Saxaphones in Kronos
Moderators: Sharp, X-Trade, Pepperpotty, karmathanever
Saxaphones in Kronos
Hi,
So I came across the pad sounds for "True" spandal ballet, and a combie to match the song, all good, then I thought ok. lets spit the keys for the sax part.
loaded the sax in program and copied from program with ins effect to sequencer, and played it, now, is it me or are theses samples just a bit bad? there are no nuances unless you pull the stick back for the growl but even then I must say Im not very impressed, my old Yamaha psr 750 had much better sounding flutes, acoustic guitars and saxophones.
So I'm left thinking some boards are better at some things than others or am I missing a trick?
So I came across the pad sounds for "True" spandal ballet, and a combie to match the song, all good, then I thought ok. lets spit the keys for the sax part.
loaded the sax in program and copied from program with ins effect to sequencer, and played it, now, is it me or are theses samples just a bit bad? there are no nuances unless you pull the stick back for the growl but even then I must say Im not very impressed, my old Yamaha psr 750 had much better sounding flutes, acoustic guitars and saxophones.
So I'm left thinking some boards are better at some things than others or am I missing a trick?
-
- Platinum Member
- Posts: 9451
- Joined: Wed May 15, 2002 12:46 am
- Location: Discovery Bay (San Francisco Bay Area)
Re: Saxaphones in Kronos
Sax is a very expressive instrument, depends on the performer.Scarecrow wrote:Hi,
So I came across the pad sounds for "True" spandal ballet, and a combie to match the song, all good, then I thought ok. lets spit the keys for the sax part.
loaded the sax in program and copied from program with ins effect to sequencer, and played it, now, is it me or are theses samples just a bit bad? there are no nuances unless you pull the stick back for the growl but even then I must say Im not very impressed, my old Yamaha psr 750 had much better sounding flutes, acoustic guitars and saxophones.
So I'm left thinking some boards are better at some things than others or am I missing a trick?
I use the growl sax program for a jazz tune and it records almost perfectly. I work the JS+Y or joystick for expression.'
I will listen to True when I have time- to see how close I get. If the part really wails, it might be a challenge.
-
- Platinum Member
- Posts: 7860
- Joined: Fri Jul 29, 2011 7:23 am
- Derek Cook
- Approved Merchant
- Posts: 1290
- Joined: Sun Jul 20, 2014 9:05 pm
- Location: Wales, UK
- Contact:
The problem is once you have listened to a modelled sax like the VL in my EX5 no sampled sax will cut it. Shame that Korg did not do a wind instrument engine in the Kronos like their string engine.
I agree with the post above that if it's not realistic enough then substitute another sound that is better.
I agree with the post above that if it's not realistic enough then substitute another sound that is better.
Derek Cook - Java Developer

Follow kronos.factory development and submit ideas over at the kronos.factory Trello Board
My Echoes Music Website
My Carreg Ddu Music Website

Follow kronos.factory development and submit ideas over at the kronos.factory Trello Board
My Echoes Music Website
My Carreg Ddu Music Website
-
- Senior Member
- Posts: 287
- Joined: Sun Dec 09, 2007 7:49 am
- Derek Cook
- Approved Merchant
- Posts: 1290
- Joined: Sun Jul 20, 2014 9:05 pm
- Location: Wales, UK
- Contact:
Always amazed me that the Z1 wind modelling did not make it into the Kronostimbukktwo wrote:-or a Korg Z1 / Exb-Moss for the modeled brass osc! Good stuff!
Go to YouTube and check out:
Korg Z1 DEMO Saltillo Mex @ about 6:18
- whether it's played well or not isn't the point, to me, it sounds awesome!

I remember an EX5 demo of the Henry Mancini Pink Panther sax theme played using a WX5 controller. Awesome! It showed the power of physical modelling and I am sure you have many Korg demos as well of the Z1.
I guess one of the issues is the vast majority of keyboard players being happy with lifeless samples?
Derek Cook - Java Developer

Follow kronos.factory development and submit ideas over at the kronos.factory Trello Board
My Echoes Music Website
My Carreg Ddu Music Website

