oxygene string/pad

Morshu · Post by **Morshu** » Mon Oct 03, 2011 11:03 pm

http://www.youtube.com/watch?v=wq83lwYP ... re=related

i'm trying to create both the emininent strings and the synth that starts at :56 that i can't quite describe, other than as maybe a sort of pad.

I can't figure out what sound waves they are composed of or what sort of modulations are applied.

CharlesFerraro · Post by **CharlesFerraro** » Tue Oct 04, 2011 2:08 am

27/76 X 100 = 35.526316

You've created over one third of all post topics since you joined on Aug 4.

But they're all the same 'topic' of you begging for a patch.

If that isn't spam I don't know what is.

Last Wednesday I made a post in the sticky'd 'RADIAS tips and trick'. I didn't make a new post topic. I posted in an EXISTING thread.
This website had to disable its search engine because the host can't handle all of the site activity and you're exacerbating the problem.

Stick to a single patch beggar thread, attempt the patch yourself, record it, share your r3p and wav files and hopefully someone will teach you something... Cause we know you're such a good learner.

axxim · Post by **axxim** » Tue Oct 04, 2011 7:46 am

Morshu wrote:http://www.youtube.com/watch?v=wq83lwYP ... re=related

i'm trying to create both the emininent strings and the synth that starts at :56 that i can't quite describe, other than as maybe a sort of pad.

I can't figure out what sound waves they are composed of or what sort of modulations are applied.

Maybe you should go to your Sound Editor, load (or create) a scratch (Init Patch) bank and beginn to adjust every setting in all possible combinations to find out what effect you get from each of it. You will find that each modification will have an effect and maybe the sound will remind you of some instrument or typical sound.

It is like painting, you first have to learn how to make traces and drawings, perspective techniques, color mixing, paint techniques, materials, etc. etc. This means you have to experiment and practice with all these tasks to get a grade of experience which is the key to have succes in the goals you want to achieve.
If you don't do this, then you will never be able to get the things by yourself and if you for example want a copy of the "Monalisa", then you may go to the "Louvre" and take a picture of it, or pay someone of the thousands student artists sitting around there (who surely invested such time) to make that copy for you. In that case, returning to our topic, I would recommend you to purchase a sampler.

X-Trade · Post by **X-Trade** » Tue Oct 04, 2011 4:58 pm

the string patch is so phased that it is almost impossible to tell the actual sound either way - it's more 'phaser' than anything else. My normal approach for this kind of sound is just a single sawtooth, stick ensemble and phaser on it.

The lead sound is a typical moogy detuned sawtooth brassy lead.

Morshu · Post by **Morshu** » Tue Oct 04, 2011 9:23 pm

funny thing is that lately every time i post a topic i've been easily creating the sound weeks later... idk how thats possible lol.

but yea it took me a while but i realized it was merely a brass patch with some sort of phaser and some attack and release on the amp

however, there is one patch i've been completely unable to replicate regardless of advice, and that remains the afrojack patch....

now that i seriously could use some help on lol.

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oxygene string/pad

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