B.Safe wrote: .. just to emulate Yamaha's registrations is not intuitive
... if 4 keyboard sets are not enough, you can access all your keyboard sets directly on the panel. You are not limited at 9 ...
It's not about mimicking the registrations of the Yammis and just about not using multiple songs from a pre-programmed songbook.
Pa-keyboards - with the exception of the latest series - in addition to the Songbook functions have been able to register several times through Autoselect Prf and alternate the styles optionally (without sideview to others).
It is also not a competition between different features of the Pa keyboards, because these always were available in parallel and with each other.
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Styleplay of the songbook and SetList function allows you to access the four KbdSets directly - that is correct. But direct access to the library's KbdSets is blocked by SetList buttons in Tile-View. That is the limitation - to only four KbdSets in SetList mode - and Styles bound as pre-programmed in sb-entry.
Of course, you can now help yourself with double handles (switch-off SetList and than ..... etc), but these is very uncomfortable especially in time-critical situations (OMBs often prefer to use Foot-Controllers for switchings).
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If using Styleplay of songbook without SetList function you could access the four KbdSets and also nine (if Pa1000-user) KbdSets - nothing more in DirectAccess and always the same last nine KbdSets, if using Autoselect KbdSets. All your KbdSets you can not access directly without Autoselect, but once again with double or more handles (first select KbdSet-Group, next select pages, next ... etc) - so just very uncomfortable.
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If you would have a parameter Lock-Style, optionally you could play as many four-part KbdSets as you have styles in your setList. Also does not matter what styles you assigned to sb-entry - and all these with Direct Access, comfortable switching with your 1-2-3-4-KbdSet buttons and your Set-List/TileView.
It is really not to emulate Memory-Registrations, but to use simple Direct Access functions for a varied play with the instrument - without limitations and already was solved better with previous instruments.
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