Follow kronos.factory development and submit ideas over at the kronos.factory Trello Board
My Echoes Music Website
My Carreg Ddu Music Website
-
- Senior Member
- Posts: 287
- Joined: Sun Dec 09, 2007 7:49 am
(I don't wanna' hijack the thread- I'll just say:)
Yeah, I know! I have a TEX 88/Moss/Kronos 88 first-generation combo (along with a few other synths), and they are a fantastic combo, which sound great together! The Exb-Moss engine from experience is awesome, for sure! I'll be so sad when it dies!!
Sonically, there isn't much that I don't like about the Z1/Moss; one example is with the resonance- gotta' be careful with it or it can sound unnaturally squelchy (perhaps, because of the Z1/Moss's digital nature). There's a lot of videos online that I don't like because people aren't programming it properly (to me). The Z1/Moss needs to be tamed skillfully to be musically useful, like to a precision. It can be useful, but most videos don't show the Z1/Moss at its' BEST, imo. The Z1/Moss is digital, yet warm; can be real or surreal, etc. It can be a lot of things!
Back to the saxes! Z1/Moss is great for those, if programmed and played properly!
Yeah, I know! I have a TEX 88/Moss/Kronos 88 first-generation combo (along with a few other synths), and they are a fantastic combo, which sound great together! The Exb-Moss engine from experience is awesome, for sure! I'll be so sad when it dies!!
Sonically, there isn't much that I don't like about the Z1/Moss; one example is with the resonance- gotta' be careful with it or it can sound unnaturally squelchy (perhaps, because of the Z1/Moss's digital nature). There's a lot of videos online that I don't like because people aren't programming it properly (to me). The Z1/Moss needs to be tamed skillfully to be musically useful, like to a precision. It can be useful, but most videos don't show the Z1/Moss at its' BEST, imo. The Z1/Moss is digital, yet warm; can be real or surreal, etc. It can be a lot of things!
Back to the saxes! Z1/Moss is great for those, if programmed and played properly!
Last edited by timbukktwo on Thu Apr 13, 2017 12:53 am, edited 5 times in total.
- AntonySharmman
- Approved Merchant
- Posts: 3738
- Joined: Sat Oct 16, 2010 2:24 pm
- Location: Hellas
- Contact:
Scarecrow , Kronos factory sound library contains Brass EXS3 that is not by default loaded !
In SSD factory EXs_Extras folder , search for this EXs3 , load KSC & PCG files and you'll find some more extra Brass that are surely more
realistic than any synth modeling/moss , since genuine sample modeling can be achieved only using script controls like in VST Kontakt stuff !
But in case you need proffesional brass simulation with all natural articulations in a workstation then the one way choice is WavesArt
Brass & vocals Suite http://wavesart.eu/KronosEXs/Brass%20&% ... Suite.html
In SSD factory EXs_Extras folder , search for this EXs3 , load KSC & PCG files and you'll find some more extra Brass that are surely more
realistic than any synth modeling/moss , since genuine sample modeling can be achieved only using script controls like in VST Kontakt stuff !
But in case you need proffesional brass simulation with all natural articulations in a workstation then the one way choice is WavesArt
Brass & vocals Suite http://wavesart.eu/KronosEXs/Brass%20&% ... Suite.html
Music Conductor - Sound Engineer & Developer - Automotive SMPS/RF R&D - Electronics Engineer
Keyboards : Steinway-D, Kronos X, Pa5X 76, Pa4X 76, Montage M7 , Roland-XV88, Emu3,Emax II, Synclavier II , Yamaha DX Series, ΟΒ-8V

wavesΑrt official webpage - KorgPa.gr
DEMO's Playlist - WavesArt Facebook
Keyboards : Steinway-D, Kronos X, Pa5X 76, Pa4X 76, Montage M7 , Roland-XV88, Emu3,Emax II, Synclavier II , Yamaha DX Series, ΟΒ-8V

wavesΑrt official webpage - KorgPa.gr
DEMO's Playlist - WavesArt Facebook
-
- Senior Member
- Posts: 287
- Joined: Sun Dec 09, 2007 7:49 am
^True.
I should've been more clear in saying: the 'sonic sound quality' emulation of the modeling; for example: tone, definition, realism, etc.- for this the Z1/Moss sounds pretty darn good to me (for what it is). For everything else, it's a little more difficult to execute (i.e.- articulations, etc.). These things being said, the Korg Z1/Moss is one of the most dynamic synths out there, hands down. Extremely expressive! This, to me, makes up for nearly any other lack.
AntonySharmman's work is quite good. I almost bought his GuitarSuite, but got stuck with a short cash supply at the time. I will most likely purchase from him in the future.
I should've been more clear in saying: the 'sonic sound quality' emulation of the modeling; for example: tone, definition, realism, etc.- for this the Z1/Moss sounds pretty darn good to me (for what it is). For everything else, it's a little more difficult to execute (i.e.- articulations, etc.). These things being said, the Korg Z1/Moss is one of the most dynamic synths out there, hands down. Extremely expressive! This, to me, makes up for nearly any other lack.
AntonySharmman's work is quite good. I almost bought his GuitarSuite, but got stuck with a short cash supply at the time. I will most likely purchase from him in the future.