/ne/m3black_005.jpg
http://www.dagnyt.com/ne/m3black_001.jpg
and finally, look at the vintage "Korg" logo on the back. (Korg, DON'T YOU DARE copying the idea and putting this logo on the Monotone, Mononucleo-tron, Mini-toon, or wazzisname. Only REAL synths, pls).
http://www.dagnyt.com/ne/m3black_007.jpg
Some details of the rack are still incomplete (a wooden frame will encompass the m3m, the doepfer and the DSI modules).
KUDOS to: Jeff Toman at www.customsynth.co.uk who did a nice job

Prize: I will entrust him turning my oberheim mc2000 black as well
SHAME on: Korg Italy, whioch took 6 months to provide me with the spare parts, made me pay an arm and a leg for them, and took the liberty of even patronizing me.

They know what the prize is. Best wishes.
PS: the Akai Miniak is a placeholder. A Virus Redback is the usual left-hand bass keyboard below the m3m.