What is so game changing on it? Basically (except the two new engines) it's 6 years old technology.Kevin Nolan wrote:but the term 'game changer' is truly modest!
Yes, the OASYS was a game changer - but so heavily overpriced that nobody noticed it. But now? Yesterday it was the first time I had a look at Omnisphere... If THAT was in the KRONOS, I'd accept the term. But Omnisphere compared to MS20/Polysix&Co.. well.. eighties vs. 21st century I'd say.
Don't get me wrong on this: Kronos seems to be the best workstation on the market. But only in the workstation market. I think no studio owner would be overly impressed by this, as for studio people there is nothing really new there.
The best benefit seems to be for a live gigging musician. Who was afraid to carry around an O can now carry arround s.th. waaay cheaper and having SST and VMT on stage by just carrying around one unit is, of course, really nice.
But it's nothing new - not if you used some decent VSTs. And speaking of reliability: if you have a system *only* with your music soft on, no network no nothing - just standalone like a hardware workstation - this won't be any less reliable than a hardware workstation (except you bought some cheap computer with defective RAM, overclocked mainboard aso).
I like the Kronos for what it is and I'm seriously considering getting one, but that 'game changer' stuff somehow annoys me, because IF there is something game-changing on it, then it was already done with the release of the big O. (And having more than just sampling on a board is also nothing special.. MOSS.., Motif ES expansions, M3 radias....)
The only game changing I can see here is the marketing. And I have to admit: you marketing guys are stunning! I mean that in an absolute positive way - I really enjoy watching all those videos.
So to all GASed Kronos-wanters out there: no offense & have a nice week-end!

FFS