Two style Engines: Any Good?
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Two style Engines: Any Good?
The PA5X reportedly has two style engines to allow the user to mix two styles simultaneously. I saw a youtube demonstration of this feature, and the poster seemed to like it in the video, but a few months later in comments called it "utterly useless" and "a silly design with no musical purpose".
Has anyone used the feature and can provide their opinion of it?
Has anyone used the feature and can provide their opinion of it?
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Yes, this is good and can be the source for some creative work, but like all things will require some time and effort to produce good results, including unusual matches that work...
Generally, you do not want two base lines running simultaneously when both styles are synchronised...
My personal feelings are that the dual style player system is a little underdeveloped in places, which can make things difficult in certain instances...
Initially in the beginning I also felt this was a gimmick, but, if Korg could exspand and develop the system further, including more polyphony across the hole platform, then Korg might just be onto a winner in the future...
Providing Korg still have the desire to realise this for PA5X ?...
Generally, you do not want two base lines running simultaneously when both styles are synchronised...
My personal feelings are that the dual style player system is a little underdeveloped in places, which can make things difficult in certain instances...
Initially in the beginning I also felt this was a gimmick, but, if Korg could exspand and develop the system further, including more polyphony across the hole platform, then Korg might just be onto a winner in the future...
Providing Korg still have the desire to realise this for PA5X ?...
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Hello,
I use the dual-style player currently like this: While playing 10 songs in a choir, I keep ready the first two styles of the first two songs of my gig in both the players. When I complete the first song, I load the third song style into player 1 and go for player 2 with the second song and so on. I felt a little convenience in this way of playing as of now.
However, I also use it like, I take a style and duplicate the same style with four other variations with different drum track recordings and then I keep those two styles into the two players. This means I have a single style with 8 variations which is very convenient for some songs that demand more than 4 variations. I use these two styles simultaneously with cross-fading.
As of now, I found these two uses of the dual-player function on Korg pa5x.
Look forward to listening to more from the 5X users.
Regards
I use the dual-style player currently like this: While playing 10 songs in a choir, I keep ready the first two styles of the first two songs of my gig in both the players. When I complete the first song, I load the third song style into player 1 and go for player 2 with the second song and so on. I felt a little convenience in this way of playing as of now.
However, I also use it like, I take a style and duplicate the same style with four other variations with different drum track recordings and then I keep those two styles into the two players. This means I have a single style with 8 variations which is very convenient for some songs that demand more than 4 variations. I use these two styles simultaneously with cross-fading.
As of now, I found these two uses of the dual-player function on Korg pa5x.
Look forward to listening to more from the 5X users.
Regards
I Love Music
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great and interesting ideas!josf.kumar@gmail.com wrote:Hello,
I use the dual-style player currently like this: While playing 10 songs in a choir, I keep ready the first two styles of the first two songs of my gig in both the players. When I complete the first song, I load the third song style into player 1 and go for player 2 with the second song and so on. I felt a little convenience in this way of playing as of now.
However, I also use it like, I take a style and duplicate the same style with four other variations with different drum track recordings and then I keep those two styles into the two players. This means I have a single style with 8 variations which is very convenient for some songs that demand more than 4 variations. I use these two styles simultaneously with cross-fading.
As of now, I found these two uses of the dual-player function on Korg pa5x.
Look forward to listening to more from the 5X users.
I use it mainly for adding acappella vocals in sync with the style and when combining backing tracks with styles, ocassionaly I use it with an extra style for the style copy feature.
The entire point of the two style engines is to combine styles to create a NEW Hybrid style and it works fabulously! Yes, you can fade in and fade out between styles AND MP3 files, but the real power is mixing style Genres together like LATIN and ROCK or Big Band and Bachata to create some very very interesting combinations.
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The main concept is dual desk player , prepare next style in real time and mix or start next.
But power Style creators also have the option to create complex 16 track Styles like Symphonic or Cinematic Styles where
12 ACC tracks are required to change continuously with many instrument ensembles.
It would be incredible if in later Pa5X integration (outside Songbook) a Style can have the saving option to be paired with another
one and be loaded at both players or further feature in Style Editor to monitor the other pair due to easily create next 8 tracks.
There are many potentials if KorgPa developers decide to support it further !
But power Style creators also have the option to create complex 16 track Styles like Symphonic or Cinematic Styles where
12 ACC tracks are required to change continuously with many instrument ensembles.
It would be incredible if in later Pa5X integration (outside Songbook) a Style can have the saving option to be paired with another
one and be loaded at both players or further feature in Style Editor to monitor the other pair due to easily create next 8 tracks.
There are many potentials if KorgPa developers decide to support it further !
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[quote="kbrkr"]The entire point of the two style engines is to combine styles to create a NEW Hybrid style and it works fabulously! Yes, you can fade in and fade out between styles AND MP3 files, but the real power is mixing style Genres together like LATIN and ROCK or Big Band and Bachata to create some very very interesting combinations.[/quote]
I’d love to see this demonstrated actually . I think you could come up with some interesting styles but I don’t know if they would be musical in the sense that it grooved to my ears .
As it is I tend to strip down styles as so many instruments tend to get too busy and don’t leave space for me to actually play rather than just pad chords , so combining styles to me is likely to be a nightmare from a musical sense .
I don’t wanna hear down beats on upbeats if you know what mean .
The gaps in the music are almost as important as the notes to my mind .
But seriously , I would love to hear someone using the feature show how it could work to improve what the accompaniment already does in one style
I’d love to see this demonstrated actually . I think you could come up with some interesting styles but I don’t know if they would be musical in the sense that it grooved to my ears .
As it is I tend to strip down styles as so many instruments tend to get too busy and don’t leave space for me to actually play rather than just pad chords , so combining styles to me is likely to be a nightmare from a musical sense .
I don’t wanna hear down beats on upbeats if you know what mean .
The gaps in the music are almost as important as the notes to my mind .
But seriously , I would love to hear someone using the feature show how it could work to improve what the accompaniment already does in one style
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If you ask me, It,s really great idea, BUT,,, not a 100% well planned one.
WHY= 160 Polyphony is not enough for this thing.
Play one style, start another in Player 2, Ad 4 padloops, And play complex harmonies or Notes, DROP outs are there! And it sounds bad as hell . So 256 Voice/Poly, maybe can save this situation, otherweise, it,s a great feature.
For me, I,m using another Solo sound device that can handle 256 GB of samples for live use as ready to go, so i dont care to much, but One 5X and than all this things on, NO!
WHY= 160 Polyphony is not enough for this thing.
Play one style, start another in Player 2, Ad 4 padloops, And play complex harmonies or Notes, DROP outs are there! And it sounds bad as hell . So 256 Voice/Poly, maybe can save this situation, otherweise, it,s a great feature.
For me, I,m using another Solo sound device that can handle 256 GB of samples for live use as ready to go, so i dont care to much, but One 5X and than all this things on, NO!
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I love it, but it's not useful. You can't decide which variation to start, you can't control mixer or anything in style 2 if you don't move slider to right to lose all control on style 1.
KORG must add any option to select in which sequencer to work, edit, mix things, without moving slider.
You can change only the tempo of the style 2, nothing else.
KORG must add any option to select in which sequencer to work, edit, mix things, without moving slider.
You can change only the tempo of the style 2, nothing else.
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