You could export the drum loop as a .wav file and import it to Reason in either the NN-19 or NN-XT sampler. So long as you take the KORG reverb off first you've now got a clean drum loop that you can sequence in the piano roll, and you could add reverb using the RV7000 as an Auxiliary send & return in the mixer. You won't have control of the tempo - you'd have to set Reason to the correct BPM for the loop. Record can time-stretch ordinary .wav loops; Reason can't - it can only time stretch .rex loops.buggs1a wrote:Lol. Um: I created the Reverb in the Korg.
So can I export it to pc and then use reason to do what you've suggested up ^?
You couldn't do the more advanced stuff in my last post - there's no way to separate out the hits with a normal loop. If it was a .rex file you could use the slice outputs on the back of the Dr OctoRex, but to turn an ordinary loop into a .rex file you need another Propellerhead program called ReCycle, and it's stupidly expensive for what it does at US$249.
Just try working your way through the examples I gave above using ReDrum - it's honestly not as complicated as I've made it look.
Incidentally, you don't necessarily have to use all the outputs for all 10 of the ReDrum channels. If you leave the main outs of the Redrum connected to channel one of the mixer you can just connect the individual outs for the channel you want to process separately (the snare in the examples above).
When you connect any of the individual ReDrum outs it automatically removes them from the main outs. So you could just use the individual outs for one or more channels if you want to process them separately, while everything else will still be going through the main outs. Much simpler wiring then.
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There's another possibility too. Many of the ReDrum patches have more than one snare sound, often three. If you want to process all three together the easiest way to do it is to create a 6:2 line mixer (a much smaller simpler mixer than the 14:2) and connect the 6:2 to a channel in the the 14:2 mixer (the connection will probably have been made automatically when you created the 6:2).
Then connect the three snare channels from the ReDrum to the 6:2. Now you use the 6:2 as a sub-mixer for the snares, the 6:2 is connected to a channel on the 14:2, and you can process all three snares with the effects you've got connected to the Aux Sends in the 14:2.
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There's also another and much simpler way of processing individual channels on the ReDrum. When you create the ReDrum it automatically wires the first two Auxiliary channels of the 14:2 mixer to the ReDrum by a connection called the Chaining Aux on the back of the 14:2.
If you look at the Redrum for each channel you'll see two little knobs labelled S1 and S2. These control the level of the effects that are connected to the Aux 1 & 2 on the 14:2. This is the easiest way to set effects on each individual Redrum sound, but it's less flexible than doing it the way I've described above, and you've only got 2 effects sends, not 4.
As I said earlier, there's always more than one way of doing anything on Reason. Which method you choose normally comes down to how much flexibility and control you want.