dx7 vs korg r3

Discussion relating to the Korg RADIAS, RADIAS-R and the R3

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Morshu
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dx7 vs korg r3

Post by Morshu »

what are the pros and cons of the yamaha dx7 and the korg r3?

which one would you consider better?
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Synthoid
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Re: dx7 vs korg r3

Post by Synthoid »

Morshu wrote:which one would you consider better?
They are two totally different instruments.

Hopefully this article about the DX-7 should help explain the nuances of FM synthesis:

http://en.wikipedia.org/wiki/Yamaha_DX7
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Morshu
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Post by Morshu »

I know- but i just am wondering what the comparison would be between the two
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Post by SanderXpander »

The comparison would be that one is an fm-based synthesizer from the 80s and one is a modern budget analog modeling synth.
There are more nuances but that is a very, very basic sound decision to make. I don't think other details are at all relevant compared to that.
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Post by X-Trade »

What's the difference between a piano and a ukulele? I know they both make sounds by vibrating strings...

Which one would you consider better?




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Synthoid
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Post by Synthoid »

What keyboard(s) are you currently using?

Put simply, the R3 is a dual oscillator, Virtual Analog synth with the ability to produce a wide range of sounds because of its selection of waveforms and filter choices. It can also mimic basic FM timbres.

Its synth structure:

Synth:
2 oscillators + noise generator

Oscillator 1:
Wave: 8 types (Sawtooth, Pulse, Triangle, Sine, Formant, Noise, DWGS, Audio In), Modulation: Waveform, Cross, Unison, VPM

Oscillator 2:
4 types (Sawtooth, Square, Triangle, Sine), Modulation: Ring, Sync, Ring+Sync

Waveshape:
12 types: Drive, Decimator, HardClip, OctSaw, MultiTri, MultiSin, SubOSCSaw, SubOSCSqu, SubOSCTri, SubOSCSin, Pickup, LevelBoost

Multimode Resonant Filters:
Filter 1: -24 dB/oct LPF ~ -12 dB/oct LPF ~ -12 dB/oct BPF ~ -12 dB/oct HPF ~ Thru, Filter 2: LPF, HPF, BPF, COMB



The DX-7 offers only FM synthesis, great for EP's as well as a variety of clangorous and metallic type sounds. I've read it can also produce some convincing organ and even analog sounds, but I have yet to hear that from a DX-7! It also lacks any type of effects.

I wouldn't recommend the DX-7 as a starter keyboard.
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Morshu
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Post by Morshu »

hey you didnt post the specs of the dx7! D: and yes the dx7 can do some spectacular harpsichord and organs and even some 16-bit sounding guitars. but its hard to program....

if i wanted to make a marimba sound like that on the dx7 on the r3 what steps would change? as the r3 doesnt really have fm...(vpm is kinda like it, but not quite)
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Synthoid
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Post by Synthoid »

Morshu wrote:hey you didnt post the specs of the dx7! D:
Google is your friend.

:lol:
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Post by Re-Member »

The DX7 is extremely complicated to program. I owned one for awhile and could never wrap my head around programming sounds. The menu system makes it extremely difficult to experiment with.

I recommend checking out Native Instruments FM7 if you want to get into FM synthesis. You can load DX patches into it, there's "Easy Edit" menu that's set up so it operates more like a subtractive synth, plus a "Randomize" feature that always gets you interesting sounds.

There's also the Casio CZ series worth checking out. I had the CZ-101 as a kid and it was fun to mess with. These are cheaper than the Yahamas and a bit easier to experiment on.
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Synthoid
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Post by Synthoid »

Re-Member wrote:There's also the Casio CZ series worth checking out. I had the CZ-101 as a kid and it was fun to mess with. These are cheaper than the Yahamas and a bit easier to experiment on.
I had a CZ-101 back in the mid 80's. A bit easier to program and very lightweight. I've seen them sell for less than $100.

:soundsgood
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danielb
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Post by danielb »

[quote="Re-Member"]The DX7 is extremely complicated to program. I owned one for awhile and could never wrap my head around programming sounds. The menu system makes it extremely difficult to experiment with.
[quote]

It's not really that hard, but it is different, and there is a big learning curve. I have a DX21 and a TX802 (rack mount DX7) and actually enjoy programming them both. For the latter, it helps to have a PC editor.

The Radias can do some very DX7-sounding sounds using the VPM oscillator.
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Post by xmlguy »

Many of us have FM8 for this, which has DX7 patch compatibility without DX7 programming hassle. You still need to learn how FM operators and algorithms work.
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Post by Morshu »

yea but its not hard to program if you know what your making- just try to make like sonic the hedgehog music or genesis synth sounds- because those games used a similar sound chip to the dx7. only difference is the genesis was multitimbral, (but thats why they made the dx7-2)

btw whats the closest thing to a 16 part multi timbral fm synth?
danielb
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Post by danielb »

Morshu wrote:yea but its not hard to program if you know what your making- just try to make like sonic the hedgehog music or genesis synth sounds- because those games used a similar sound chip to the dx7. only difference is the genesis was multitimbral, (but thats why they made the dx7-2)

btw whats the closest thing to a 16 part multi timbral fm synth?
Yamaha Tx802 is a 16-voice plyphonic, 8-part multi-timbral DX7II-equivalent rack module:

http://www.vintagesynth.com/yamaha/tx802.php
Listen to my music at http://alonetone.com/danielb

My equipment: Ensoniq EPS, Emu Emax II, Oberheim Matrix 1000, Roland JP8000, Yamaha TX802, Korg Radias, DSI Mopho, MFB Microzwerg, Yamaha DX-21, Sylenth1, Korg Legacy M1 and Wavestation, Alchemy and numerous other softsynths and effects. Ableton Live and Reaper.
Morshu
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Post by Morshu »

is there anything else? because that is a terrible synth lol(it sounds good, but i mean its so hard to program those things, its harder than a normal dx7)

but, i'm not gonna shoot that one out of the air unless it can't be controlled by something like the r3 via midi-

can you control it that way? and what would be the best way to control it?

also are there any other similar synths that use fm that arn't necessarily yamahas?
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