I don´t want Hammer Action for organ and synth sounds...

I want the great keyboard from the Tex 76
Please agree if you think the same
P.S. sorry for my bad english I´m from germany

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The vast majority of gigging musicians I see are playing mainly synth and organ patches and have very little use for weighted keys. If I were playing holiday inns and piano bars, I could see weighted keys being desired, but I'm just not seeing 73 weighted keys doing better than 73 unweighted keys. We'll never know what the sales numbers are though...GiantSonicRobot wrote:Sadly, there haven't really been a lot of options for those who needed weighted keys besides actually lugging a heavy 88 key instrument around. To those guys (and I count myself among them) a weighted but still somewhat transportable keyboard is a highly attractive option.
Well, of course it depends on what kind of music you are playing. Piano bars and holiday inns certainly are not what KORG had in mind when they designed Kronos, of course.McHale wrote:The vast majority of gigging musicians I see are playing mainly synth and organ patches and have very little use for weighted keys. If I were playing holiday inns and piano bars, I could see weighted keys being desired, but I'm just not seeing 73 weighted keys doing better than 73 unweighted keys. We'll never know what the sales numbers are though...
I kind of attributed that to the nasty pianos on previous Korg instruments. I prefer the piano on my Triton over the piano on my M3. That tells ya something...GiantSonicRobot wrote:But look at it this way: The two new engines which were added (in comparison to what was available on the OASYS) are SGX-1 and EP-1. Both are aimed at piano players.
Its not just about the testing, its about the arrangement and setup for manufacturing. the R&D drawing boards for the internal mechanics now probably accomodate weighted keys, and the dimensions to tightly fit in the keybed to the chassis to create the full product. changing from weighted to non-weighted is not as easy as it seems in engineering terms. to do a change like that will probably take several more months than april (since its always a chain effect: modifying the keybed will require modifying chassis, mechanical parts, etc) and that will throw a lot of customers off.sani wrote:It's clear that it will not happen, but it certainly doesn't need years of testing a 73 non piano weighted keybed now. It's already there (M3-73).
I'm not saying that it can be done within days, but since Korg already developed, tested and used that keyboard, deciding how big it will be and from which key it will start is the smallest problem in the whole part. Only problem is that the Kronos-73 can't accept a bigger or smaller keyboard. But the parts are already invented and there.
It's a damned-if-you-do, damned-if-you-don't decision. Yes, if you care about portability for gigging, there can be a benefit to a 73 weighted board over an 88. But also, if you care about portability for gigging, there can be a benefit to a 20 pound unweighted 73-key board over a 40 pound weighted 73-key board. Clearly, there would be some market for each... but apparently not large enough to make it worth their making both of them. The only company I can think of who has gone both ways is Nord with the Stage, they have a 73 unweighted and a 76 weighted (in addition to the 88), but they have no 61.GiantSonicRobot wrote:My guess is, that KORG are hoping to sell Kronos to gigging musicians in quite substantial numbers. And of course, in this arena portability is one major issue. Sadly, there haven't really been a lot of options for those who needed weighted keys besides actually lugging a heavy 88 key instrument around. To those guys (and I count myself among them) a weighted but still somewhat transportable keyboard is a highly attractive option.