Foot Pedal - Volume set to Zero when changing combinations.?
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Foot Pedal - Volume set to Zero when changing combinations.?
I use my Kronos 73 with a Motif XF.
Every song the band performs has its own Combi with all sounds set up as required.
I use Expression pedals set to controll volume on both machines - 2 on the Motif and 1 on the Kronos.
The Motif defaults to the Expression Pedals resetting to maximum every time I change to a new song, which is a real pain in the ass (I have to reset them manually) otherwise I'm left with a huge wall of sound I don't need.
Is there any way to force the Kronos to go to Zero volume on those parts of the Combination I have sected as being under Foot Pedal control, and still bring in those sounds when required ?.
Every song the band performs has its own Combi with all sounds set up as required.
I use Expression pedals set to controll volume on both machines - 2 on the Motif and 1 on the Kronos.
The Motif defaults to the Expression Pedals resetting to maximum every time I change to a new song, which is a real pain in the ass (I have to reset them manually) otherwise I'm left with a huge wall of sound I don't need.
Is there any way to force the Kronos to go to Zero volume on those parts of the Combination I have sected as being under Foot Pedal control, and still bring in those sounds when required ?.
No AFAIK
In Combi mode, Kronos won't send automation message to change the volume level on the Motif XF.
But you may try Vector Envelope by using volume control for Combi. If the volume control on the VJ can control Motif XF, then you may initialize the volume.

But you may try Vector Envelope by using volume control for Combi. If the volume control on the VJ can control Motif XF, then you may initialize the volume.
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Thanks for your input guys, but it looks like I'll have to revert to my current method of silencing all 3 expression pedals manually (or footally ??)
The problem with using the Expression pedal to control the Volume Sliders in the Combi is:-
A typical Combi will have a Piano always active and a String Orchestra under the influence of the Expression Pedal, but the Strings may take up 4 or 5 Combi slots each with different Volume settings.
I couldn't find a way of assigning the Expression Pedal to influence all 4 or 5 Volume sliders and maintain their relative levels.
I've been using this method of playing for decades now (ever since MIDI was invented) and I find it gives me ultimate control over every sound required in any given song.
I can have 4 different sounds (2 in the Kronos and 2 in the Motif) all "Playing" at the same time, but you don't hear them until I bring them in with the Expression pedals - great for doing Brass Stabs and scaring the s**t out of my wee Bass Player buddy, or some very expressive orchestral arrangements on the fly.
The problem with using the Expression pedal to control the Volume Sliders in the Combi is:-
A typical Combi will have a Piano always active and a String Orchestra under the influence of the Expression Pedal, but the Strings may take up 4 or 5 Combi slots each with different Volume settings.
I couldn't find a way of assigning the Expression Pedal to influence all 4 or 5 Volume sliders and maintain their relative levels.
I've been using this method of playing for decades now (ever since MIDI was invented) and I find it gives me ultimate control over every sound required in any given song.
I can have 4 different sounds (2 in the Kronos and 2 in the Motif) all "Playing" at the same time, but you don't hear them until I bring them in with the Expression pedals - great for doing Brass Stabs and scaring the s**t out of my wee Bass Player buddy, or some very expressive orchestral arrangements on the fly.
I understand more now about the problem - it is an interesting question. Will be thinking about this one.kaptainkeyboard wrote:Thanks for your input guys, but it looks like I'll have to revert to my current method of silencing all 3 expression pedals manually (or footally ??)
The problem with using the Expression pedal to control the Volume Sliders in the Combi is:-
A typical Combi will have a Piano always active and a String Orchestra under the influence of the Expression Pedal, but the Strings may take up 4 or 5 Combi slots each with different Volume settings.
I couldn't find a way of assigning the Expression Pedal to influence all 4 or 5 Volume sliders and maintain their relative levels.
I've been using this method of playing for decades now (ever since MIDI was invented) and I find it gives me ultimate control over every sound required in any given song.
I can have 4 different sounds (2 in the Kronos and 2 in the Motif) all "Playing" at the same time, but you don't hear them until I bring them in with the Expression pedals - great for doing Brass Stabs and scaring the s**t out of my wee Bass Player buddy, or some very expressive orchestral arrangements on the fly.
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Just a note: in Combis, both Expression pedal (CC11) and Volume pedal (CC7) will do exactly this, modulating volume while maintaining their relative levels. (CC7 works differently in Sequencer mode.)kaptainkeyboard wrote:The problem with using the Expression pedal to control the Volume Sliders in the Combi is:-
A typical Combi will have a Piano always active and a String Orchestra under the influence of the Expression Pedal, but the Strings may take up 4 or 5 Combi slots each with different Volume settings.
I couldn't find a way of assigning the Expression Pedal to influence all 4 or 5 Volume sliders and maintain their relative levels.
Of course, if you're wanting to store the volumes as 0, then their volumes are all the same to start with, and if you modulate them then they'll stay the same.
Unfortunately editing the Program Amp to 0 and then modulating upwards doesn't work; this is one aspect of the voice structure that I find inconvenient, and I'm sorry for that.
On the bright side, the KRONOS does maintain the pedal state across Program/Combi changes, so you can move the pedal all the way back, change the sound, and the pedal will still be in the minimum position - no need to move it again. You've probably already figured that out, however.
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Manager of Product Development, Korg R&D
Personal website: www.danphillips.com
For technical support, please contact your Korg Distributor: http://www.korg.co.jp/English/Distributors/
Regretfully, I cannot offer technical support directly.
If you need to contact me for purposes other than technical support, please do not send PMs; instead, send email to dan@korgrd.com
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Thanks for taking time out to answer Dan.
I have to zero the Motif expression pedals manually at the minute, so I guess I'll have to get into the habit of pulling back on the Kronos pedal.....when you are my age, that is easier said than done - every time I learn something new, I forget stuff I've know for years, like the time I leaned how to make scones and forgot how to put my car in reverse all of a sudden...
I have to zero the Motif expression pedals manually at the minute, so I guess I'll have to get into the habit of pulling back on the Kronos pedal.....when you are my age, that is easier said than done - every time I learn something new, I forget stuff I've know for years, like the time I leaned how to make scones and forgot how to put my car in reverse all of a sudden...

I think Karma CC Offsets (Param. Guide pages 474-475) will do what you want. You can generate up to 4 CCs per module selecting the combi, so send a 0 value on the Motif channel for the pedal CC#s. Uncheck "run" for all modules unless you want to actually use Karma for other things, save combi w/ Karma on.
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The KARMA route may do what you need but when I used an expression pedal to control KARMA values (by assigning CC#11 globally to KARMA slider 1) I've gotten glitches, as if the KARMA engine needs time to catch up when I make quick or continuous movements of the pedal. Just something to be aware of and try out!
I wonder why my earlier solution wouldn't work, I need to try that out.
I wonder why my earlier solution wouldn't work, I need to try that out.
This is slightly different from what you're thinking of--CC offset just sends the value once, when the combi is loaded or whenever Karma is turned on. The pedals would work normally after that, directly controlling whatever they're set to control.SanderXpander wrote:The KARMA route may do what you need but when I used an expression pedal to control KARMA values (by assigning CC#11 globally to KARMA slider 1) I've gotten glitches, as if the KARMA engine needs time to catch up when I make quick or continuous movements of the pedal. Just something to be aware of and try out!
I wonder why my earlier solution wouldn't work, I need to try that out.