Korghelper wrote:I think we are still confusing a product like a workstation or an arranger with the underlying engine inside it. There were considerable differences between the triton and the PA line of arrangers. But the hardware under the hood of the arranger had a LOT in common.
But the aspects that are being criticized in the Kronos are software design issues, not a product of the underlying engine. If the arranger design team want to change slider behavior, or change the appearance of the font size of the GUI, there’s no reason why they can’t.
It’s like taking a Corvette engine and dropping it into a new chassis. You don’t have to use the Corvette’s cup holders or dash!
Yes, there might be a newer CPU in the PA1000, but it certainly didn’t translate into more insert effects, or significantly faster response, or anything really noticeable. I rather doubt that CPU in a PA5X is going to translate to a tripling of effect processor power, or true modeled analog synth behavior, or any of the truly significant improvements in the Nautilus’ basic engine.
Don’t assume that minor design gaffes in the workstation line will automatically come over with the engine. The first Triton based PA series arranger was a VERY different experience to the user that the first Triton.
There is, however, ONE aspect of the Nautilus hardware/software that could use a significant reworking… It turns out, the number of supported basic sample ID’s is virtually the same as the PA4X’s. So the use of sliced drum and percussion loops is still going to be the same issue. Perhaps faster loading mitigates the problem, I’m not familiar with the sample load times of the Kronos/Nautilus compared to the PA4X (karma?), or whether there’s a high quality time and pitch transposition engine in the Naurilus that might make slicing moot, but it seems to me that upping the index number bit depth (the more bits, the more addresses) would allow loop slicing to become a more practical live tool.
Most arrangers have been tacked onto an existing hardware package from another line. Roland based the early G series (G1000, G800 etc.) on the Sound Canvas products. Later G and E series were based around the Fantom engine (G70, E80 etc), Korg have used the Triton engine for a long time. But they have a significantly better engine ready to go. Had it for ten years. And dropping a bit more powerful CPU into the old Triton framework isn’t going to help much, IMHO.
You can’t turn an in-line six into a V8, no matter how hard you work on the crankshaft! Come on, Korg… give us the V8!
If Korg Italy wants to make steps, they need to step away from its current line of processors. They can not keep up with todays demands. They are old and based on last centuries ideas..
They either need to make the step to intel like the kronos and the nautilus, but seems korg Japan is struggling for half a decade now to update that software to 64 bits.. also its mostly what they call spaghetti code, so its hard to upgrade many things (like stepping beyound the 9 engines or even adding a capacitive touchscreen)
So most likely they need to step to the latest ARM based designs, which also takes time (guess its been 6 years since the pa4x released). But the hardware is really affordable compared to other solutions..
So actually i think they will further develop the Current engine, with new oscilators (wavetable, wavesequencing, va, FM) and new filters. They also should give the arp section an update.. step beyound the restriction of 4 panel voices.(8 voices freely assignable to keyboard) . add a 2022 worthy dsp effects section… look at the ketron launchpads…. Expand the harmony section with multi instrument (genos ensemble) harmony. And finally add good daw integration and probably even korg gadget integration, so we can use the pianoroll editor in gadget to edit midi inside the Pa… and probably use Gadget voices like we would use internal voices..
Korg first needs to make a hardware step up… then get a good OS working.. then translate the core of the Pa4x to the new OS.. then add the new features..
This is a huge huge project…
Maybe we should not expect a new pa series totl arranger till mid 2023